File

Last modified on: April 19, 2024, 10:16 p.m.

De_Beata_Marie_Virginis_II_Kyrie_5.mid


Source
RenComp7
Musical Work
Missa De Beata Marie Virginis (II)
Section
Kyrie
File Type
Symbolic Music
File Format
.mid
File Size
7.4 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.2055
Prevalence of Second Most Common Vertical Interval 0.1752
Prevalence Ratio of Two Most Common Vertical Intervals 0.8521
Vertical Unisons 0.04796
Vertical Minor Seconds 0.003048
Vertical Thirds 0.3133
Vertical Tritones 0.01283
Vertical Perfect Fourths 0.1172
Vertical Perfect Fifths 0.1695
Vertical Sixths 0.1368
Vertical Sevenths 0.01925
Vertical Octaves 0.1576
Perfect Vertical Intervals 0.4922
Vertical Dissonance Ratio 0.06128
Vertical Minor Third Prevalence 0.5079
Vertical Major Third Prevalence 0.6004
Chord Duration 1.724
Partial Chords 0.2056
Standard Triads 0.5907
Diminished and Augmented Triads 0.03271
Dominant Seventh Chords 0.01308
Seventh Chords 0.04206
Non-Standard Chords 0.1617
Complex Chords 0.003738
Minor Major Triad Ratio 0.3504
Average Number of Simultaneous Pitch Classes 2.754
Variability of Number of Simultaneous Pitch Classes 0.6611
Average Number of Simultaneous Pitches 3.499
Variability of Number of Simultaneous Pitches 1.025
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 4.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.227
Stepwise Motion 0.6861
Melodic Thirds 0.1315
Melodic Perfect Fourths 0.07568
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04094
Melodic Sixths 0.0
Melodic Sevenths 0.0
Melodic Octaves 0.007444
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.65
Melodic Embellishments 0.03206
Direction of Melodic Motion 0.5099
Average Length of Melodic Arcs 1.992
Average Interval Spanned by Melodic Arcs 4.892
Melodic Pitch Variety 5.089
Mean Melodic Interval 2.344
Number of Common Melodic Intervals 2.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4591
Relative Prevalence of Most Common Melodic Intervals 0.4946
Amount of Arpeggiation 0.2382
Repeated Notes 0.05831
Importance of Middle Register 0.8385
Importance of High Register 0.1023
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 64.0
Mean Pitch Class 5.24
Most Common Pitch 62.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1159
Prevalence of Most Common Pitch Class 0.1936
Relative Prevalence of Top Pitches 0.9362
Relative Prevalence of Top Pitch Classes 0.9299
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.73
Pitch Class Variability 3.609
Pitch Class Variability After Folding 2.85
Pitch Skewness 0.02528
Pitch Class Skewness 0.1999
Pitch Class Skewness After Folding 1.106
Pitch Kurtosis 5.496
Pitch Class Kurtosis 4.829
Pitch Class Kurtosis After Folding 7.783
Major or Minor 0.0
First Pitch 67.0
First Pitch Class 7.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 24.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 9.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 0.0
Range 31.0
Importance of Bass Register 0.05919
Note Density per Quarter Note 1.428
Note Density per Quarter Note per Voice 1.428
Note Density per Quarter Note Variability 0.6653
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0148
Prevalence of Medium Rhythmic Values 0.7127
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7953
Prevalence of Very Long Rhythmic Values 0.05179
Prevalence of Dotted Notes 0.08508
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.565
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.508
Relative Prevalence of Most Common Rhythmic Values 0.3738
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.868
Rhythmic Value Skewness 0.907
Rhythmic Value Kurtosis 17.0
Mean Rhythmic Value Run Length 1.856
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.427
Mean Rhythmic Value Offset 0.07398
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.5393
Complete Rests Fraction 0.0
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices -0.000000000003966
Longest Complete Rest 0.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 0.0
Median Partial Rest Duration 0.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 2.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6166
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1901
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.243
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8067
Rhythmic Variability - Tempo Standardized 0.05264
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.5
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 811.0
Initial Tempo 60.0
Average Variability of Time Between Attacks for Each Voice 1.264
Minimum Note Duration 0.5
Maximum Note Duration 16.0
Average Note Duration 2.639
Variability of Note Durations 2.276
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 1.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 60.0
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 120.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.942
Strength of Second Strongest Rhythmic Pulse 0.03543
Strength Ratio of Two Strongest Rhythmic Pulses 26.59
Combined Strength of Two Strongest Rhythmic Pulses 0.9775
Rhythmic Variability 0.07429
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 0.0
Duration in Seconds 568.0
Note Density 1.428
Note Density Variability 0.769
Average Time Between Attacks 1.589
Average Time Between Attacks for Each Voice 1.589
Variability of Time Between Attacks 1.264
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.07891
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.06601
Average Number of Independent Voices 1.0
Similar Motion 0.165
Contrary Motion 0.2078
Oblique Motion 0.5611
Parallel Fifths 0.006112
Parallel Octaves 0.00489
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0