| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2013 |
| Prevalence of Second Most Common Vertical Interval |
0.1671 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8302 |
| Vertical Unisons |
0.07524 |
| Vertical Minor Seconds |
0.007566 |
| Vertical Thirds |
0.2946 |
| Vertical Tritones |
0.01016 |
| Vertical Perfect Fourths |
0.09655 |
| Vertical Perfect Fifths |
0.1671 |
| Vertical Sixths |
0.1577 |
| Vertical Sevenths |
0.02162 |
| Vertical Octaves |
0.1261 |
| Perfect Vertical Intervals |
0.465 |
| Vertical Dissonance Ratio |
0.09016 |
| Vertical Minor Third Prevalence |
0.5241 |
| Vertical Major Third Prevalence |
0.5066 |
| Chord Duration |
1.575 |
| Partial Chords |
0.2831 |
| Standard Triads |
0.4944 |
| Diminished and Augmented Triads |
0.01124 |
| Dominant Seventh Chords |
0.004494 |
| Seventh Chords |
0.02921 |
| Non-Standard Chords |
0.1933 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.0 |
| Average Number of Simultaneous Pitch Classes |
2.75 |
| Variability of Number of Simultaneous Pitch Classes |
0.6204 |
| Average Number of Simultaneous Pitches |
3.296 |
| Variability of Number of Simultaneous Pitches |
0.6473 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.406 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
193.5 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1301 |
| Stepwise Motion |
0.5051 |
| Melodic Thirds |
0.2348 |
| Melodic Perfect Fourths |
0.07095 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.07095 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.04561 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.242 |
| Melodic Embellishments |
0.05201 |
| Direction of Melodic Motion |
0.541 |
| Average Length of Melodic Arcs |
1.867 |
| Average Interval Spanned by Melodic Arcs |
6.173 |
| Melodic Pitch Variety |
5.445 |
| Mean Melodic Interval |
3.088 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.375 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3468 |
| Amount of Arpeggiation |
0.424 |
| Repeated Notes |
0.07264 |
| Importance of Middle Register |
0.8356 |
| Importance of High Register |
0.008389 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.39 |
| Mean Pitch Class |
4.844 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1527 |
| Prevalence of Most Common Pitch Class |
0.2248 |
| Relative Prevalence of Top Pitches |
0.9121 |
| Relative Prevalence of Top Pitch Classes |
0.8657 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
5.894 |
| Pitch Class Variability |
3.473 |
| Pitch Class Variability After Folding |
2.84 |
| Pitch Skewness |
0.1597 |
| Pitch Class Skewness |
0.7289 |
| Pitch Class Skewness After Folding |
0.02304 |
| Pitch Kurtosis |
5.571 |
| Pitch Class Kurtosis |
4.986 |
| Pitch Class Kurtosis After Folding |
8.13 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
57.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
28.0 |
| Importance of Bass Register |
0.156 |
| Note Density per Quarter Note |
1.304 |
| Note Density per Quarter Note per Voice |
0.326 |
| Note Density per Quarter Note Variability |
0.3893 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6107 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7651 |
| Prevalence of Very Long Rhythmic Values |
0.09228 |
| Prevalence of Dotted Notes |
0.1611 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.768 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3758 |
| Relative Prevalence of Most Common Rhythmic Values |
0.625 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.952 |
| Rhythmic Value Skewness |
1.181 |
| Rhythmic Value Kurtosis |
10.71 |
| Mean Rhythmic Value Run Length |
1.817 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.557 |
| Mean Rhythmic Value Offset |
0.02685 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3269 |
| Complete Rests Fraction |
0.00217 |
| Partial Rests Fraction |
0.3217 |
| Average Rest Fraction Across Voices |
0.0886 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
8.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
2.612 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
1.498 |
| Variability Across Voices of Combined Rests |
7.724 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5514 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2269 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.429 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7783 |
| Rhythmic Variability - Tempo Standardized |
0.0499 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
596.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4503 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.5824 |
| Variability of Note Durations |
0.4378 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
144.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.248 |
| Strength of Second Strongest Rhythmic Pulse |
0.2346 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.057 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4826 |
| Rhythmic Variability |
0.03429 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000004146 |
| Duration in Seconds |
95.21 |
| Note Density |
6.26 |
| Note Density Variability |
1.911 |
| Average Time Between Attacks |
0.2894 |
| Average Time Between Attacks for Each Voice |
0.7546 |
| Variability of Time Between Attacks |
0.106 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.6374 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.4564 |
| Relative Note Durations of Lowest Line |
1.852 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.9027 |
| Voice Separation |
3.667 |
| Variability of Voice Separation |
5.508 |
| Parallel Motion |
0.02959 |
| Average Number of Independent Voices |
3.654 |
| Similar Motion |
0.1321 |
| Contrary Motion |
0.1183 |
| Oblique Motion |
0.7199 |
| Parallel Fifths |
0.003945 |
| Parallel Octaves |
0.003945 |
| Variability of Number of Independent Voices |
0.5283 |
| Voice Equality - Number of Notes |
71.67 |
| Voice Equality - Note Duration |
1.609 |
| Voice Equality - Dynamics |
8.165 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
3.202 |
| Importance of Loudest Voice |
13.33 |