Distance Between Two Most Common Vertical Intervals |
4.0 |
Prevalence of Most Common Vertical Interval |
0.2221 |
Prevalence of Second Most Common Vertical Interval |
0.1773 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.7982 |
Vertical Unisons |
0.08527 |
Vertical Minor Seconds |
0.01045 |
Vertical Thirds |
0.3637 |
Vertical Tritones |
0.004382 |
Vertical Perfect Fourths |
0.1281 |
Vertical Perfect Fifths |
0.1773 |
Vertical Sixths |
0.09673 |
Vertical Sevenths |
0.01854 |
Vertical Octaves |
0.07819 |
Perfect Vertical Intervals |
0.4688 |
Vertical Dissonance Ratio |
0.07617 |
Vertical Minor Third Prevalence |
0.7432 |
Vertical Major Third Prevalence |
0.553 |
Chord Duration |
1.592 |
Partial Chords |
0.2806 |
Standard Triads |
0.5181 |
Diminished and Augmented Triads |
0.01111 |
Dominant Seventh Chords |
0.002778 |
Seventh Chords |
0.01389 |
Non-Standard Chords |
0.1875 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
4.254 |
Average Number of Simultaneous Pitch Classes |
2.739 |
Variability of Number of Simultaneous Pitch Classes |
0.592 |
Average Number of Simultaneous Pitches |
3.052 |
Variability of Number of Simultaneous Pitches |
0.7482 |
Most Common Vertical Interval |
3.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1722 |
Stepwise Motion |
0.6555 |
Melodic Thirds |
0.0703 |
Melodic Perfect Fourths |
0.058 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.01757 |
Melodic Sixths |
0.02109 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.00703 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.077 |
Melodic Embellishments |
0.02443 |
Direction of Melodic Motion |
0.4195 |
Average Length of Melodic Arcs |
1.844 |
Average Interval Spanned by Melodic Arcs |
4.449 |
Melodic Pitch Variety |
3.379 |
Mean Melodic Interval |
2.042 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4833 |
Relative Prevalence of Most Common Melodic Intervals |
0.3564 |
Amount of Arpeggiation |
0.2654 |
Repeated Notes |
0.1705 |
Importance of Middle Register |
1.0 |
Importance of High Register |
0.0 |
Dominant Spread |
3.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
63.0 |
Mean Pitch Class |
5.003 |
Most Common Pitch |
62.0 |
Most Common Pitch Class |
9.0 |
Prevalence of Most Common Pitch |
0.2216 |
Prevalence of Most Common Pitch Class |
0.26 |
Relative Prevalence of Top Pitches |
0.748 |
Relative Prevalence of Top Pitch Classes |
0.8523 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
3.654 |
Pitch Class Variability |
3.539 |
Pitch Class Variability After Folding |
3.053 |
Pitch Skewness |
0.8841 |
Pitch Class Skewness |
0.8507 |
Pitch Class Skewness After Folding |
0.4356 |
Pitch Kurtosis |
5.159 |
Pitch Class Kurtosis |
4.706 |
Pitch Class Kurtosis After Folding |
7.666 |
Major or Minor |
0.0 |
First Pitch |
57.0 |
First Pitch Class |
9.0 |
Last Pitch |
57.0 |
Last Pitch Class |
9.0 |
Glissando Prevalence |
0.006981 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
8.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.006981 |
Number of Pitch Classes |
7.0 |
Number of Common Pitches |
6.0 |
Number of Common Pitch Classes |
2.0 |
Range |
12.0 |
Importance of Bass Register |
0.0 |
Note Density per Quarter Note |
1.553 |
Note Density per Quarter Note per Voice |
1.553 |
Note Density per Quarter Note Variability |
0.5687 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.04538 |
Prevalence of Medium Rhythmic Values |
0.8202 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7853 |
Prevalence of Very Long Rhythmic Values |
0.01396 |
Prevalence of Dotted Notes |
0.06632 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.154 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.6056 |
Relative Prevalence of Most Common Rhythmic Values |
0.2795 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.331 |
Rhythmic Value Skewness |
0.346 |
Rhythmic Value Kurtosis |
31.5 |
Mean Rhythmic Value Run Length |
2.729 |
Median Rhythmic Value Run Length |
2.0 |
Variability in Rhythmic Value Run Lengths |
2.703 |
Mean Rhythmic Value Offset |
0.0349 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.3723 |
Complete Rests Fraction |
0.00271 |
Partial Rests Fraction |
0.00271 |
Average Rest Fraction Across Voices |
0.00271 |
Longest Complete Rest |
1.0 |
Longest Partial Rest |
1.0 |
Mean Complete Rest Duration |
1.0 |
Mean Partial Rest Duration |
1.0 |
Median Complete Rest Duration |
1.0 |
Median Partial Rest Duration |
1.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
0.0 |
Variability Across Voices of Combined Rests |
0.0 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6145 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1867 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.292 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8012 |
Rhythmic Variability - Tempo Standardized |
0.05212 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.5 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
573.0 |
Initial Tempo |
320.0 |
Average Variability of Time Between Attacks for Each Voice |
0.1108 |
Minimum Note Duration |
0.09375 |
Maximum Note Duration |
3.0 |
Average Note Duration |
0.4103 |
Variability of Note Durations |
0.3023 |
Amount of Staccato |
0.04538 |
Number of Strong Rhythmic Pulses |
4.0 |
Number of Moderate Rhythmic Pulses |
7.0 |
Number of Relatively Strong Rhythmic Pulses |
5.0 |
Mean Tempo |
320.0 |
Strongest Rhythmic Pulse |
160.0 |
Second Strongest Rhythmic Pulse |
80.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.2007 |
Strength of Second Strongest Rhythmic Pulse |
0.1972 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.018 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.3979 |
Rhythmic Variability |
0.03162 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6 |
Tempo Variability |
0.0 |
Duration in Seconds |
69.19 |
Note Density |
8.282 |
Note Density Variability |
2.131 |
Average Time Between Attacks |
0.2737 |
Average Time Between Attacks for Each Voice |
0.2737 |
Variability of Time Between Attacks |
0.1108 |
Maximum Number of Independent Voices |
1.0 |
Relative Range of Loudest Voice |
1.0 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
1.0 |
Relative Note Density of Highest Line |
0.1099 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.0 |
Voice Separation |
0.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.119 |
Average Number of Independent Voices |
1.0 |
Similar Motion |
0.1413 |
Contrary Motion |
0.08922 |
Oblique Motion |
0.6506 |
Parallel Fifths |
0.0223 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.0 |
Voice Equality - Number of Notes |
0.0 |
Voice Equality - Note Duration |
0.0 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |