Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.1965 |
Prevalence of Second Most Common Vertical Interval |
0.1961 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9981 |
Vertical Unisons |
0.04083 |
Vertical Minor Seconds |
0.008566 |
Vertical Thirds |
0.3005 |
Vertical Tritones |
0.003281 |
Vertical Perfect Fourths |
0.1187 |
Vertical Perfect Fifths |
0.1965 |
Vertical Sixths |
0.1185 |
Vertical Sevenths |
0.02205 |
Vertical Octaves |
0.1553 |
Perfect Vertical Intervals |
0.5113 |
Vertical Dissonance Ratio |
0.07505 |
Vertical Minor Third Prevalence |
0.6481 |
Vertical Major Third Prevalence |
0.6412 |
Chord Duration |
1.761 |
Partial Chords |
0.173 |
Standard Triads |
0.6098 |
Diminished and Augmented Triads |
0.0 |
Dominant Seventh Chords |
0.005967 |
Seventh Chords |
0.02745 |
Non-Standard Chords |
0.1897 |
Complex Chords |
0.009547 |
Minor Major Triad Ratio |
0.4898 |
Average Number of Simultaneous Pitch Classes |
2.868 |
Variability of Number of Simultaneous Pitch Classes |
0.6208 |
Average Number of Simultaneous Pitches |
3.75 |
Variability of Number of Simultaneous Pitches |
1.052 |
Most Common Vertical Interval |
7.0 |
Second Most Common Vertical Interval |
0.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2058 |
Stepwise Motion |
0.6679 |
Melodic Thirds |
0.1516 |
Melodic Perfect Fourths |
0.06137 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04874 |
Melodic Sixths |
0.001805 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01264 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.71 |
Melodic Embellishments |
0.075 |
Direction of Melodic Motion |
0.5048 |
Average Length of Melodic Arcs |
2.075 |
Average Interval Spanned by Melodic Arcs |
5.29 |
Melodic Pitch Variety |
5.493 |
Mean Melodic Interval |
2.455 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4621 |
Relative Prevalence of Most Common Melodic Intervals |
0.4453 |
Amount of Arpeggiation |
0.269 |
Repeated Notes |
0.05596 |
Importance of Middle Register |
0.8143 |
Importance of High Register |
0.1411 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
65.0 |
Mean Pitch Class |
4.971 |
Most Common Pitch |
67.0 |
Most Common Pitch Class |
0.0 |
Prevalence of Most Common Pitch |
0.09821 |
Prevalence of Most Common Pitch Class |
0.175 |
Relative Prevalence of Top Pitches |
0.9818 |
Relative Prevalence of Top Pitch Classes |
0.898 |
Interval Between Most Prevalent Pitches |
3.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
6.71 |
Pitch Class Variability |
3.513 |
Pitch Class Variability After Folding |
3.158 |
Pitch Skewness |
0.1213 |
Pitch Class Skewness |
-0.0244 |
Pitch Class Skewness After Folding |
0.2646 |
Pitch Kurtosis |
5.534 |
Pitch Class Kurtosis |
4.911 |
Pitch Class Kurtosis After Folding |
7.172 |
Major or Minor |
0.0 |
First Pitch |
67.0 |
First Pitch Class |
7.0 |
Last Pitch |
60.0 |
Last Pitch Class |
0.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
24.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
4.0 |
Number of Common Pitch Classes |
0.0 |
Range |
31.0 |
Importance of Bass Register |
0.04464 |
Note Density per Quarter Note |
1.296 |
Note Density per Quarter Note per Voice |
1.296 |
Note Density per Quarter Note Variability |
0.6594 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.007143 |
Prevalence of Medium Rhythmic Values |
0.5982 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7464 |
Prevalence of Very Long Rhythmic Values |
0.1464 |
Prevalence of Dotted Notes |
0.0875 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.05 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3446 |
Relative Prevalence of Most Common Rhythmic Values |
0.715 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.286 |
Rhythmic Value Skewness |
1.378 |
Rhythmic Value Kurtosis |
6.996 |
Mean Rhythmic Value Run Length |
1.979 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.881 |
Mean Rhythmic Value Offset |
0.04286 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.7165 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.0 |
Average Rest Fraction Across Voices |
-0.000000000004744 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
0.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
0.0 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
0.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
0.0 |
Variability Across Voices of Combined Rests |
0.0 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5513 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2325 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.371 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7838 |
Rhythmic Variability - Tempo Standardized |
0.04979 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
560.0 |
Initial Tempo |
60.0 |
Average Variability of Time Between Attacks for Each Voice |
0.9816 |
Minimum Note Duration |
0.5 |
Maximum Note Duration |
24.0 |
Average Note Duration |
3.093 |
Variability of Note Durations |
2.551 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
60.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.9713 |
Strength of Second Strongest Rhythmic Pulse |
0.01766 |
Strength Ratio of Two Strongest Rhythmic Pulses |
55.0 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.989 |
Rhythmic Variability |
0.07655 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
432.0 |
Note Density |
1.296 |
Note Density Variability |
0.787 |
Average Time Between Attacks |
1.629 |
Average Time Between Attacks for Each Voice |
1.629 |
Variability of Time Between Attacks |
0.9816 |
Maximum Number of Independent Voices |
1.0 |
Relative Range of Loudest Voice |
1.0 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
1.0 |
Relative Note Density of Highest Line |
0.1161 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.0 |
Voice Separation |
0.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.03839 |
Average Number of Independent Voices |
1.0 |
Similar Motion |
0.1082 |
Contrary Motion |
0.1501 |
Oblique Motion |
0.7033 |
Parallel Fifths |
0.00349 |
Parallel Octaves |
0.001745 |
Variability of Number of Independent Voices |
0.0 |
Voice Equality - Number of Notes |
0.0 |
Voice Equality - Note Duration |
0.0 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |