Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2169 |
Prevalence of Second Most Common Vertical Interval |
0.2034 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9375 |
Vertical Unisons |
0.0522 |
Vertical Minor Seconds |
0.001913 |
Vertical Thirds |
0.2681 |
Vertical Tritones |
0.01546 |
Vertical Perfect Fourths |
0.1275 |
Vertical Perfect Fifths |
0.2034 |
Vertical Sixths |
0.113 |
Vertical Sevenths |
0.02423 |
Vertical Octaves |
0.1647 |
Perfect Vertical Intervals |
0.5478 |
Vertical Dissonance Ratio |
0.07661 |
Vertical Minor Third Prevalence |
0.6863 |
Vertical Major Third Prevalence |
0.6142 |
Chord Duration |
1.761 |
Partial Chords |
0.06373 |
Standard Triads |
0.6127 |
Diminished and Augmented Triads |
0.04412 |
Dominant Seventh Chords |
0.01471 |
Seventh Chords |
0.06127 |
Non-Standard Chords |
0.2623 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
2.759 |
Average Number of Simultaneous Pitch Classes |
3.017 |
Variability of Number of Simultaneous Pitch Classes |
0.5069 |
Average Number of Simultaneous Pitches |
4.048 |
Variability of Number of Simultaneous Pitches |
0.9225 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.276 |
Stepwise Motion |
0.6354 |
Melodic Thirds |
0.109 |
Melodic Perfect Fourths |
0.08348 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.08348 |
Melodic Sixths |
0.001704 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01193 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.556 |
Melodic Embellishments |
0.05734 |
Direction of Melodic Motion |
0.4346 |
Average Length of Melodic Arcs |
1.81 |
Average Interval Spanned by Melodic Arcs |
4.87 |
Melodic Pitch Variety |
4.934 |
Mean Melodic Interval |
2.511 |
Number of Common Melodic Intervals |
2.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.3595 |
Relative Prevalence of Most Common Melodic Intervals |
0.7678 |
Amount of Arpeggiation |
0.2794 |
Repeated Notes |
0.07496 |
Importance of Middle Register |
0.8381 |
Importance of High Register |
0.09949 |
Dominant Spread |
4.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
63.0 |
Mean Pitch Class |
5.234 |
Most Common Pitch |
62.0 |
Most Common Pitch Class |
2.0 |
Prevalence of Most Common Pitch |
0.1619 |
Prevalence of Most Common Pitch Class |
0.2411 |
Relative Prevalence of Top Pitches |
0.6042 |
Relative Prevalence of Top Pitch Classes |
0.7343 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
6.412 |
Pitch Class Variability |
3.176 |
Pitch Class Variability After Folding |
3.553 |
Pitch Skewness |
0.6328 |
Pitch Class Skewness |
0.2214 |
Pitch Class Skewness After Folding |
0.9128 |
Pitch Kurtosis |
5.556 |
Pitch Class Kurtosis |
4.687 |
Pitch Class Kurtosis After Folding |
5.598 |
Major or Minor |
0.0 |
First Pitch |
62.0 |
First Pitch Class |
2.0 |
Last Pitch |
50.0 |
Last Pitch Class |
2.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
22.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
1.0 |
Range |
29.0 |
Importance of Bass Register |
0.06239 |
Note Density per Quarter Note |
1.425 |
Note Density per Quarter Note per Voice |
1.425 |
Note Density per Quarter Note Variability |
0.4646 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.01686 |
Prevalence of Medium Rhythmic Values |
0.5464 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8482 |
Prevalence of Very Long Rhythmic Values |
0.06745 |
Prevalence of Dotted Notes |
0.07926 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.008 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3946 |
Relative Prevalence of Most Common Rhythmic Values |
0.8547 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.949 |
Rhythmic Value Skewness |
1.552 |
Rhythmic Value Kurtosis |
12.69 |
Mean Rhythmic Value Run Length |
1.652 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.067 |
Mean Rhythmic Value Offset |
0.1147 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
1.046 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.0 |
Average Rest Fraction Across Voices |
-0.000000000004436 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
0.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
0.0 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
0.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
0.0 |
Variability Across Voices of Combined Rests |
0.0 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.684 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1602 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.269 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8442 |
Rhythmic Variability - Tempo Standardized |
0.05633 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
593.0 |
Initial Tempo |
60.0 |
Average Variability of Time Between Attacks for Each Voice |
0.6252 |
Minimum Note Duration |
0.5 |
Maximum Note Duration |
24.0 |
Average Note Duration |
3.123 |
Variability of Note Durations |
2.638 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
60.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.8969 |
Strength of Second Strongest Rhythmic Pulse |
0.0625 |
Strength Ratio of Two Strongest Rhythmic Pulses |
14.35 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9594 |
Rhythmic Variability |
0.07088 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
416.0 |
Note Density |
1.425 |
Note Density Variability |
0.6395 |
Average Time Between Attacks |
1.604 |
Average Time Between Attacks for Each Voice |
1.604 |
Variability of Time Between Attacks |
0.6252 |
Maximum Number of Independent Voices |
1.0 |
Relative Range of Loudest Voice |
1.0 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
1.0 |
Relative Note Density of Highest Line |
0.1062 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.0 |
Voice Separation |
0.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.04966 |
Average Number of Independent Voices |
1.0 |
Similar Motion |
0.1724 |
Contrary Motion |
0.1503 |
Oblique Motion |
0.6276 |
Parallel Fifths |
0.002759 |
Parallel Octaves |
0.009655 |
Variability of Number of Independent Voices |
0.0 |
Voice Equality - Number of Notes |
0.0 |
Voice Equality - Note Duration |
0.0 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |