File

Last modified on: April 19, 2024, 9:48 p.m.

Illumina_oculos_meos_Agnus_II_6.mid


Source
RenComp7
Musical Work
Missa Illumina oculos meos
Section
Agnus II
File Type
Symbolic Music
File Format
.mid
File Size
5.4 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2251
Prevalence of Second Most Common Vertical Interval 0.1822
Prevalence Ratio of Two Most Common Vertical Intervals 0.8095
Vertical Unisons 0.0405
Vertical Minor Seconds 0.003619
Vertical Thirds 0.2881
Vertical Tritones 0.009047
Vertical Perfect Fourths 0.1215
Vertical Perfect Fifths 0.1822
Vertical Sixths 0.1304
Vertical Sevenths 0.01517
Vertical Octaves 0.1846
Perfect Vertical Intervals 0.5287
Vertical Dissonance Ratio 0.05569
Vertical Minor Third Prevalence 0.7548
Vertical Major Third Prevalence 0.6947
Chord Duration 1.897
Partial Chords 0.05147
Standard Triads 0.6936
Diminished and Augmented Triads 0.03676
Dominant Seventh Chords 0.01471
Seventh Chords 0.05637
Non-Standard Chords 0.1985
Complex Chords 0.004902
Minor Major Triad Ratio 1.62
Average Number of Simultaneous Pitch Classes 3.046
Variability of Number of Simultaneous Pitch Classes 0.5192
Average Number of Simultaneous Pitches 4.341
Variability of Number of Simultaneous Pitches 0.98
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.214
Stepwise Motion 0.5753
Melodic Thirds 0.149
Melodic Perfect Fourths 0.05308
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04452
Melodic Sixths 0.003425
Melodic Sevenths 0.001712
Melodic Octaves 0.006849
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 4.118
Melodic Embellishments 0.07966
Direction of Melodic Motion 0.4476
Average Length of Melodic Arcs 1.98
Average Interval Spanned by Melodic Arcs 4.898
Melodic Pitch Variety 4.453
Mean Melodic Interval 2.116
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.3613
Relative Prevalence of Most Common Melodic Intervals 0.5924
Amount of Arpeggiation 0.3682
Repeated Notes 0.1661
Importance of Middle Register 0.7746
Importance of High Register 0.00678
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 59.0
Mean Pitch Class 5.464
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1441
Prevalence of Most Common Pitch Class 0.2254
Relative Prevalence of Top Pitches 0.7529
Relative Prevalence of Top Pitch Classes 0.7444
Interval Between Most Prevalent Pitches 3.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.644
Pitch Class Variability 3.619
Pitch Class Variability After Folding 2.854
Pitch Skewness -0.3153
Pitch Class Skewness 0.385
Pitch Class Skewness After Folding 0.4097
Pitch Kurtosis 5.692
Pitch Class Kurtosis 4.741
Pitch Class Kurtosis After Folding 7.7
Major or Minor 0.0
First Pitch 64.0
First Pitch Class 4.0
Last Pitch 40.0
Last Pitch Class 4.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 26.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 34.0
Importance of Bass Register 0.2186
Note Density per Quarter Note 1.418
Note Density per Quarter Note per Voice 1.418
Note Density per Quarter Note Variability 0.4625
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.00339
Prevalence of Medium Rhythmic Values 0.4881
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8322
Prevalence of Very Long Rhythmic Values 0.1136
Prevalence of Dotted Notes 0.1441
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.244
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3203
Relative Prevalence of Most Common Rhythmic Values 0.9894
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.193
Rhythmic Value Skewness 0.3339
Rhythmic Value Kurtosis 10.58
Mean Rhythmic Value Run Length 1.46
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 0.9377
Mean Rhythmic Value Offset 0.0678
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.6558
Complete Rests Fraction 0.0
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices -0.000000000004436
Longest Complete Rest 0.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 0.0
Median Partial Rest Duration 0.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.606
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2057
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.946
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8117
Rhythmic Variability - Tempo Standardized 0.05229
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 590.0
Initial Tempo 60.0
Average Variability of Time Between Attacks for Each Voice 0.6728
Minimum Note Duration 0.5
Maximum Note Duration 24.0
Average Note Duration 3.312
Variability of Note Durations 2.535
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 1.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 60.0
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 120.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.9771
Strength of Second Strongest Rhythmic Pulse 0.01272
Strength Ratio of Two Strongest Rhythmic Pulses 76.8
Combined Strength of Two Strongest Rhythmic Pulses 0.9898
Rhythmic Variability 0.07701
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 0.0
Duration in Seconds 416.0
Note Density 1.418
Note Density Variability 0.6531
Average Time Between Attacks 1.561
Average Time Between Attacks for Each Voice 1.561
Variability of Time Between Attacks 0.6728
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.1
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.04639
Average Number of Independent Voices 1.0
Similar Motion 0.08763
Contrary Motion 0.1014
Oblique Motion 0.7646
Parallel Fifths 0.0
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0