Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.1985 |
Prevalence of Second Most Common Vertical Interval |
0.1964 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9895 |
Vertical Unisons |
0.04278 |
Vertical Minor Seconds |
0.001188 |
Vertical Thirds |
0.2906 |
Vertical Tritones |
0.008318 |
Vertical Perfect Fourths |
0.1117 |
Vertical Perfect Fifths |
0.1964 |
Vertical Sixths |
0.1411 |
Vertical Sevenths |
0.02406 |
Vertical Octaves |
0.1557 |
Perfect Vertical Intervals |
0.5065 |
Vertical Dissonance Ratio |
0.06586 |
Vertical Minor Third Prevalence |
0.682 |
Vertical Major Third Prevalence |
0.5221 |
Chord Duration |
1.764 |
Partial Chords |
0.1617 |
Standard Triads |
0.6053 |
Diminished and Augmented Triads |
0.01504 |
Dominant Seventh Chords |
0.007519 |
Seventh Chords |
0.03383 |
Non-Standard Chords |
0.1992 |
Complex Chords |
0.003759 |
Minor Major Triad Ratio |
1.3 |
Average Number of Simultaneous Pitch Classes |
2.871 |
Variability of Number of Simultaneous Pitch Classes |
0.5574 |
Average Number of Simultaneous Pitches |
3.757 |
Variability of Number of Simultaneous Pitches |
0.9471 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2247 |
Stepwise Motion |
0.6768 |
Melodic Thirds |
0.1717 |
Melodic Perfect Fourths |
0.05808 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.06566 |
Melodic Sixths |
0.002525 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.0 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
4.667 |
Melodic Embellishments |
0.03741 |
Direction of Melodic Motion |
0.4534 |
Average Length of Melodic Arcs |
2.271 |
Average Interval Spanned by Melodic Arcs |
5.624 |
Melodic Pitch Variety |
4.91 |
Mean Melodic Interval |
2.444 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.452 |
Relative Prevalence of Most Common Melodic Intervals |
0.4972 |
Amount of Arpeggiation |
0.2626 |
Repeated Notes |
0.02525 |
Importance of Middle Register |
0.7731 |
Importance of High Register |
0.1746 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
65.0 |
Mean Pitch Class |
5.17 |
Most Common Pitch |
67.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.1222 |
Prevalence of Most Common Pitch Class |
0.1995 |
Relative Prevalence of Top Pitches |
0.7551 |
Relative Prevalence of Top Pitch Classes |
0.9625 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
7.064 |
Pitch Class Variability |
3.318 |
Pitch Class Variability After Folding |
3.723 |
Pitch Skewness |
-0.6121 |
Pitch Class Skewness |
0.1533 |
Pitch Class Skewness After Folding |
1.505 |
Pitch Kurtosis |
5.507 |
Pitch Class Kurtosis |
4.757 |
Pitch Class Kurtosis After Folding |
5.466 |
Major or Minor |
0.0 |
First Pitch |
62.0 |
First Pitch Class |
2.0 |
Last Pitch |
55.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
27.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
0.0 |
Range |
33.0 |
Importance of Bass Register |
0.05237 |
Note Density per Quarter Note |
1.474 |
Note Density per Quarter Note per Voice |
1.474 |
Note Density per Quarter Note Variability |
0.5586 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
7.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.004988 |
Prevalence of Medium Rhythmic Values |
0.6559 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8579 |
Prevalence of Very Long Rhythmic Values |
0.02244 |
Prevalence of Dotted Notes |
0.06234 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.653 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.5137 |
Relative Prevalence of Most Common Rhythmic Values |
0.5485 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.649 |
Rhythmic Value Skewness |
1.188 |
Rhythmic Value Kurtosis |
21.72 |
Mean Rhythmic Value Run Length |
1.883 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.332 |
Mean Rhythmic Value Offset |
0.0798 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.7441 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.0 |
Average Rest Fraction Across Voices |
-0.0000000000000441 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
0.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
0.0 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
0.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
0.0 |
Variability Across Voices of Combined Rests |
0.0 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6972 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1501 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.646 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8472 |
Rhythmic Variability - Tempo Standardized |
0.05724 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
401.0 |
Initial Tempo |
60.0 |
Average Variability of Time Between Attacks for Each Voice |
0.5699 |
Minimum Note Duration |
0.5 |
Maximum Note Duration |
24.0 |
Average Note Duration |
2.733 |
Variability of Note Durations |
2.184 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
60.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.9607 |
Strength of Second Strongest Rhythmic Pulse |
0.02183 |
Strength Ratio of Two Strongest Rhythmic Pulses |
44.0 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9825 |
Rhythmic Variability |
0.07573 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
272.0 |
Note Density |
1.474 |
Note Density Variability |
0.6396 |
Average Time Between Attacks |
1.608 |
Average Time Between Attacks for Each Voice |
1.608 |
Variability of Time Between Attacks |
0.5699 |
Maximum Number of Independent Voices |
1.0 |
Relative Range of Loudest Voice |
1.0 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
1.0 |
Relative Note Density of Highest Line |
0.1621 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.0 |
Voice Separation |
0.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.05128 |
Average Number of Independent Voices |
1.0 |
Similar Motion |
0.1396 |
Contrary Motion |
0.2365 |
Oblique Motion |
0.5726 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.005698 |
Variability of Number of Independent Voices |
0.0 |
Voice Equality - Number of Notes |
0.0 |
Voice Equality - Note Duration |
0.0 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |