| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1994 |
| Prevalence of Second Most Common Vertical Interval |
0.1982 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9942 |
| Vertical Unisons |
0.02808 |
| Vertical Minor Seconds |
0.003492 |
| Vertical Thirds |
0.3158 |
| Vertical Tritones |
0.008731 |
| Vertical Perfect Fourths |
0.1275 |
| Vertical Perfect Fifths |
0.1982 |
| Vertical Sixths |
0.112 |
| Vertical Sevenths |
0.02532 |
| Vertical Octaves |
0.1577 |
| Perfect Vertical Intervals |
0.5115 |
| Vertical Dissonance Ratio |
0.0646 |
| Vertical Minor Third Prevalence |
0.6158 |
| Vertical Major Third Prevalence |
0.4138 |
| Chord Duration |
1.772 |
| Partial Chords |
0.3132 |
| Standard Triads |
0.5109 |
| Diminished and Augmented Triads |
0.01797 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01027 |
| Non-Standard Chords |
0.1656 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
4.528 |
| Average Number of Simultaneous Pitch Classes |
2.663 |
| Variability of Number of Simultaneous Pitch Classes |
0.6273 |
| Average Number of Simultaneous Pitches |
3.25 |
| Variability of Number of Simultaneous Pitches |
0.8424 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1667 |
| Stepwise Motion |
0.6254 |
| Melodic Thirds |
0.09901 |
| Melodic Perfect Fourths |
0.03135 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0231 |
| Melodic Sixths |
0.00165 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01485 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.609 |
| Melodic Embellishments |
0.03115 |
| Direction of Melodic Motion |
0.4813 |
| Average Length of Melodic Arcs |
1.785 |
| Average Interval Spanned by Melodic Arcs |
4.256 |
| Melodic Pitch Variety |
3.827 |
| Mean Melodic Interval |
1.929 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4587 |
| Relative Prevalence of Most Common Melodic Intervals |
0.446 |
| Amount of Arpeggiation |
0.3416 |
| Repeated Notes |
0.2046 |
| Importance of Middle Register |
0.7541 |
| Importance of High Register |
0.006557 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.0 |
| Mean Pitch Class |
5.198 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1443 |
| Prevalence of Most Common Pitch Class |
0.241 |
| Relative Prevalence of Top Pitches |
0.9886 |
| Relative Prevalence of Top Pitch Classes |
0.8231 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.661 |
| Pitch Class Variability |
3.626 |
| Pitch Class Variability After Folding |
2.671 |
| Pitch Skewness |
-0.5117 |
| Pitch Class Skewness |
0.9914 |
| Pitch Class Skewness After Folding |
0.2265 |
| Pitch Kurtosis |
5.567 |
| Pitch Class Kurtosis |
4.719 |
| Pitch Class Kurtosis After Folding |
8.828 |
| Major or Minor |
0.0 |
| First Pitch |
45.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.006557 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.006557 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2393 |
| Note Density per Quarter Note |
1.491 |
| Note Density per Quarter Note per Voice |
1.491 |
| Note Density per Quarter Note Variability |
0.646 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006557 |
| Prevalence of Medium Rhythmic Values |
0.8131 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7492 |
| Prevalence of Very Long Rhythmic Values |
0.01803 |
| Prevalence of Dotted Notes |
0.05082 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.17 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5623 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4344 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.337 |
| Rhythmic Value Skewness |
0.3824 |
| Rhythmic Value Kurtosis |
26.21 |
| Mean Rhythmic Value Run Length |
2.748 |
| Median Rhythmic Value Run Length |
2.0 |
| Variability in Rhythmic Value Run Lengths |
3.097 |
| Mean Rhythmic Value Offset |
0.07213 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8996 |
| Complete Rests Fraction |
0.007335 |
| Partial Rests Fraction |
0.007335 |
| Average Rest Fraction Across Voices |
0.007335 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
2.0 |
| Mean Complete Rest Duration |
1.5 |
| Mean Partial Rest Duration |
1.5 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.7071 |
| Variability of Partial Rest Durations |
0.7071 |
| Variability Across Voices of Combined Rests |
0.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.608 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.206 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.951 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8141 |
| Rhythmic Variability - Tempo Standardized |
0.0524 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
610.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.103 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
4.5 |
| Average Note Duration |
0.4205 |
| Variability of Note Durations |
0.3759 |
| Amount of Staccato |
0.006557 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
54.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.481 |
| Strength of Strongest Rhythmic Pulse |
0.2027 |
| Strength of Second Strongest Rhythmic Pulse |
0.2018 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.005 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4046 |
| Rhythmic Variability |
0.03226 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
76.69 |
| Note Density |
7.954 |
| Note Density Variability |
2.399 |
| Average Time Between Attacks |
0.2859 |
| Average Time Between Attacks for Each Voice |
0.2859 |
| Variability of Time Between Attacks |
0.103 |
| Maximum Number of Independent Voices |
1.0 |
| Relative Range of Loudest Voice |
1.0 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
1.0 |
| Relative Note Density of Highest Line |
0.09508 |
| Relative Note Durations of Lowest Line |
1.0 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.0 |
| Voice Separation |
0.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.0372 |
| Average Number of Independent Voices |
1.0 |
| Similar Motion |
0.1663 |
| Contrary Motion |
0.1969 |
| Oblique Motion |
0.5996 |
| Parallel Fifths |
0.002188 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.0 |
| Voice Equality - Number of Notes |
0.0 |
| Voice Equality - Note Duration |
0.0 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.0 |
| Importance of Loudest Voice |
0.0 |