Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.2026 |
Prevalence of Second Most Common Vertical Interval |
0.1858 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9168 |
Vertical Unisons |
0.0404 |
Vertical Minor Seconds |
0.003871 |
Vertical Thirds |
0.3814 |
Vertical Tritones |
0.01081 |
Vertical Perfect Fourths |
0.1095 |
Vertical Perfect Fifths |
0.1858 |
Vertical Sixths |
0.09233 |
Vertical Sevenths |
0.01121 |
Vertical Octaves |
0.1391 |
Perfect Vertical Intervals |
0.4748 |
Vertical Dissonance Ratio |
0.05424 |
Vertical Minor Third Prevalence |
0.6078 |
Vertical Major Third Prevalence |
0.6108 |
Chord Duration |
2.285 |
Partial Chords |
0.3063 |
Standard Triads |
0.5518 |
Diminished and Augmented Triads |
0.0212 |
Dominant Seventh Chords |
0.002051 |
Seventh Chords |
0.01094 |
Non-Standard Chords |
0.1309 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.3165 |
Average Number of Simultaneous Pitch Classes |
2.644 |
Variability of Number of Simultaneous Pitch Classes |
0.6069 |
Average Number of Simultaneous Pitches |
3.179 |
Variability of Number of Simultaneous Pitches |
0.7767 |
Most Common Vertical Interval |
4.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2221 |
Stepwise Motion |
0.614 |
Melodic Thirds |
0.09724 |
Melodic Perfect Fourths |
0.04802 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.06303 |
Melodic Sixths |
0.004202 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.007203 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.945 |
Melodic Embellishments |
0.04491 |
Direction of Melodic Motion |
0.4816 |
Average Length of Melodic Arcs |
1.83 |
Average Interval Spanned by Melodic Arcs |
4.671 |
Melodic Pitch Variety |
4.485 |
Mean Melodic Interval |
2.134 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.392 |
Relative Prevalence of Most Common Melodic Intervals |
0.5666 |
Amount of Arpeggiation |
0.3337 |
Repeated Notes |
0.1663 |
Importance of Middle Register |
0.876 |
Importance of High Register |
0.0 |
Dominant Spread |
5.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
60.0 |
Mean Pitch Class |
4.738 |
Most Common Pitch |
62.0 |
Most Common Pitch Class |
2.0 |
Prevalence of Most Common Pitch |
0.1551 |
Prevalence of Most Common Pitch Class |
0.1958 |
Relative Prevalence of Top Pitches |
0.8185 |
Relative Prevalence of Top Pitch Classes |
0.896 |
Interval Between Most Prevalent Pitches |
2.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
5.129 |
Pitch Class Variability |
3.384 |
Pitch Class Variability After Folding |
3.028 |
Pitch Skewness |
-0.4154 |
Pitch Class Skewness |
0.654 |
Pitch Class Skewness After Folding |
1.189 |
Pitch Kurtosis |
5.721 |
Pitch Class Kurtosis |
4.973 |
Pitch Class Kurtosis After Folding |
7.392 |
Major or Minor |
0.0 |
First Pitch |
48.0 |
First Pitch Class |
0.0 |
Last Pitch |
55.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
19.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
4.0 |
Number of Common Pitch Classes |
0.0 |
Range |
21.0 |
Importance of Bass Register |
0.124 |
Note Density per Quarter Note |
1.082 |
Note Density per Quarter Note per Voice |
1.082 |
Note Density per Quarter Note Variability |
0.4282 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.01557 |
Prevalence of Medium Rhythmic Values |
0.512 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8719 |
Prevalence of Very Long Rhythmic Values |
0.05389 |
Prevalence of Dotted Notes |
0.08204 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.018 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3838 |
Relative Prevalence of Most Common Rhythmic Values |
0.9704 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.762 |
Rhythmic Value Skewness |
1.734 |
Rhythmic Value Kurtosis |
12.89 |
Mean Rhythmic Value Run Length |
1.851 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.34 |
Mean Rhythmic Value Offset |
0.0479 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.5518 |
Complete Rests Fraction |
0.009067 |
Partial Rests Fraction |
0.009067 |
Average Rest Fraction Across Voices |
0.009067 |
Longest Complete Rest |
4.0 |
Longest Partial Rest |
4.0 |
Mean Complete Rest Duration |
3.5 |
Mean Partial Rest Duration |
3.5 |
Median Complete Rest Duration |
4.0 |
Median Partial Rest Duration |
4.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
1.0 |
Variability of Partial Rest Durations |
1.0 |
Variability Across Voices of Combined Rests |
0.0 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6688 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1712 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.906 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.84 |
Rhythmic Variability - Tempo Standardized |
0.05537 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
1670.0 |
Initial Tempo |
60.0 |
Average Variability of Time Between Attacks for Each Voice |
1.447 |
Minimum Note Duration |
0.5 |
Maximum Note Duration |
24.0 |
Average Note Duration |
3.066 |
Variability of Note Durations |
2.066 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
60.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.9019 |
Strength of Second Strongest Rhythmic Pulse |
0.05452 |
Strength Ratio of Two Strongest Rhythmic Pulses |
16.54 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9564 |
Rhythmic Variability |
0.07124 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
1544.0 |
Note Density |
1.082 |
Note Density Variability |
0.5317 |
Average Time Between Attacks |
2.049 |
Average Time Between Attacks for Each Voice |
2.049 |
Variability of Time Between Attacks |
1.447 |
Maximum Number of Independent Voices |
1.0 |
Relative Range of Loudest Voice |
1.0 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
1.0 |
Relative Note Density of Highest Line |
0.03593 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.0 |
Voice Separation |
0.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.04846 |
Average Number of Independent Voices |
1.0 |
Similar Motion |
0.1819 |
Contrary Motion |
0.1966 |
Oblique Motion |
0.573 |
Parallel Fifths |
0.002107 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.0 |
Voice Equality - Number of Notes |
0.0 |
Voice Equality - Note Duration |
0.0 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |