| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2041 |
| Prevalence of Second Most Common Vertical Interval |
0.1978 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.969 |
| Vertical Unisons |
0.02093 |
| Vertical Minor Seconds |
0.002795 |
| Vertical Thirds |
0.35 |
| Vertical Tritones |
0.006787 |
| Vertical Perfect Fourths |
0.08437 |
| Vertical Perfect Fifths |
0.1882 |
| Vertical Sixths |
0.1376 |
| Vertical Sevenths |
0.01573 |
| Vertical Octaves |
0.1769 |
| Perfect Vertical Intervals |
0.4704 |
| Vertical Dissonance Ratio |
0.04383 |
| Vertical Minor Third Prevalence |
0.5361 |
| Vertical Major Third Prevalence |
0.4123 |
| Chord Duration |
2.325 |
| Partial Chords |
0.4059 |
| Standard Triads |
0.4836 |
| Diminished and Augmented Triads |
0.01778 |
| Dominant Seventh Chords |
0.0007019 |
| Seventh Chords |
0.0124 |
| Non-Standard Chords |
0.09803 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.667 |
| Average Number of Simultaneous Pitch Classes |
2.503 |
| Variability of Number of Simultaneous Pitch Classes |
0.6854 |
| Average Number of Simultaneous Pitches |
3.134 |
| Variability of Number of Simultaneous Pitches |
0.9 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.179 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
221.5 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1892 |
| Stepwise Motion |
0.6477 |
| Melodic Thirds |
0.1896 |
| Melodic Perfect Fourths |
0.07082 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03586 |
| Melodic Sixths |
0.004482 |
| Melodic Sevenths |
0.002241 |
| Melodic Octaves |
0.00762 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.953 |
| Melodic Embellishments |
0.01476 |
| Direction of Melodic Motion |
0.4743 |
| Average Length of Melodic Arcs |
1.867 |
| Average Interval Spanned by Melodic Arcs |
4.815 |
| Melodic Pitch Variety |
5.264 |
| Mean Melodic Interval |
2.479 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4585 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4125 |
| Amount of Arpeggiation |
0.277 |
| Repeated Notes |
0.04169 |
| Importance of Middle Register |
0.6458 |
| Importance of High Register |
0.0004472 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.67 |
| Mean Pitch Class |
5.007 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1123 |
| Prevalence of Most Common Pitch Class |
0.1977 |
| Relative Prevalence of Top Pitches |
0.8685 |
| Relative Prevalence of Top Pitch Classes |
0.9525 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.755 |
| Pitch Class Variability |
3.469 |
| Pitch Class Variability After Folding |
3.334 |
| Pitch Skewness |
0.1333 |
| Pitch Class Skewness |
0.005802 |
| Pitch Class Skewness After Folding |
0.6442 |
| Pitch Kurtosis |
5.115 |
| Pitch Class Kurtosis |
4.801 |
| Pitch Class Kurtosis After Folding |
6.439 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3538 |
| Note Density per Quarter Note |
0.965 |
| Note Density per Quarter Note per Voice |
0.2413 |
| Note Density per Quarter Note Variability |
0.495 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.03354 |
| Prevalence of Medium Rhythmic Values |
0.5268 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8242 |
| Prevalence of Very Long Rhythmic Values |
0.1297 |
| Prevalence of Dotted Notes |
0.09839 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.257 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3511 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8408 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.321 |
| Rhythmic Value Skewness |
1.624 |
| Rhythmic Value Kurtosis |
9.115 |
| Mean Rhythmic Value Run Length |
1.747 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.413 |
| Mean Rhythmic Value Offset |
0.07513 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8512 |
| Complete Rests Fraction |
0.0004707 |
| Partial Rests Fraction |
0.5118 |
| Average Rest Fraction Across Voices |
0.1978 |
| Longest Complete Rest |
1.091 |
| Longest Partial Rest |
407.6 |
| Mean Complete Rest Duration |
1.091 |
| Mean Partial Rest Duration |
11.53 |
| Median Complete Rest Duration |
1.091 |
| Median Partial Rest Duration |
3.543 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
41.68 |
| Variability Across Voices of Combined Rests |
325.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5922 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1941 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.05 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7863 |
| Rhythmic Variability - Tempo Standardized |
0.051 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2236.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.005 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.7834 |
| Variability of Note Durations |
0.6134 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
258.1 |
| Strongest Rhythmic Pulse |
64.0 |
| Second Strongest Rhythmic Pulse |
43.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.488 |
| Strength of Strongest Rhythmic Pulse |
0.3096 |
| Strength of Second Strongest Rhythmic Pulse |
0.2618 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.182 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5713 |
| Rhythmic Variability |
0.0377 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
27.94 |
| Duration in Seconds |
544.9 |
| Note Density |
4.103 |
| Note Density Variability |
1.35 |
| Average Time Between Attacks |
0.473 |
| Average Time Between Attacks for Each Voice |
1.15 |
| Variability of Time Between Attacks |
0.3142 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6061 |
| Relative Range Isolation of Loudest Voice |
0.297 |
| Relative Range of Highest Line |
0.6061 |
| Relative Note Density of Highest Line |
0.1127 |
| Relative Note Durations of Lowest Line |
1.09 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9007 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
4.583 |
| Parallel Motion |
0.05875 |
| Average Number of Independent Voices |
3.212 |
| Similar Motion |
0.1538 |
| Contrary Motion |
0.216 |
| Oblique Motion |
0.5715 |
| Parallel Fifths |
0.003024 |
| Parallel Octaves |
0.001728 |
| Variability of Number of Independent Voices |
0.8948 |
| Voice Equality - Number of Notes |
221.5 |
| Voice Equality - Note Duration |
76.48 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.63 |
| Importance of Loudest Voice |
11.67 |