| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2041 |
| Prevalence of Second Most Common Vertical Interval |
0.1904 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9329 |
| Vertical Unisons |
0.02601 |
| Vertical Minor Seconds |
0.002576 |
| Vertical Thirds |
0.3365 |
| Vertical Tritones |
0.01145 |
| Vertical Perfect Fourths |
0.07022 |
| Vertical Perfect Fifths |
0.2041 |
| Vertical Sixths |
0.1223 |
| Vertical Sevenths |
0.03495 |
| Vertical Octaves |
0.1644 |
| Perfect Vertical Intervals |
0.4647 |
| Vertical Dissonance Ratio |
0.08277 |
| Vertical Minor Third Prevalence |
0.3043 |
| Vertical Major Third Prevalence |
0.3234 |
| Chord Duration |
1.736 |
| Partial Chords |
0.6502 |
| Standard Triads |
0.2291 |
| Diminished and Augmented Triads |
0.01238 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1207 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.451 |
| Average Number of Simultaneous Pitch Classes |
2.185 |
| Variability of Number of Simultaneous Pitch Classes |
0.6287 |
| Average Number of Simultaneous Pitches |
2.508 |
| Variability of Number of Simultaneous Pitches |
0.5943 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
15.0 |
| Variation of Dynamics |
6.057 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
13.05 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2493 |
| Stepwise Motion |
0.7719 |
| Melodic Thirds |
0.09284 |
| Melodic Perfect Fourths |
0.03714 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0504 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01857 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.188 |
| Melodic Embellishments |
0.02895 |
| Direction of Melodic Motion |
0.4754 |
| Average Length of Melodic Arcs |
2.08 |
| Average Interval Spanned by Melodic Arcs |
5.023 |
| Melodic Pitch Variety |
5.555 |
| Mean Melodic Interval |
2.377 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5225 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4772 |
| Amount of Arpeggiation |
0.191 |
| Repeated Notes |
0.02918 |
| Importance of Middle Register |
0.6868 |
| Importance of High Register |
0.005263 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
0.0 |
| Mean Pitch |
58.16 |
| Mean Pitch Class |
5.339 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1053 |
| Prevalence of Most Common Pitch Class |
0.1974 |
| Relative Prevalence of Top Pitches |
1.0 |
| Relative Prevalence of Top Pitch Classes |
1.0 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.975 |
| Pitch Class Variability |
3.466 |
| Pitch Class Variability After Folding |
4.487 |
| Pitch Skewness |
0.1958 |
| Pitch Class Skewness |
0.2938 |
| Pitch Class Skewness After Folding |
1.202 |
| Pitch Kurtosis |
5.199 |
| Pitch Class Kurtosis |
4.758 |
| Pitch Class Kurtosis After Folding |
4.216 |
| Major or Minor |
0.0 |
| First Pitch |
46.0 |
| First Pitch Class |
10.0 |
| Last Pitch |
46.0 |
| Last Pitch Class |
10.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3079 |
| Note Density per Quarter Note |
1.03 |
| Note Density per Quarter Note per Voice |
0.3433 |
| Note Density per Quarter Note Variability |
0.4256 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.65 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7132 |
| Prevalence of Very Long Rhythmic Values |
0.03947 |
| Prevalence of Dotted Notes |
0.08158 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.484 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3632 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7899 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.545 |
| Rhythmic Value Skewness |
0.9401 |
| Rhythmic Value Kurtosis |
9.3 |
| Mean Rhythmic Value Run Length |
1.532 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.076 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.002688 |
| Partial Rests Fraction |
0.3929 |
| Average Rest Fraction Across Voices |
0.1472 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
28.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
6.036 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
8.065 |
| Variability Across Voices of Combined Rests |
16.77 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5217 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2443 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.135 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.766 |
| Rhythmic Variability - Tempo Standardized |
0.04876 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
380.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6166 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
1.667 |
| Average Note Duration |
0.5175 |
| Variability of Note Durations |
0.3219 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
48.0 |
| Second Strongest Rhythmic Pulse |
72.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2435 |
| Strength of Second Strongest Rhythmic Pulse |
0.2304 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.057 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4739 |
| Rhythmic Variability |
0.0342 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000002968 |
| Duration in Seconds |
76.87 |
| Note Density |
4.943 |
| Note Density Variability |
1.596 |
| Average Time Between Attacks |
0.3504 |
| Average Time Between Attacks for Each Voice |
0.5828 |
| Variability of Time Between Attacks |
0.1796 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.007634 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.5132 |
| Relative Note Durations of Lowest Line |
1.026 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8868 |
| Voice Separation |
6.5 |
| Variability of Voice Separation |
2.121 |
| Parallel Motion |
0.04714 |
| Average Number of Independent Voices |
2.565 |
| Similar Motion |
0.1481 |
| Contrary Motion |
0.2458 |
| Oblique Motion |
0.5589 |
| Parallel Fifths |
0.003367 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5768 |
| Voice Equality - Number of Notes |
13.05 |
| Voice Equality - Note Duration |
3.494 |
| Voice Equality - Dynamics |
7.638 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.0 |
| Importance of Loudest Voice |
10.0 |