Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2038 |
Prevalence of Second Most Common Vertical Interval |
0.2037 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9993 |
Vertical Unisons |
0.01938 |
Vertical Minor Seconds |
0.002809 |
Vertical Thirds |
0.2976 |
Vertical Tritones |
0.003167 |
Vertical Perfect Fourths |
0.1402 |
Vertical Perfect Fifths |
0.2038 |
Vertical Sixths |
0.1049 |
Vertical Sevenths |
0.02158 |
Vertical Octaves |
0.1843 |
Perfect Vertical Intervals |
0.5477 |
Vertical Dissonance Ratio |
0.05234 |
Vertical Minor Third Prevalence |
0.5441 |
Vertical Major Third Prevalence |
0.5441 |
Chord Duration |
1.823 |
Partial Chords |
0.2043 |
Standard Triads |
0.6064 |
Diminished and Augmented Triads |
0.01064 |
Dominant Seventh Chords |
0.004255 |
Seventh Chords |
0.02021 |
Non-Standard Chords |
0.1691 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.6193 |
Average Number of Simultaneous Pitch Classes |
2.843 |
Variability of Number of Simultaneous Pitch Classes |
0.5459 |
Average Number of Simultaneous Pitches |
3.773 |
Variability of Number of Simultaneous Pitches |
0.5335 |
Most Common Vertical Interval |
7.0 |
Second Most Common Vertical Interval |
0.0 |
Dynamic Range |
4.0 |
Variation of Dynamics |
1.643 |
Variation of Dynamics In Each Voice |
1.645 |
Average Note to Note Change in Dynamics |
1.694 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1523 |
Stepwise Motion |
0.5755 |
Melodic Thirds |
0.09434 |
Melodic Perfect Fourths |
0.06199 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04582 |
Melodic Sixths |
0.001348 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.02022 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.182 |
Melodic Embellishments |
0.008043 |
Direction of Melodic Motion |
0.5126 |
Average Length of Melodic Arcs |
2.003 |
Average Interval Spanned by Melodic Arcs |
5.436 |
Melodic Pitch Variety |
4.647 |
Mean Melodic Interval |
2.195 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
2.0 |
Prevalence of Most Common Melodic Interval |
0.4232 |
Relative Prevalence of Most Common Melodic Intervals |
0.4745 |
Amount of Arpeggiation |
0.3612 |
Repeated Notes |
0.2008 |
Importance of Middle Register |
0.807 |
Importance of High Register |
0.09115 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
1.0 |
Mean Pitch |
63.54 |
Mean Pitch Class |
4.66 |
Most Common Pitch |
60.0 |
Most Common Pitch Class |
0.0 |
Prevalence of Most Common Pitch |
0.1113 |
Prevalence of Most Common Pitch Class |
0.2158 |
Relative Prevalence of Top Pitches |
0.8434 |
Relative Prevalence of Top Pitch Classes |
0.7267 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
7.143 |
Pitch Class Variability |
3.434 |
Pitch Class Variability After Folding |
4.091 |
Pitch Skewness |
-0.0608 |
Pitch Class Skewness |
-0.2974 |
Pitch Class Skewness After Folding |
1.408 |
Pitch Kurtosis |
5.498 |
Pitch Class Kurtosis |
4.729 |
Pitch Class Kurtosis After Folding |
5.137 |
Major or Minor |
0.0 |
First Pitch |
62.0 |
First Pitch Class |
2.0 |
Last Pitch |
50.0 |
Last Pitch Class |
2.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
21.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
8.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
1.0 |
Range |
33.0 |
Importance of Bass Register |
0.1019 |
Note Density per Quarter Note |
1.529 |
Note Density per Quarter Note per Voice |
0.3822 |
Note Density per Quarter Note Variability |
0.5603 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.005362 |
Prevalence of Medium Rhythmic Values |
0.7292 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8003 |
Prevalence of Very Long Rhythmic Values |
0.01743 |
Prevalence of Dotted Notes |
0.06702 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.391 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.5295 |
Relative Prevalence of Most Common Rhythmic Values |
0.3797 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.465 |
Rhythmic Value Skewness |
0.8016 |
Rhythmic Value Kurtosis |
24.25 |
Mean Rhythmic Value Run Length |
2.125 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
2.137 |
Mean Rhythmic Value Offset |
0.08579 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
1.053 |
Complete Rests Fraction |
0.02459 |
Partial Rests Fraction |
0.1025 |
Average Rest Fraction Across Voices |
0.05328 |
Longest Complete Rest |
2.0 |
Longest Partial Rest |
2.0 |
Mean Complete Rest Duration |
2.0 |
Mean Partial Rest Duration |
2.0 |
Median Complete Rest Duration |
2.0 |
Median Partial Rest Duration |
2.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0000000000000004865 |
Variability of Partial Rest Durations |
0.0000000000000004484 |
Variability Across Voices of Combined Rests |
5.416 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6212 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1959 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.172 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8171 |
Rhythmic Variability - Tempo Standardized |
0.05307 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.5 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
746.0 |
Initial Tempo |
320.0 |
Average Variability of Time Between Attacks for Each Voice |
0.3242 |
Minimum Note Duration |
0.09375 |
Maximum Note Duration |
6.75 |
Average Note Duration |
0.4645 |
Variability of Note Durations |
0.4153 |
Amount of Staccato |
0.005362 |
Number of Strong Rhythmic Pulses |
4.0 |
Number of Moderate Rhythmic Pulses |
7.0 |
Number of Relatively Strong Rhythmic Pulses |
5.0 |
Mean Tempo |
320.0 |
Strongest Rhythmic Pulse |
80.0 |
Second Strongest Rhythmic Pulse |
54.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.481 |
Strength of Strongest Rhythmic Pulse |
0.2083 |
Strength of Second Strongest Rhythmic Pulse |
0.2031 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.025 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.4114 |
Rhythmic Variability |
0.03255 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6 |
Tempo Variability |
0.0 |
Duration in Seconds |
91.5 |
Note Density |
8.153 |
Note Density Variability |
2.02 |
Average Time Between Attacks |
0.3088 |
Average Time Between Attacks for Each Voice |
0.4714 |
Variability of Time Between Attacks |
0.2364 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.5758 |
Relative Range Isolation of Loudest Voice |
0.2316 |
Relative Range of Highest Line |
0.5152 |
Relative Note Density of Highest Line |
0.3807 |
Relative Note Durations of Lowest Line |
1.054 |
Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
Voice Overlap |
0.8887 |
Voice Separation |
5.333 |
Variability of Voice Separation |
4.726 |
Parallel Motion |
0.06659 |
Average Number of Independent Voices |
3.882 |
Similar Motion |
0.1804 |
Contrary Motion |
0.224 |
Oblique Motion |
0.5291 |
Parallel Fifths |
0.006053 |
Parallel Octaves |
0.001211 |
Variability of Number of Independent Voices |
0.443 |
Voice Equality - Number of Notes |
17.02 |
Voice Equality - Note Duration |
1.016 |
Voice Equality - Dynamics |
0.5 |
Voice Equality - Melodic Leaps |
0.9574 |
Voice Equality - Range |
1.0 |
Importance of Loudest Voice |
1.0 |