| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1831 |
| Prevalence of Second Most Common Vertical Interval |
0.1816 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9918 |
| Vertical Unisons |
0.05365 |
| Vertical Minor Seconds |
0.007679 |
| Vertical Thirds |
0.311 |
| Vertical Tritones |
0.01195 |
| Vertical Perfect Fourths |
0.1281 |
| Vertical Perfect Fifths |
0.1831 |
| Vertical Sixths |
0.1113 |
| Vertical Sevenths |
0.02453 |
| Vertical Octaves |
0.128 |
| Perfect Vertical Intervals |
0.4929 |
| Vertical Dissonance Ratio |
0.09265 |
| Vertical Minor Third Prevalence |
0.6837 |
| Vertical Major Third Prevalence |
0.6224 |
| Chord Duration |
1.523 |
| Partial Chords |
0.111 |
| Standard Triads |
0.5867 |
| Diminished and Augmented Triads |
0.02551 |
| Dominant Seventh Chords |
0.01276 |
| Seventh Chords |
0.04082 |
| Non-Standard Chords |
0.2615 |
| Complex Chords |
0.002551 |
| Minor Major Triad Ratio |
0.3295 |
| Average Number of Simultaneous Pitch Classes |
3.017 |
| Variability of Number of Simultaneous Pitch Classes |
0.4933 |
| Average Number of Simultaneous Pitches |
3.718 |
| Variability of Number of Simultaneous Pitches |
0.6495 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2129 |
| Stepwise Motion |
0.6525 |
| Melodic Thirds |
0.08518 |
| Melodic Perfect Fourths |
0.05963 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05111 |
| Melodic Sixths |
0.001704 |
| Melodic Sevenths |
0.001704 |
| Melodic Octaves |
0.01874 |
| Melodic Large Intervals |
0.001704 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.0 |
| Melodic Embellishments |
0.08615 |
| Direction of Melodic Motion |
0.4805 |
| Average Length of Melodic Arcs |
1.977 |
| Average Interval Spanned by Melodic Arcs |
5.208 |
| Melodic Pitch Variety |
4.747 |
| Mean Melodic Interval |
2.325 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4395 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4845 |
| Amount of Arpeggiation |
0.2845 |
| Repeated Notes |
0.1278 |
| Importance of Middle Register |
0.8902 |
| Importance of High Register |
0.001689 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.0 |
| Mean Pitch Class |
5.005 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1791 |
| Prevalence of Most Common Pitch Class |
0.2179 |
| Relative Prevalence of Top Pitches |
0.6132 |
| Relative Prevalence of Top Pitch Classes |
0.9457 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
5.313 |
| Pitch Class Variability |
3.442 |
| Pitch Class Variability After Folding |
2.766 |
| Pitch Skewness |
-0.7983 |
| Pitch Class Skewness |
0.004416 |
| Pitch Class Skewness After Folding |
1.05 |
| Pitch Kurtosis |
5.679 |
| Pitch Class Kurtosis |
4.933 |
| Pitch Class Kurtosis After Folding |
8.361 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.1081 |
| Note Density per Quarter Note |
1.51 |
| Note Density per Quarter Note per Voice |
1.51 |
| Note Density per Quarter Note Variability |
0.4453 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003378 |
| Prevalence of Medium Rhythmic Values |
0.6301 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7061 |
| Prevalence of Very Long Rhythmic Values |
0.06588 |
| Prevalence of Dotted Notes |
0.1115 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.632 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3361 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8643 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.892 |
| Rhythmic Value Skewness |
1.002 |
| Rhythmic Value Kurtosis |
12.23 |
| Mean Rhythmic Value Run Length |
1.746 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.255 |
| Mean Rhythmic Value Offset |
0.0473 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5914 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.0 |
| Average Rest Fraction Across Voices |
-0.000000000003928 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
0.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
0.0 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
0.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
0.0 |
| Variability Across Voices of Combined Rests |
0.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5109 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2501 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.043 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.761 |
| Rhythmic Variability - Tempo Standardized |
0.04833 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
592.0 |
| Initial Tempo |
60.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5831 |
| Minimum Note Duration |
0.5 |
| Maximum Note Duration |
24.0 |
| Average Note Duration |
2.679 |
| Variability of Note Durations |
2.195 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
1.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
60.0 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
0.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
60.0 |
| Strength of Strongest Rhythmic Pulse |
0.9914 |
| Strength of Second Strongest Rhythmic Pulse |
0.0 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
0.0 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9914 |
| Rhythmic Variability |
0.07813 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
392.0 |
| Note Density |
1.51 |
| Note Density Variability |
0.6104 |
| Average Time Between Attacks |
1.369 |
| Average Time Between Attacks for Each Voice |
1.369 |
| Variability of Time Between Attacks |
0.5831 |
| Maximum Number of Independent Voices |
1.0 |
| Relative Range of Loudest Voice |
1.0 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
1.0 |
| Relative Note Density of Highest Line |
0.1014 |
| Relative Note Durations of Lowest Line |
1.0 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.0 |
| Voice Separation |
0.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.02455 |
| Average Number of Independent Voices |
1.0 |
| Similar Motion |
0.126 |
| Contrary Motion |
0.1146 |
| Oblique Motion |
0.7349 |
| Parallel Fifths |
0.001637 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.0 |
| Voice Equality - Number of Notes |
0.0 |
| Voice Equality - Note Duration |
0.0 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.0 |
| Importance of Loudest Voice |
0.0 |