| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1936 |
| Prevalence of Second Most Common Vertical Interval |
0.1901 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9821 |
| Vertical Unisons |
0.03808 |
| Vertical Minor Seconds |
0.004854 |
| Vertical Thirds |
0.2792 |
| Vertical Tritones |
0.01446 |
| Vertical Perfect Fourths |
0.1386 |
| Vertical Perfect Fifths |
0.1901 |
| Vertical Sixths |
0.1141 |
| Vertical Sevenths |
0.03636 |
| Vertical Octaves |
0.1555 |
| Perfect Vertical Intervals |
0.5223 |
| Vertical Dissonance Ratio |
0.09218 |
| Vertical Minor Third Prevalence |
0.5662 |
| Vertical Major Third Prevalence |
0.4007 |
| Chord Duration |
1.888 |
| Partial Chords |
0.3451 |
| Standard Triads |
0.4129 |
| Diminished and Augmented Triads |
0.03409 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01136 |
| Non-Standard Chords |
0.2307 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.595 |
| Average Number of Simultaneous Pitch Classes |
2.683 |
| Variability of Number of Simultaneous Pitch Classes |
0.6554 |
| Average Number of Simultaneous Pitches |
3.338 |
| Variability of Number of Simultaneous Pitches |
0.7303 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.765 |
| Variation of Dynamics In Each Voice |
1.763 |
| Average Note to Note Change in Dynamics |
1.933 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1685 |
| Stepwise Motion |
0.6067 |
| Melodic Thirds |
0.05899 |
| Melodic Perfect Fourths |
0.04775 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02528 |
| Melodic Sixths |
0.01124 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.002809 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.2 |
| Melodic Embellishments |
0.025 |
| Direction of Melodic Motion |
0.4739 |
| Average Length of Melodic Arcs |
1.928 |
| Average Interval Spanned by Melodic Arcs |
4.475 |
| Melodic Pitch Variety |
4.559 |
| Mean Melodic Interval |
1.778 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4382 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5641 |
| Amount of Arpeggiation |
0.3343 |
| Repeated Notes |
0.2472 |
| Importance of Middle Register |
0.8194 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.77 |
| Mean Pitch Class |
5.7 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1389 |
| Prevalence of Most Common Pitch Class |
0.2444 |
| Relative Prevalence of Top Pitches |
0.84 |
| Relative Prevalence of Top Pitch Classes |
0.6591 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
5.736 |
| Pitch Class Variability |
3.215 |
| Pitch Class Variability After Folding |
4.121 |
| Pitch Skewness |
0.7496 |
| Pitch Class Skewness |
-1.213 |
| Pitch Class Skewness After Folding |
1.723 |
| Pitch Kurtosis |
5.165 |
| Pitch Class Kurtosis |
4.954 |
| Pitch Class Kurtosis After Folding |
4.795 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
16.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
24.0 |
| Importance of Bass Register |
0.1806 |
| Note Density per Quarter Note |
1.324 |
| Note Density per Quarter Note per Voice |
0.3309 |
| Note Density per Quarter Note Variability |
0.6224 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6722 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7917 |
| Prevalence of Very Long Rhythmic Values |
0.05278 |
| Prevalence of Dotted Notes |
0.08611 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.606 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4639 |
| Relative Prevalence of Most Common Rhythmic Values |
0.479 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.72 |
| Rhythmic Value Skewness |
1.056 |
| Rhythmic Value Kurtosis |
15.64 |
| Mean Rhythmic Value Run Length |
1.935 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.502 |
| Mean Rhythmic Value Offset |
0.04473 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4199 |
| Complete Rests Fraction |
0.00000383 |
| Partial Rests Fraction |
0.3676 |
| Average Rest Fraction Across Voices |
0.1233 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
24.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
4.326 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
4.816 |
| Variability Across Voices of Combined Rests |
5.212 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6031 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2033 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.966 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8064 |
| Rhythmic Variability - Tempo Standardized |
0.05222 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
360.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.3816 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.4968 |
| Variability of Note Durations |
0.3737 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
54.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.481 |
| Strength of Strongest Rhythmic Pulse |
0.2077 |
| Strength of Second Strongest Rhythmic Pulse |
0.2028 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.024 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4105 |
| Rhythmic Variability |
0.03257 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
51.0 |
| Note Density |
7.059 |
| Note Density Variability |
2.781 |
| Average Time Between Attacks |
0.2961 |
| Average Time Between Attacks for Each Voice |
0.5144 |
| Variability of Time Between Attacks |
0.1177 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.3068 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.7333 |
| Relative Note Durations of Lowest Line |
1.006 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.9083 |
| Voice Separation |
4.333 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.08 |
| Average Number of Independent Voices |
3.507 |
| Similar Motion |
0.1086 |
| Contrary Motion |
0.1429 |
| Oblique Motion |
0.6686 |
| Parallel Fifths |
0.008571 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.748 |
| Voice Equality - Number of Notes |
4.082 |
| Voice Equality - Note Duration |
0.9772 |
| Voice Equality - Dynamics |
0.5 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.633 |
| Importance of Loudest Voice |
0.3333 |