| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2226 |
| Prevalence of Second Most Common Vertical Interval |
0.1773 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7967 |
| Vertical Unisons |
0.08495 |
| Vertical Minor Seconds |
0.01033 |
| Vertical Thirds |
0.3641 |
| Vertical Tritones |
0.004325 |
| Vertical Perfect Fourths |
0.1278 |
| Vertical Perfect Fifths |
0.1773 |
| Vertical Sixths |
0.0969 |
| Vertical Sevenths |
0.0186 |
| Vertical Octaves |
0.07839 |
| Perfect Vertical Intervals |
0.4685 |
| Vertical Dissonance Ratio |
0.07585 |
| Vertical Minor Third Prevalence |
0.7432 |
| Vertical Major Third Prevalence |
0.553 |
| Chord Duration |
1.592 |
| Partial Chords |
0.2806 |
| Standard Triads |
0.5181 |
| Diminished and Augmented Triads |
0.01111 |
| Dominant Seventh Chords |
0.002778 |
| Seventh Chords |
0.01389 |
| Non-Standard Chords |
0.1875 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
4.254 |
| Average Number of Simultaneous Pitch Classes |
2.739 |
| Variability of Number of Simultaneous Pitch Classes |
0.592 |
| Average Number of Simultaneous Pitches |
3.052 |
| Variability of Number of Simultaneous Pitches |
0.7482 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.639 |
| Variation of Dynamics In Each Voice |
1.645 |
| Average Note to Note Change in Dynamics |
1.654 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1722 |
| Stepwise Motion |
0.6555 |
| Melodic Thirds |
0.0703 |
| Melodic Perfect Fourths |
0.058 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.01757 |
| Melodic Sixths |
0.02109 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.00703 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.077 |
| Melodic Embellishments |
0.00349 |
| Direction of Melodic Motion |
0.4195 |
| Average Length of Melodic Arcs |
1.844 |
| Average Interval Spanned by Melodic Arcs |
4.449 |
| Melodic Pitch Variety |
4.615 |
| Mean Melodic Interval |
2.042 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4833 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3564 |
| Amount of Arpeggiation |
0.2654 |
| Repeated Notes |
0.1705 |
| Importance of Middle Register |
1.0 |
| Importance of High Register |
0.0 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.37 |
| Mean Pitch Class |
5.003 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.2216 |
| Prevalence of Most Common Pitch Class |
0.26 |
| Relative Prevalence of Top Pitches |
0.748 |
| Relative Prevalence of Top Pitch Classes |
0.8523 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
3.654 |
| Pitch Class Variability |
3.539 |
| Pitch Class Variability After Folding |
3.053 |
| Pitch Skewness |
0.8841 |
| Pitch Class Skewness |
0.8507 |
| Pitch Class Skewness After Folding |
0.4356 |
| Pitch Kurtosis |
5.159 |
| Pitch Class Kurtosis |
4.706 |
| Pitch Class Kurtosis After Folding |
7.666 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
57.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
8.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
6.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
12.0 |
| Importance of Bass Register |
0.0 |
| Note Density per Quarter Note |
1.557 |
| Note Density per Quarter Note per Voice |
0.3893 |
| Note Density per Quarter Note Variability |
0.5687 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.04538 |
| Prevalence of Medium Rhythmic Values |
0.8202 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7853 |
| Prevalence of Very Long Rhythmic Values |
0.01396 |
| Prevalence of Dotted Notes |
0.06632 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.154 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.6056 |
| Relative Prevalence of Most Common Rhythmic Values |
0.2795 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.331 |
| Rhythmic Value Skewness |
0.346 |
| Rhythmic Value Kurtosis |
31.5 |
| Mean Rhythmic Value Run Length |
2.729 |
| Median Rhythmic Value Run Length |
2.0 |
| Variability in Rhythmic Value Run Lengths |
2.703 |
| Mean Rhythmic Value Offset |
0.0349 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3723 |
| Complete Rests Fraction |
0.000002831 |
| Partial Rests Fraction |
0.4783 |
| Average Rest Fraction Across Voices |
0.1481 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
94.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
4.449 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.14 |
| Variability Across Voices of Combined Rests |
40.34 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6183 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1846 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.349 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8029 |
| Rhythmic Variability - Tempo Standardized |
0.05233 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
573.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.2868 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.4103 |
| Variability of Note Durations |
0.3023 |
| Amount of Staccato |
0.04538 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
160.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2012 |
| Strength of Second Strongest Rhythmic Pulse |
0.1981 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.016 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.3994 |
| Rhythmic Variability |
0.0317 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
69.0 |
| Note Density |
8.304 |
| Note Density Variability |
2.103 |
| Average Time Between Attacks |
0.2737 |
| Average Time Between Attacks for Each Voice |
0.4308 |
| Variability of Time Between Attacks |
0.1108 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
1.0 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
1.0 |
| Relative Note Density of Highest Line |
0.4468 |
| Relative Note Durations of Lowest Line |
1.032 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
1.0 |
| Voice Separation |
1.0 |
| Variability of Voice Separation |
1.0 |
| Parallel Motion |
0.119 |
| Average Number of Independent Voices |
3.408 |
| Similar Motion |
0.1413 |
| Contrary Motion |
0.08922 |
| Oblique Motion |
0.6506 |
| Parallel Fifths |
0.0223 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7088 |
| Voice Equality - Number of Notes |
21.47 |
| Voice Equality - Note Duration |
7.565 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.0 |
| Importance of Loudest Voice |
0.0 |