File

Last modified on: April 19, 2024, 9:38 p.m.

Sacerdotes_Domini_Kyrie_6.mid


Source
RenComp7
Musical Work
Missa Sacerdotes Domini
Section
Kyrie
File Type
Symbolic Music
File Format
.mid
File Size
8.3 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2028
Prevalence of Second Most Common Vertical Interval 0.1762
Prevalence Ratio of Two Most Common Vertical Intervals 0.8689
Vertical Unisons 0.04345
Vertical Minor Seconds 0.004834
Vertical Thirds 0.2985
Vertical Tritones 0.01226
Vertical Perfect Fourths 0.1174
Vertical Perfect Fifths 0.1762
Vertical Sixths 0.1315
Vertical Sevenths 0.0306
Vertical Octaves 0.1593
Perfect Vertical Intervals 0.4964
Vertical Dissonance Ratio 0.07941
Vertical Minor Third Prevalence 0.6396
Vertical Major Third Prevalence 0.6461
Chord Duration 1.636
Partial Chords 0.1434
Standard Triads 0.5672
Diminished and Augmented Triads 0.04643
Dominant Seventh Chords 0.004975
Seventh Chords 0.03068
Non-Standard Chords 0.2587
Complex Chords 0.01161
Minor Major Triad Ratio 0.5833
Average Number of Simultaneous Pitch Classes 2.935
Variability of Number of Simultaneous Pitch Classes 0.6009
Average Number of Simultaneous Pitches 3.884
Variability of Number of Simultaneous Pitches 1.029
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2395
Stepwise Motion 0.7252
Melodic Thirds 0.08389
Melodic Perfect Fourths 0.06623
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04194
Melodic Sixths 0.009934
Melodic Sevenths 0.0
Melodic Octaves 0.00883
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.455
Melodic Embellishments 0.07127
Direction of Melodic Motion 0.4823
Average Length of Melodic Arcs 2.078
Average Interval Spanned by Melodic Arcs 5.066
Melodic Pitch Variety 5.559
Mean Melodic Interval 2.3
Number of Common Melodic Intervals 2.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4857
Relative Prevalence of Most Common Melodic Intervals 0.4932
Amount of Arpeggiation 0.1987
Repeated Notes 0.06402
Importance of Middle Register 0.8333
Importance of High Register 0.07127
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 63.0
Mean Pitch Class 5.246
Most Common Pitch 62.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1075
Prevalence of Most Common Pitch Class 0.1711
Relative Prevalence of Top Pitches 0.8367
Relative Prevalence of Top Pitch Classes 0.9295
Interval Between Most Prevalent Pitches 2.0
Interval Between Most Prevalent Pitch Classes 2.0
Pitch Variability 6.743
Pitch Class Variability 3.641
Pitch Class Variability After Folding 3.087
Pitch Skewness -0.3825
Pitch Class Skewness 0.2024
Pitch Class Skewness After Folding 0.3154
Pitch Kurtosis 5.453
Pitch Class Kurtosis 4.797
Pitch Class Kurtosis After Folding 7.234
Major or Minor 0.0
First Pitch 67.0
First Pitch Class 7.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 23.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 1.0
Number of Common Pitch Classes 0.0
Range 31.0
Importance of Bass Register 0.09539
Note Density per Quarter Note 1.481
Note Density per Quarter Note per Voice 1.481
Note Density per Quarter Note Variability 0.5454
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.006579
Prevalence of Medium Rhythmic Values 0.5855
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8059
Prevalence of Very Long Rhythmic Values 0.06689
Prevalence of Dotted Notes 0.1195
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.796
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3914
Relative Prevalence of Most Common Rhythmic Values 0.6919
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.765
Rhythmic Value Skewness 1.353
Rhythmic Value Kurtosis 12.87
Mean Rhythmic Value Run Length 1.737
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.297
Mean Rhythmic Value Offset 0.0307
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.3493
Complete Rests Fraction 0.0
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices -0.000000000002523
Longest Complete Rest 0.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 0.0
Median Partial Rest Duration 0.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6089
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1992
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.057
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.808
Rhythmic Variability - Tempo Standardized 0.05234
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 912.0
Initial Tempo 60.0
Average Variability of Time Between Attacks for Each Voice 0.7516
Minimum Note Duration 0.5
Maximum Note Duration 16.0
Average Note Duration 2.827
Variability of Note Durations 1.95
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 1.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 60.0
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.9637
Strength of Second Strongest Rhythmic Pulse 0.01813
Strength Ratio of Two Strongest Rhythmic Pulses 53.17
Combined Strength of Two Strongest Rhythmic Pulses 0.9819
Rhythmic Variability 0.07596
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 0.0
Duration in Seconds 616.0
Note Density 1.481
Note Density Variability 0.701
Average Time Between Attacks 1.568
Average Time Between Attacks for Each Voice 1.568
Variability of Time Between Attacks 0.7516
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.06908
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.04864
Average Number of Independent Voices 1.0
Similar Motion 0.1294
Contrary Motion 0.1313
Oblique Motion 0.6907
Parallel Fifths 0.001946
Parallel Octaves 0.004864
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0