Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.2111 |
Prevalence of Second Most Common Vertical Interval |
0.1916 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9079 |
Vertical Unisons |
0.02801 |
Vertical Minor Seconds |
0.001297 |
Vertical Thirds |
0.4024 |
Vertical Tritones |
0.005835 |
Vertical Perfect Fourths |
0.1084 |
Vertical Perfect Fifths |
0.1916 |
Vertical Sixths |
0.1062 |
Vertical Sevenths |
0.004798 |
Vertical Octaves |
0.1389 |
Perfect Vertical Intervals |
0.4669 |
Vertical Dissonance Ratio |
0.02512 |
Vertical Minor Third Prevalence |
0.6968 |
Vertical Major Third Prevalence |
0.6708 |
Chord Duration |
2.974 |
Partial Chords |
0.29 |
Standard Triads |
0.6336 |
Diminished and Augmented Triads |
0.01598 |
Dominant Seventh Chords |
0.001142 |
Seventh Chords |
0.006279 |
Non-Standard Chords |
0.07021 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.2306 |
Average Number of Simultaneous Pitch Classes |
2.712 |
Variability of Number of Simultaneous Pitch Classes |
0.5072 |
Average Number of Simultaneous Pitches |
3.301 |
Variability of Number of Simultaneous Pitches |
0.803 |
Most Common Vertical Interval |
4.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1895 |
Stepwise Motion |
0.5483 |
Melodic Thirds |
0.1468 |
Melodic Perfect Fourths |
0.04893 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04391 |
Melodic Sixths |
0.001255 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.0138 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.079 |
Melodic Embellishments |
0.01748 |
Direction of Melodic Motion |
0.4781 |
Average Length of Melodic Arcs |
1.749 |
Average Interval Spanned by Melodic Arcs |
4.587 |
Melodic Pitch Variety |
3.888 |
Mean Melodic Interval |
2.123 |
Number of Common Melodic Intervals |
4.0 |
Distance Between Most Prevalent Melodic Intervals |
2.0 |
Prevalence of Most Common Melodic Interval |
0.3588 |
Relative Prevalence of Most Common Melodic Intervals |
0.549 |
Amount of Arpeggiation |
0.4015 |
Repeated Notes |
0.197 |
Importance of Middle Register |
0.8964 |
Importance of High Register |
0.0 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
60.0 |
Mean Pitch Class |
4.836 |
Most Common Pitch |
60.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.1536 |
Prevalence of Most Common Pitch Class |
0.2035 |
Relative Prevalence of Top Pitches |
0.8618 |
Relative Prevalence of Top Pitch Classes |
0.9325 |
Interval Between Most Prevalent Pitches |
4.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
5.006 |
Pitch Class Variability |
3.513 |
Pitch Class Variability After Folding |
3.035 |
Pitch Skewness |
0.3576 |
Pitch Class Skewness |
-0.1396 |
Pitch Class Skewness After Folding |
1.012 |
Pitch Kurtosis |
5.989 |
Pitch Class Kurtosis |
4.966 |
Pitch Class Kurtosis After Folding |
7.581 |
Major or Minor |
0.0 |
First Pitch |
55.0 |
First Pitch Class |
7.0 |
Last Pitch |
55.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
17.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
5.0 |
Number of Common Pitch Classes |
1.0 |
Range |
21.0 |
Importance of Bass Register |
0.1036 |
Note Density per Quarter Note |
0.902 |
Note Density per Quarter Note per Voice |
0.902 |
Note Density per Quarter Note Variability |
0.3701 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.002497 |
Prevalence of Medium Rhythmic Values |
0.387 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.9376 |
Prevalence of Very Long Rhythmic Values |
0.1511 |
Prevalence of Dotted Notes |
0.07116 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.738 |
Most Common Rhythmic Value |
4.0 |
Prevalence of Most Common Rhythmic Value |
0.4382 |
Relative Prevalence of Most Common Rhythmic Values |
0.7407 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.139 |
Rhythmic Value Skewness |
-0.3677 |
Rhythmic Value Kurtosis |
8.382 |
Mean Rhythmic Value Run Length |
1.784 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.241 |
Mean Rhythmic Value Offset |
0.03995 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.398 |
Complete Rests Fraction |
0.004505 |
Partial Rests Fraction |
0.004505 |
Average Rest Fraction Across Voices |
0.004505 |
Longest Complete Rest |
4.0 |
Longest Partial Rest |
4.0 |
Mean Complete Rest Duration |
4.0 |
Mean Partial Rest Duration |
4.0 |
Median Complete Rest Duration |
4.0 |
Median Partial Rest Duration |
4.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
0.0 |
Variability Across Voices of Combined Rests |
0.0 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7912 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.113 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
7.0 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9042 |
Rhythmic Variability - Tempo Standardized |
0.0633 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
801.0 |
Initial Tempo |
60.0 |
Average Variability of Time Between Attacks for Each Voice |
1.662 |
Minimum Note Duration |
0.5 |
Maximum Note Duration |
16.0 |
Average Note Duration |
3.778 |
Variability of Note Durations |
2.323 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
60.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.9669 |
Strength of Second Strongest Rhythmic Pulse |
0.01653 |
Strength Ratio of Two Strongest Rhythmic Pulses |
58.5 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9835 |
Rhythmic Variability |
0.07621 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
888.0 |
Note Density |
0.902 |
Note Density Variability |
0.474 |
Average Time Between Attacks |
2.665 |
Average Time Between Attacks for Each Voice |
2.665 |
Variability of Time Between Attacks |
1.662 |
Maximum Number of Independent Voices |
1.0 |
Relative Range of Loudest Voice |
1.0 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
1.0 |
Relative Note Density of Highest Line |
0.07491 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.0 |
Voice Separation |
0.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.07143 |
Average Number of Independent Voices |
1.0 |
Similar Motion |
0.2112 |
Contrary Motion |
0.1884 |
Oblique Motion |
0.5289 |
Parallel Fifths |
0.00152 |
Parallel Octaves |
0.00304 |
Variability of Number of Independent Voices |
0.0 |
Voice Equality - Number of Notes |
0.0 |
Voice Equality - Note Duration |
0.0 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |