Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.191 |
Prevalence of Second Most Common Vertical Interval |
0.1881 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9847 |
Vertical Unisons |
0.03344 |
Vertical Minor Seconds |
0.005757 |
Vertical Thirds |
0.3105 |
Vertical Tritones |
0.01033 |
Vertical Perfect Fourths |
0.1173 |
Vertical Perfect Fifths |
0.191 |
Vertical Sixths |
0.1217 |
Vertical Sevenths |
0.0224 |
Vertical Octaves |
0.1546 |
Perfect Vertical Intervals |
0.4964 |
Vertical Dissonance Ratio |
0.07685 |
Vertical Minor Third Prevalence |
0.6634 |
Vertical Major Third Prevalence |
0.6153 |
Chord Duration |
1.711 |
Partial Chords |
0.1252 |
Standard Triads |
0.6257 |
Diminished and Augmented Triads |
0.02486 |
Dominant Seventh Chords |
0.007648 |
Seventh Chords |
0.02868 |
Non-Standard Chords |
0.2204 |
Complex Chords |
0.002868 |
Minor Major Triad Ratio |
1.164 |
Average Number of Simultaneous Pitch Classes |
2.939 |
Variability of Number of Simultaneous Pitch Classes |
0.5271 |
Average Number of Simultaneous Pitches |
3.762 |
Variability of Number of Simultaneous Pitches |
0.8412 |
Most Common Vertical Interval |
7.0 |
Second Most Common Vertical Interval |
0.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.231 |
Stepwise Motion |
0.6507 |
Melodic Thirds |
0.08893 |
Melodic Perfect Fourths |
0.04607 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04926 |
Melodic Sixths |
0.005118 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01152 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.658 |
Melodic Embellishments |
0.06505 |
Direction of Melodic Motion |
0.4771 |
Average Length of Melodic Arcs |
2.064 |
Average Interval Spanned by Melodic Arcs |
5.096 |
Melodic Pitch Variety |
4.731 |
Mean Melodic Interval |
2.116 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4197 |
Relative Prevalence of Most Common Melodic Intervals |
0.5503 |
Amount of Arpeggiation |
0.2981 |
Repeated Notes |
0.1484 |
Importance of Middle Register |
0.8431 |
Importance of High Register |
0.09949 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
1.0 |
Mean Pitch |
64.0 |
Mean Pitch Class |
5.178 |
Most Common Pitch |
62.0 |
Most Common Pitch Class |
2.0 |
Prevalence of Most Common Pitch |
0.1276 |
Prevalence of Most Common Pitch Class |
0.1945 |
Relative Prevalence of Top Pitches |
0.99 |
Relative Prevalence of Top Pitch Classes |
0.9639 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
6.417 |
Pitch Class Variability |
3.342 |
Pitch Class Variability After Folding |
3.796 |
Pitch Skewness |
-0.2567 |
Pitch Class Skewness |
0.1597 |
Pitch Class Skewness After Folding |
1.559 |
Pitch Kurtosis |
5.738 |
Pitch Class Kurtosis |
4.733 |
Pitch Class Kurtosis After Folding |
5.296 |
Major or Minor |
0.0 |
First Pitch |
62.0 |
First Pitch Class |
2.0 |
Last Pitch |
55.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
30.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
0.0 |
Range |
33.0 |
Importance of Bass Register |
0.0574 |
Note Density per Quarter Note |
1.474 |
Note Density per Quarter Note per Voice |
1.474 |
Note Density per Quarter Note Variability |
0.4316 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.003827 |
Prevalence of Medium Rhythmic Values |
0.6116 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7666 |
Prevalence of Very Long Rhythmic Values |
0.06378 |
Prevalence of Dotted Notes |
0.1097 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.675 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3782 |
Relative Prevalence of Most Common Rhythmic Values |
0.6509 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.669 |
Rhythmic Value Skewness |
1.213 |
Rhythmic Value Kurtosis |
10.31 |
Mean Rhythmic Value Run Length |
1.623 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.079 |
Mean Rhythmic Value Offset |
0.0102 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.2018 |
Complete Rests Fraction |
0.00188 |
Partial Rests Fraction |
0.00188 |
Average Rest Fraction Across Voices |
0.00188 |
Longest Complete Rest |
2.0 |
Longest Partial Rest |
2.0 |
Mean Complete Rest Duration |
2.0 |
Mean Partial Rest Duration |
2.0 |
Median Complete Rest Duration |
2.0 |
Median Partial Rest Duration |
2.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
0.0 |
Variability Across Voices of Combined Rests |
0.0 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5592 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2291 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.441 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7883 |
Rhythmic Variability - Tempo Standardized |
0.05018 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
1568.0 |
Initial Tempo |
60.0 |
Average Variability of Time Between Attacks for Each Voice |
0.8076 |
Minimum Note Duration |
0.5 |
Maximum Note Duration |
16.0 |
Average Note Duration |
2.685 |
Variability of Note Durations |
1.737 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
2.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
60.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.9841 |
Strength of Second Strongest Rhythmic Pulse |
0.01036 |
Strength Ratio of Two Strongest Rhythmic Pulses |
95.0 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9944 |
Rhythmic Variability |
0.07755 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
1064.0 |
Note Density |
1.474 |
Note Density Variability |
0.588 |
Average Time Between Attacks |
1.54 |
Average Time Between Attacks for Each Voice |
1.54 |
Variability of Time Between Attacks |
0.8076 |
Maximum Number of Independent Voices |
1.0 |
Relative Range of Loudest Voice |
1.0 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
1.0 |
Relative Note Density of Highest Line |
0.04082 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.0 |
Voice Separation |
0.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.05617 |
Average Number of Independent Voices |
1.0 |
Similar Motion |
0.1239 |
Contrary Motion |
0.1825 |
Oblique Motion |
0.6374 |
Parallel Fifths |
0.001832 |
Parallel Octaves |
0.001832 |
Variability of Number of Independent Voices |
0.0 |
Voice Equality - Number of Notes |
0.0 |
Voice Equality - Note Duration |
0.0 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |