Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.1894 |
Prevalence of Second Most Common Vertical Interval |
0.1785 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9426 |
Vertical Unisons |
0.01826 |
Vertical Minor Seconds |
0.002525 |
Vertical Thirds |
0.3056 |
Vertical Tritones |
0.005633 |
Vertical Perfect Fourths |
0.1243 |
Vertical Perfect Fifths |
0.1894 |
Vertical Sixths |
0.1467 |
Vertical Sevenths |
0.02059 |
Vertical Octaves |
0.1538 |
Perfect Vertical Intervals |
0.4858 |
Vertical Dissonance Ratio |
0.06606 |
Vertical Minor Third Prevalence |
0.5092 |
Vertical Major Third Prevalence |
0.6011 |
Chord Duration |
1.941 |
Partial Chords |
0.1782 |
Standard Triads |
0.6229 |
Diminished and Augmented Triads |
0.01501 |
Dominant Seventh Chords |
0.003752 |
Seventh Chords |
0.01126 |
Non-Standard Chords |
0.1876 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.3776 |
Average Number of Simultaneous Pitch Classes |
2.824 |
Variability of Number of Simultaneous Pitch Classes |
0.5128 |
Average Number of Simultaneous Pitches |
3.494 |
Variability of Number of Simultaneous Pitches |
0.6474 |
Most Common Vertical Interval |
7.0 |
Second Most Common Vertical Interval |
4.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2003 |
Stepwise Motion |
0.661 |
Melodic Thirds |
0.08904 |
Melodic Perfect Fourths |
0.07705 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04452 |
Melodic Sixths |
0.008562 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01199 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.889 |
Melodic Embellishments |
0.04422 |
Direction of Melodic Motion |
0.4549 |
Average Length of Melodic Arcs |
1.881 |
Average Interval Spanned by Melodic Arcs |
4.859 |
Melodic Pitch Variety |
5.513 |
Mean Melodic Interval |
2.33 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4606 |
Relative Prevalence of Most Common Melodic Intervals |
0.4349 |
Amount of Arpeggiation |
0.2534 |
Repeated Notes |
0.1079 |
Importance of Middle Register |
0.7381 |
Importance of High Register |
0.0 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
58.0 |
Mean Pitch Class |
5.167 |
Most Common Pitch |
60.0 |
Most Common Pitch Class |
5.0 |
Prevalence of Most Common Pitch |
0.1412 |
Prevalence of Most Common Pitch Class |
0.2041 |
Relative Prevalence of Top Pitches |
0.6988 |
Relative Prevalence of Top Pitch Classes |
0.9083 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
6.528 |
Pitch Class Variability |
3.42 |
Pitch Class Variability After Folding |
4.325 |
Pitch Skewness |
0.1047 |
Pitch Class Skewness |
0.1462 |
Pitch Class Skewness After Folding |
1.135 |
Pitch Kurtosis |
5.8 |
Pitch Class Kurtosis |
4.843 |
Pitch Class Kurtosis After Folding |
4.599 |
Major or Minor |
0.0 |
First Pitch |
65.0 |
First Pitch Class |
5.0 |
Last Pitch |
41.0 |
Last Pitch Class |
5.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
23.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
1.0 |
Range |
31.0 |
Importance of Bass Register |
0.2619 |
Note Density per Quarter Note |
1.081 |
Note Density per Quarter Note per Voice |
1.081 |
Note Density per Quarter Note Variability |
0.3629 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0102 |
Prevalence of Medium Rhythmic Values |
0.5102 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8367 |
Prevalence of Very Long Rhythmic Values |
0.1054 |
Prevalence of Dotted Notes |
0.1361 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.238 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3469 |
Relative Prevalence of Most Common Rhythmic Values |
0.8088 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.336 |
Rhythmic Value Skewness |
1.59 |
Rhythmic Value Kurtosis |
10.27 |
Mean Rhythmic Value Run Length |
1.633 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.117 |
Mean Rhythmic Value Offset |
0.07483 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.5424 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.0 |
Average Rest Fraction Across Voices |
-0.000000000004783 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
0.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
0.0 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
0.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
0.0 |
Variability Across Voices of Combined Rests |
0.0 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.59 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2136 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.762 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8036 |
Rhythmic Variability - Tempo Standardized |
0.05145 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
588.0 |
Initial Tempo |
60.0 |
Average Variability of Time Between Attacks for Each Voice |
0.9632 |
Minimum Note Duration |
0.5 |
Maximum Note Duration |
16.0 |
Average Note Duration |
3.313 |
Variability of Note Durations |
2.658 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
60.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.9381 |
Strength of Second Strongest Rhythmic Pulse |
0.04886 |
Strength Ratio of Two Strongest Rhythmic Pulses |
19.2 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.987 |
Rhythmic Variability |
0.07401 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
544.0 |
Note Density |
1.081 |
Note Density Variability |
0.4479 |
Average Time Between Attacks |
1.752 |
Average Time Between Attacks for Each Voice |
1.752 |
Variability of Time Between Attacks |
0.9632 |
Maximum Number of Independent Voices |
1.0 |
Relative Range of Loudest Voice |
1.0 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
1.0 |
Relative Note Density of Highest Line |
0.09864 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.0 |
Voice Separation |
0.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.03972 |
Average Number of Independent Voices |
1.0 |
Similar Motion |
0.1489 |
Contrary Motion |
0.139 |
Oblique Motion |
0.6723 |
Parallel Fifths |
0.001418 |
Parallel Octaves |
0.004255 |
Variability of Number of Independent Voices |
0.0 |
Voice Equality - Number of Notes |
0.0 |
Voice Equality - Note Duration |
0.0 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |