| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2135 |
| Prevalence of Second Most Common Vertical Interval |
0.1789 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8379 |
| Vertical Unisons |
0.02768 |
| Vertical Minor Seconds |
0.00725 |
| Vertical Thirds |
0.3367 |
| Vertical Tritones |
0.006666 |
| Vertical Perfect Fourths |
0.08937 |
| Vertical Perfect Fifths |
0.1694 |
| Vertical Sixths |
0.1343 |
| Vertical Sevenths |
0.02335 |
| Vertical Octaves |
0.1858 |
| Perfect Vertical Intervals |
0.4722 |
| Vertical Dissonance Ratio |
0.06019 |
| Vertical Minor Third Prevalence |
0.4859 |
| Vertical Major Third Prevalence |
0.5469 |
| Chord Duration |
2.067 |
| Partial Chords |
0.4005 |
| Standard Triads |
0.4423 |
| Diminished and Augmented Triads |
0.0172 |
| Dominant Seventh Chords |
0.004914 |
| Seventh Chords |
0.02211 |
| Non-Standard Chords |
0.1351 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3433 |
| Average Number of Simultaneous Pitch Classes |
2.575 |
| Variability of Number of Simultaneous Pitch Classes |
0.6538 |
| Average Number of Simultaneous Pitches |
3.251 |
| Variability of Number of Simultaneous Pitches |
0.7844 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.663 |
| Variation of Dynamics In Each Voice |
1.671 |
| Average Note to Note Change in Dynamics |
1.647 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1738 |
| Stepwise Motion |
0.6163 |
| Melodic Thirds |
0.1129 |
| Melodic Perfect Fourths |
0.06321 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0316 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.03612 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.7241 |
| Melodic Embellishments |
0.0179 |
| Direction of Melodic Motion |
0.5066 |
| Average Length of Melodic Arcs |
2.059 |
| Average Interval Spanned by Melodic Arcs |
5.746 |
| Melodic Pitch Variety |
5.276 |
| Mean Melodic Interval |
2.433 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4424 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3929 |
| Amount of Arpeggiation |
0.3205 |
| Repeated Notes |
0.14 |
| Importance of Middle Register |
0.8009 |
| Importance of High Register |
0.06264 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.89 |
| Mean Pitch Class |
4.705 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1298 |
| Prevalence of Most Common Pitch Class |
0.2148 |
| Relative Prevalence of Top Pitches |
0.8966 |
| Relative Prevalence of Top Pitch Classes |
0.8438 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
7.012 |
| Pitch Class Variability |
3.454 |
| Pitch Class Variability After Folding |
3.339 |
| Pitch Skewness |
-0.6748 |
| Pitch Class Skewness |
0.6121 |
| Pitch Class Skewness After Folding |
0.217 |
| Pitch Kurtosis |
5.632 |
| Pitch Class Kurtosis |
5.012 |
| Pitch Class Kurtosis After Folding |
6.936 |
| Major or Minor |
0.0 |
| First Pitch |
48.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1365 |
| Note Density per Quarter Note |
1.049 |
| Note Density per Quarter Note per Voice |
0.2623 |
| Note Density per Quarter Note Variability |
0.4886 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.008949 |
| Prevalence of Medium Rhythmic Values |
0.5526 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7606 |
| Prevalence of Very Long Rhythmic Values |
0.1007 |
| Prevalence of Dotted Notes |
0.1454 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.047 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3132 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8429 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.344 |
| Rhythmic Value Skewness |
1.34 |
| Rhythmic Value Kurtosis |
11.29 |
| Mean Rhythmic Value Run Length |
1.371 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.8229 |
| Mean Rhythmic Value Offset |
0.1611 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.79 |
| Complete Rests Fraction |
0.000002445 |
| Partial Rests Fraction |
0.4836 |
| Average Rest Fraction Across Voices |
0.1585 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
60.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
10.0 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
6.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
11.7 |
| Variability Across Voices of Combined Rests |
38.97 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5503 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2309 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.383 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7813 |
| Rhythmic Variability - Tempo Standardized |
0.04967 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
447.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6585 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
6.75 |
| Average Note Duration |
0.6015 |
| Variability of Note Durations |
0.6383 |
| Amount of Staccato |
0.008949 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
54.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.481 |
| Strength of Strongest Rhythmic Pulse |
0.2342 |
| Strength of Second Strongest Rhythmic Pulse |
0.1871 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.252 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4213 |
| Rhythmic Variability |
0.03188 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
79.88 |
| Note Density |
5.596 |
| Note Density Variability |
1.85 |
| Average Time Between Attacks |
0.3247 |
| Average Time Between Attacks for Each Voice |
0.644 |
| Variability of Time Between Attacks |
0.1764 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3871 |
| Relative Note Density of Highest Line |
0.6443 |
| Relative Note Durations of Lowest Line |
0.9777 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8613 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
4.359 |
| Parallel Motion |
0.05128 |
| Average Number of Independent Voices |
3.366 |
| Similar Motion |
0.1329 |
| Contrary Motion |
0.1469 |
| Oblique Motion |
0.669 |
| Parallel Fifths |
0.004662 |
| Parallel Octaves |
0.002331 |
| Variability of Number of Independent Voices |
0.7613 |
| Voice Equality - Number of Notes |
22.08 |
| Voice Equality - Note Duration |
7.306 |
| Voice Equality - Dynamics |
0.5 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.862 |
| Importance of Loudest Voice |
1.0 |