| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2176 |
| Prevalence of Second Most Common Vertical Interval |
0.1708 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7848 |
| Vertical Unisons |
0.04253 |
| Vertical Minor Seconds |
0.002459 |
| Vertical Thirds |
0.3289 |
| Vertical Tritones |
0.008965 |
| Vertical Perfect Fourths |
0.08549 |
| Vertical Perfect Fifths |
0.1552 |
| Vertical Sixths |
0.1658 |
| Vertical Sevenths |
0.02186 |
| Vertical Octaves |
0.1751 |
| Perfect Vertical Intervals |
0.4584 |
| Vertical Dissonance Ratio |
0.04926 |
| Vertical Minor Third Prevalence |
0.4404 |
| Vertical Major Third Prevalence |
0.3897 |
| Chord Duration |
2.187 |
| Partial Chords |
0.4698 |
| Standard Triads |
0.4193 |
| Diminished and Augmented Triads |
0.01533 |
| Dominant Seventh Chords |
0.001803 |
| Seventh Chords |
0.01803 |
| Non-Standard Chords |
0.09288 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6667 |
| Average Number of Simultaneous Pitch Classes |
2.41 |
| Variability of Number of Simultaneous Pitch Classes |
0.6908 |
| Average Number of Simultaneous Pitches |
2.98 |
| Variability of Number of Simultaneous Pitches |
0.9149 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.107 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
156.9 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2152 |
| Stepwise Motion |
0.6205 |
| Melodic Thirds |
0.1793 |
| Melodic Perfect Fourths |
0.07673 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06339 |
| Melodic Sixths |
0.003336 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01334 |
| Melodic Large Intervals |
0.000834 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.162 |
| Melodic Embellishments |
0.02328 |
| Direction of Melodic Motion |
0.493 |
| Average Length of Melodic Arcs |
1.737 |
| Average Interval Spanned by Melodic Arcs |
4.784 |
| Melodic Pitch Variety |
5.694 |
| Mean Melodic Interval |
2.65 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4053 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5309 |
| Amount of Arpeggiation |
0.2994 |
| Repeated Notes |
0.04254 |
| Importance of Middle Register |
0.8479 |
| Importance of High Register |
0.0266 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.51 |
| Mean Pitch Class |
5.354 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1031 |
| Prevalence of Most Common Pitch Class |
0.1679 |
| Relative Prevalence of Top Pitches |
0.9677 |
| Relative Prevalence of Top Pitch Classes |
0.995 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
6.475 |
| Pitch Class Variability |
3.624 |
| Pitch Class Variability After Folding |
3.061 |
| Pitch Skewness |
-0.05892 |
| Pitch Class Skewness |
0.2931 |
| Pitch Class Skewness After Folding |
0.2787 |
| Pitch Kurtosis |
5.314 |
| Pitch Class Kurtosis |
4.811 |
| Pitch Class Kurtosis After Folding |
7.358 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1255 |
| Note Density per Quarter Note |
0.982 |
| Note Density per Quarter Note per Voice |
0.2455 |
| Note Density per Quarter Note Variability |
0.4642 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4755 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9119 |
| Prevalence of Very Long Rhythmic Values |
0.08313 |
| Prevalence of Dotted Notes |
0.1064 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.189 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3874 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9764 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.735 |
| Rhythmic Value Skewness |
0.3263 |
| Rhythmic Value Kurtosis |
10.96 |
| Mean Rhythmic Value Run Length |
1.554 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.132 |
| Mean Rhythmic Value Offset |
0.003325 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1153 |
| Complete Rests Fraction |
0.0008394 |
| Partial Rests Fraction |
0.5074 |
| Average Rest Fraction Across Voices |
0.2065 |
| Longest Complete Rest |
1.028 |
| Longest Partial Rest |
190.8 |
| Mean Complete Rest Duration |
1.028 |
| Mean Partial Rest Duration |
17.15 |
| Median Complete Rest Duration |
1.028 |
| Median Partial Rest Duration |
6.221 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
30.76 |
| Variability Across Voices of Combined Rests |
129.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7118 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1608 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.428 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8725 |
| Rhythmic Variability - Tempo Standardized |
0.05823 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1203.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.977 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
4.138 |
| Average Note Duration |
0.8061 |
| Variability of Note Durations |
0.449 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
242.2 |
| Strongest Rhythmic Pulse |
61.0 |
| Second Strongest Rhythmic Pulse |
41.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.488 |
| Strength of Strongest Rhythmic Pulse |
0.3375 |
| Strength of Second Strongest Rhythmic Pulse |
0.3009 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.122 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6384 |
| Rhythmic Variability |
0.0411 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
21.65 |
| Duration in Seconds |
305.5 |
| Note Density |
3.937 |
| Note Density Variability |
1.226 |
| Average Time Between Attacks |
0.4991 |
| Average Time Between Attacks for Each Voice |
1.046 |
| Variability of Time Between Attacks |
0.2636 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.4155 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.2261 |
| Relative Note Durations of Lowest Line |
1.097 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.8728 |
| Voice Separation |
4.333 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.04461 |
| Average Number of Independent Voices |
3.137 |
| Similar Motion |
0.1692 |
| Contrary Motion |
0.2231 |
| Oblique Motion |
0.5631 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.001684 |
| Variability of Number of Independent Voices |
0.9079 |
| Voice Equality - Number of Notes |
67.81 |
| Voice Equality - Note Duration |
32.28 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.5 |
| Importance of Loudest Voice |
15.0 |