Distance Between Two Most Common Vertical Intervals |
4.0 |
Prevalence of Most Common Vertical Interval |
0.1858 |
Prevalence of Second Most Common Vertical Interval |
0.1724 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9278 |
Vertical Unisons |
0.03038 |
Vertical Minor Seconds |
0.005964 |
Vertical Thirds |
0.3551 |
Vertical Tritones |
0.01342 |
Vertical Perfect Fourths |
0.09692 |
Vertical Perfect Fifths |
0.167 |
Vertical Sixths |
0.1277 |
Vertical Sevenths |
0.02907 |
Vertical Octaves |
0.142 |
Perfect Vertical Intervals |
0.4363 |
Vertical Dissonance Ratio |
0.08801 |
Vertical Minor Third Prevalence |
0.5422 |
Vertical Major Third Prevalence |
0.5437 |
Chord Duration |
1.696 |
Partial Chords |
0.3373 |
Standard Triads |
0.4497 |
Diminished and Augmented Triads |
0.02358 |
Dominant Seventh Chords |
0.007862 |
Seventh Chords |
0.01887 |
Non-Standard Chords |
0.1942 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.3951 |
Average Number of Simultaneous Pitch Classes |
2.651 |
Variability of Number of Simultaneous Pitch Classes |
0.6539 |
Average Number of Simultaneous Pitches |
3.194 |
Variability of Number of Simultaneous Pitches |
0.7806 |
Most Common Vertical Interval |
4.0 |
Second Most Common Vertical Interval |
0.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.198 |
Stepwise Motion |
0.6766 |
Melodic Thirds |
0.1562 |
Melodic Perfect Fourths |
0.0363 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.0253 |
Melodic Sixths |
0.0011 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.008801 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.679 |
Melodic Embellishments |
0.03724 |
Direction of Melodic Motion |
0.4842 |
Average Length of Melodic Arcs |
2.02 |
Average Interval Spanned by Melodic Arcs |
4.762 |
Melodic Pitch Variety |
4.904 |
Mean Melodic Interval |
2.156 |
Number of Common Melodic Intervals |
4.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4785 |
Relative Prevalence of Most Common Melodic Intervals |
0.4138 |
Amount of Arpeggiation |
0.286 |
Repeated Notes |
0.09571 |
Importance of Middle Register |
0.8719 |
Importance of High Register |
0.06024 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
1.0 |
Mean Pitch |
63.0 |
Mean Pitch Class |
5.101 |
Most Common Pitch |
67.0 |
Most Common Pitch Class |
0.0 |
Prevalence of Most Common Pitch |
0.1161 |
Prevalence of Most Common Pitch Class |
0.1829 |
Relative Prevalence of Top Pitches |
0.9906 |
Relative Prevalence of Top Pitch Classes |
0.9701 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
6.278 |
Pitch Class Variability |
3.625 |
Pitch Class Variability After Folding |
3.091 |
Pitch Skewness |
-0.2151 |
Pitch Class Skewness |
0.0834 |
Pitch Class Skewness After Folding |
1.103 |
Pitch Kurtosis |
5.553 |
Pitch Class Kurtosis |
4.823 |
Pitch Class Kurtosis After Folding |
7.421 |
Major or Minor |
0.0 |
First Pitch |
67.0 |
First Pitch Class |
7.0 |
Last Pitch |
48.0 |
Last Pitch Class |
0.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
24.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
4.0 |
Number of Common Pitch Classes |
0.0 |
Range |
31.0 |
Importance of Bass Register |
0.06791 |
Note Density per Quarter Note |
1.375 |
Note Density per Quarter Note per Voice |
1.375 |
Note Density per Quarter Note Variability |
0.5231 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.004381 |
Prevalence of Medium Rhythmic Values |
0.7097 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7558 |
Prevalence of Very Long Rhythmic Values |
0.03505 |
Prevalence of Dotted Notes |
0.07229 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.399 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4655 |
Relative Prevalence of Most Common Rhythmic Values |
0.5153 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.443 |
Rhythmic Value Skewness |
0.8287 |
Rhythmic Value Kurtosis |
11.8 |
Mean Rhythmic Value Run Length |
1.938 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.427 |
Mean Rhythmic Value Offset |
0.01314 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.3971 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.0 |
Average Rest Fraction Across Voices |
-0.000000000001289 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
0.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
0.0 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
0.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
0.0 |
Variability Across Voices of Combined Rests |
0.0 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5782 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2116 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.732 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7898 |
Rhythmic Variability - Tempo Standardized |
0.05095 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
913.0 |
Initial Tempo |
60.0 |
Average Variability of Time Between Attacks for Each Voice |
0.7641 |
Minimum Note Duration |
0.5 |
Maximum Note Duration |
24.0 |
Average Note Duration |
2.412 |
Variability of Note Durations |
1.579 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
1.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
60.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
0.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
60.0 |
Strength of Strongest Rhythmic Pulse |
0.982 |
Strength of Second Strongest Rhythmic Pulse |
0.0 |
Strength Ratio of Two Strongest Rhythmic Pulses |
0.0 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.982 |
Rhythmic Variability |
0.07739 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
664.0 |
Note Density |
1.375 |
Note Density Variability |
0.6124 |
Average Time Between Attacks |
1.567 |
Average Time Between Attacks for Each Voice |
1.567 |
Variability of Time Between Attacks |
0.7641 |
Maximum Number of Independent Voices |
1.0 |
Relative Range of Loudest Voice |
1.0 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
1.0 |
Relative Note Density of Highest Line |
0.069 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.0 |
Voice Separation |
0.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.05422 |
Average Number of Independent Voices |
1.0 |
Similar Motion |
0.1217 |
Contrary Motion |
0.2277 |
Oblique Motion |
0.5964 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.0 |
Voice Equality - Number of Notes |
0.0 |
Voice Equality - Note Duration |
0.0 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |