Distance Between Two Most Common Vertical Intervals |
1.0 |
Prevalence of Most Common Vertical Interval |
0.2087 |
Prevalence of Second Most Common Vertical Interval |
0.2023 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9693 |
Vertical Unisons |
0.01774 |
Vertical Minor Seconds |
0.003774 |
Vertical Thirds |
0.411 |
Vertical Tritones |
0.01283 |
Vertical Perfect Fourths |
0.07662 |
Vertical Perfect Fifths |
0.1619 |
Vertical Sixths |
0.1261 |
Vertical Sevenths |
0.02906 |
Vertical Octaves |
0.1395 |
Perfect Vertical Intervals |
0.3957 |
Vertical Dissonance Ratio |
0.07202 |
Vertical Minor Third Prevalence |
0.5579 |
Vertical Major Third Prevalence |
0.55 |
Chord Duration |
1.608 |
Partial Chords |
0.3635 |
Standard Triads |
0.4819 |
Diminished and Augmented Triads |
0.02786 |
Dominant Seventh Chords |
0.0 |
Seventh Chords |
0.002786 |
Non-Standard Chords |
0.1518 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.6476 |
Average Number of Simultaneous Pitch Classes |
2.567 |
Variability of Number of Simultaneous Pitch Classes |
0.631 |
Average Number of Simultaneous Pitches |
3.043 |
Variability of Number of Simultaneous Pitches |
0.7341 |
Most Common Vertical Interval |
4.0 |
Second Most Common Vertical Interval |
3.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2421 |
Stepwise Motion |
0.7224 |
Melodic Thirds |
0.1535 |
Melodic Perfect Fourths |
0.03346 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.0374 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.001969 |
Melodic Octaves |
0.001969 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.391 |
Melodic Embellishments |
0.02148 |
Direction of Melodic Motion |
0.5342 |
Average Length of Melodic Arcs |
2.091 |
Average Interval Spanned by Melodic Arcs |
4.732 |
Melodic Pitch Variety |
5.023 |
Mean Melodic Interval |
2.183 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4803 |
Relative Prevalence of Most Common Melodic Intervals |
0.5041 |
Amount of Arpeggiation |
0.2441 |
Repeated Notes |
0.04921 |
Importance of Middle Register |
0.7969 |
Importance of High Register |
0.003906 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
59.0 |
Mean Pitch Class |
5.127 |
Most Common Pitch |
60.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.1172 |
Prevalence of Most Common Pitch Class |
0.1699 |
Relative Prevalence of Top Pitches |
0.9333 |
Relative Prevalence of Top Pitch Classes |
0.977 |
Interval Between Most Prevalent Pitches |
4.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
6.375 |
Pitch Class Variability |
3.45 |
Pitch Class Variability After Folding |
3.344 |
Pitch Skewness |
-0.09099 |
Pitch Class Skewness |
0.1104 |
Pitch Class Skewness After Folding |
0.4048 |
Pitch Kurtosis |
5.553 |
Pitch Class Kurtosis |
4.966 |
Pitch Class Kurtosis After Folding |
6.73 |
Major or Minor |
0.0 |
First Pitch |
64.0 |
First Pitch Class |
4.0 |
Last Pitch |
52.0 |
Last Pitch Class |
4.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
23.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
0.0 |
Range |
31.0 |
Importance of Bass Register |
0.1992 |
Note Density per Quarter Note |
1.347 |
Note Density per Quarter Note per Voice |
1.347 |
Note Density per Quarter Note Variability |
0.5471 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.01172 |
Prevalence of Medium Rhythmic Values |
0.7441 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.668 |
Prevalence of Very Long Rhythmic Values |
0.0332 |
Prevalence of Dotted Notes |
0.1016 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.281 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4121 |
Relative Prevalence of Most Common Rhythmic Values |
0.7773 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.742 |
Rhythmic Value Skewness |
0.4845 |
Rhythmic Value Kurtosis |
21.26 |
Mean Rhythmic Value Run Length |
1.954 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.802 |
Mean Rhythmic Value Offset |
0.02344 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.3056 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.0 |
Average Rest Fraction Across Voices |
-0.00000000000365 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
0.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
0.0 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
0.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
0.0 |
Variability Across Voices of Combined Rests |
0.0 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5217 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2494 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.092 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7711 |
Rhythmic Variability - Tempo Standardized |
0.04859 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
512.0 |
Initial Tempo |
60.0 |
Average Variability of Time Between Attacks for Each Voice |
1.15 |
Minimum Note Duration |
0.5 |
Maximum Note Duration |
16.0 |
Average Note Duration |
2.305 |
Variability of Note Durations |
1.893 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
2.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
60.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.971 |
Strength of Second Strongest Rhythmic Pulse |
0.02004 |
Strength Ratio of Two Strongest Rhythmic Pulses |
48.44 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9911 |
Rhythmic Variability |
0.07653 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
380.0 |
Note Density |
1.347 |
Note Density Variability |
0.63 |
Average Time Between Attacks |
1.506 |
Average Time Between Attacks for Each Voice |
1.506 |
Variability of Time Between Attacks |
1.15 |
Maximum Number of Independent Voices |
1.0 |
Relative Range of Loudest Voice |
1.0 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
1.0 |
Relative Note Density of Highest Line |
0.1152 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.0 |
Voice Separation |
0.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.05743 |
Average Number of Independent Voices |
1.0 |
Similar Motion |
0.1822 |
Contrary Motion |
0.2812 |
Oblique Motion |
0.4792 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.00198 |
Variability of Number of Independent Voices |
0.0 |
Voice Equality - Number of Notes |
0.0 |
Voice Equality - Note Duration |
0.0 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |