File

Last modified on: April 19, 2024, 10:21 p.m.

De_beata_virgine_1570_Agnus_I_6.mid


Source
RenComp7
Musical Work
Missa De beata virgine (1570)
Section
Agnus I
File Type
Symbolic Music
File Format
.mid
File Size
4.6 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2315
Prevalence of Second Most Common Vertical Interval 0.1939
Prevalence Ratio of Two Most Common Vertical Intervals 0.8376
Vertical Unisons 0.03863
Vertical Minor Seconds 0.008257
Vertical Thirds 0.272
Vertical Tritones 0.003686
Vertical Perfect Fourths 0.1193
Vertical Perfect Fifths 0.1939
Vertical Sixths 0.1239
Vertical Sevenths 0.01932
Vertical Octaves 0.1929
Perfect Vertical Intervals 0.5447
Vertical Dissonance Ratio 0.06326
Vertical Minor Third Prevalence 0.641
Vertical Major Third Prevalence 0.7427
Chord Duration 1.727
Partial Chords 0.09412
Standard Triads 0.6515
Diminished and Augmented Triads 0.0
Dominant Seventh Chords 0.008824
Seventh Chords 0.04706
Non-Standard Chords 0.2074
Complex Chords 0.01765
Minor Major Triad Ratio 0.234
Average Number of Simultaneous Pitch Classes 3.029
Variability of Number of Simultaneous Pitch Classes 0.5647
Average Number of Simultaneous Pitches 4.596
Variability of Number of Simultaneous Pitches 1.069
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1972
Stepwise Motion 0.5795
Melodic Thirds 0.1469
Melodic Perfect Fourths 0.09658
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05634
Melodic Sixths 0.004024
Melodic Sevenths 0.002012
Melodic Octaves 0.02213
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.281
Melodic Embellishments 0.07356
Direction of Melodic Motion 0.459
Average Length of Melodic Arcs 1.856
Average Interval Spanned by Melodic Arcs 5.346
Melodic Pitch Variety 5.462
Mean Melodic Interval 2.662
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.3823
Relative Prevalence of Most Common Melodic Intervals 0.5158
Amount of Arpeggiation 0.3199
Repeated Notes 0.09256
Importance of Middle Register 0.7256
Importance of High Register 0.1193
Dominant Spread 6.0
Strong Tonal Centres 1.0
Mean Pitch 63.0
Mean Pitch Class 4.72
Most Common Pitch 65.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.09543
Prevalence of Most Common Pitch Class 0.2068
Relative Prevalence of Top Pitches 0.9583
Relative Prevalence of Top Pitch Classes 0.9904
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 8.016
Pitch Class Variability 3.411
Pitch Class Variability After Folding 4.263
Pitch Skewness -0.2039
Pitch Class Skewness -0.2466
Pitch Class Skewness After Folding 0.9752
Pitch Kurtosis 5.278
Pitch Class Kurtosis 4.866
Pitch Class Kurtosis After Folding 4.781
Major or Minor 0.0
First Pitch 67.0
First Pitch Class 7.0
Last Pitch 53.0
Last Pitch Class 5.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 27.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 2.0
Range 34.0
Importance of Bass Register 0.1551
Note Density per Quarter Note 1.462
Note Density per Quarter Note per Voice 1.462
Note Density per Quarter Note Variability 0.6459
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0159
Prevalence of Medium Rhythmic Values 0.5348
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7674
Prevalence of Very Long Rhythmic Values 0.163
Prevalence of Dotted Notes 0.1153
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.352
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3022
Relative Prevalence of Most Common Rhythmic Values 0.7566
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.607
Rhythmic Value Skewness 1.555
Rhythmic Value Kurtosis 7.883
Mean Rhythmic Value Run Length 1.863
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.377
Mean Rhythmic Value Offset 0.05567
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.7762
Complete Rests Fraction 0.0
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices -0.0000000000027
Longest Complete Rest 0.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 0.0
Median Partial Rest Duration 0.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5695
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2237
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.546
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7932
Rhythmic Variability - Tempo Standardized 0.05043
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 503.0
Initial Tempo 60.0
Average Variability of Time Between Attacks for Each Voice 0.7662
Minimum Note Duration 0.5
Maximum Note Duration 24.0
Average Note Duration 3.408
Variability of Note Durations 2.892
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 1.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 60.0
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 120.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.9506
Strength of Second Strongest Rhythmic Pulse 0.0321
Strength Ratio of Two Strongest Rhythmic Pulses 29.62
Combined Strength of Two Strongest Rhythmic Pulses 0.9827
Rhythmic Variability 0.07495
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 0.0
Duration in Seconds 344.0
Note Density 1.462
Note Density Variability 0.7144
Average Time Between Attacks 1.518
Average Time Between Attacks for Each Voice 1.518
Variability of Time Between Attacks 0.7662
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.1252
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.03193
Average Number of Independent Voices 1.0
Similar Motion 0.158
Contrary Motion 0.07395
Oblique Motion 0.7361
Parallel Fifths 0.006723
Parallel Octaves 0.003361
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0