File

Last modified on: April 19, 2024, 4:50 p.m.

F164_32_Cara_Pesenti_Tromboncino_Quando_lo_OMRcorrIL_OpcI2jq.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Quando lo pomo vien da lo pomaro
File Type
Symbolic Music
File Format
xml
File Size
206.7 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2215
Prevalence of Second Most Common Vertical Interval 0.1796
Prevalence Ratio of Two Most Common Vertical Intervals 0.8109
Vertical Unisons 0.01239
Vertical Minor Seconds 0.0
Vertical Thirds 0.3253
Vertical Tritones 0.003279
Vertical Perfect Fourths 0.1355
Vertical Perfect Fifths 0.2215
Vertical Sixths 0.1005
Vertical Sevenths 0.01457
Vertical Octaves 0.1672
Perfect Vertical Intervals 0.5366
Vertical Dissonance Ratio 0.03899
Vertical Minor Third Prevalence 0.5
Vertical Major Third Prevalence 0.5813
Chord Duration 2.423
Partial Chords 0.2834
Standard Triads 0.6083
Diminished and Augmented Triads 0.003185
Dominant Seventh Chords 0.0
Seventh Chords 0.0
Non-Standard Chords 0.1083
Complex Chords 0.0
Minor Major Triad Ratio 1.011
Average Number of Simultaneous Pitch Classes 2.694
Variability of Number of Simultaneous Pitch Classes 0.5184
Average Number of Simultaneous Pitches 3.341
Variability of Number of Simultaneous Pitches 0.7703
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 0.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1151
Stepwise Motion 0.4373
Melodic Thirds 0.11
Melodic Perfect Fourths 0.08696
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04348
Melodic Sixths 0.005115
Melodic Sevenths 0.002558
Melodic Octaves 0.005115
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 3.778
Melodic Embellishments 0.03291
Direction of Melodic Motion 0.4963
Average Length of Melodic Arcs 1.561
Average Interval Spanned by Melodic Arcs 4.382
Melodic Pitch Variety 3.833
Mean Melodic Interval 1.982
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.3223
Relative Prevalence of Most Common Melodic Intervals 0.9603
Amount of Arpeggiation 0.4706
Repeated Notes 0.3095
Importance of Middle Register 0.8354
Importance of High Register 0.0
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 60.0
Mean Pitch Class 5.565
Most Common Pitch 64.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1342
Prevalence of Most Common Pitch Class 0.1975
Relative Prevalence of Top Pitches 0.8491
Relative Prevalence of Top Pitch Classes 0.9231
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.706
Pitch Class Variability 3.599
Pitch Class Variability After Folding 2.575
Pitch Skewness 0.3828
Pitch Class Skewness 0.4706
Pitch Class Skewness After Folding -0.05604
Pitch Kurtosis 5.301
Pitch Class Kurtosis 4.851
Pitch Class Kurtosis After Folding 9.072
Major or Minor 0.0
First Pitch 57.0
First Pitch Class 9.0
Last Pitch 45.0
Last Pitch Class 9.0
Glissando Prevalence 0.01013
Average Range of Glissandos 0.0
Number of Pitches 17.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.01013
Number of Pitch Classes 7.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 0.0
Range 27.0
Importance of Bass Register 0.1646
Note Density per Quarter Note 1.201
Note Density per Quarter Note per Voice 1.201
Note Density per Quarter Note Variability 0.5757
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 6.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.6532
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.9038
Prevalence of Very Long Rhythmic Values 0.03038
Prevalence of Dotted Notes 0.06076
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.709
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.557
Relative Prevalence of Most Common Rhythmic Values 0.4773
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.567
Rhythmic Value Skewness 1.357
Rhythmic Value Kurtosis 18.73
Mean Rhythmic Value Run Length 1.804
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.595
Mean Rhythmic Value Offset 0.04051
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.401
Complete Rests Fraction 0.02736
Partial Rests Fraction 0.02736
Average Rest Fraction Across Voices 0.02736
Longest Complete Rest 4.0
Longest Partial Rest 4.0
Mean Complete Rest Duration 3.0
Mean Partial Rest Duration 3.0
Median Complete Rest Duration 4.0
Median Partial Rest Duration 4.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 1.732
Variability of Partial Rest Durations 1.732
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.764
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1248
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 6.123
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8888
Rhythmic Variability - Tempo Standardized 0.06151
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 395.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.2076
Minimum Note Duration 0.1875
Maximum Note Duration 3.0
Average Note Duration 0.5155
Variability of Note Durations 0.3443
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 40.0
Second Strongest Rhythmic Pulse 80.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2335
Strength of Second Strongest Rhythmic Pulse 0.2268
Strength Ratio of Two Strongest Rhythmic Pulses 1.03
Combined Strength of Two Strongest Rhythmic Pulses 0.4602
Rhythmic Variability 0.03511
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 61.69
Note Density 6.403
Note Density Variability 1.701
Average Time Between Attacks 0.3677
Average Time Between Attacks for Each Voice 0.3677
Variability of Time Between Attacks 0.2076
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.1519
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.04457
Average Number of Independent Voices 1.0
Similar Motion 0.1922
Contrary Motion 0.1616
Oblique Motion 0.6017
Parallel Fifths 0.01114
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0