| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2185 |
| Prevalence of Second Most Common Vertical Interval |
0.1853 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8478 |
| Vertical Unisons |
0.02754 |
| Vertical Minor Seconds |
0.003464 |
| Vertical Thirds |
0.3287 |
| Vertical Tritones |
0.00898 |
| Vertical Perfect Fourths |
0.1186 |
| Vertical Perfect Fifths |
0.1693 |
| Vertical Sixths |
0.1445 |
| Vertical Sevenths |
0.02524 |
| Vertical Octaves |
0.1577 |
| Perfect Vertical Intervals |
0.4732 |
| Vertical Dissonance Ratio |
0.05665 |
| Vertical Minor Third Prevalence |
0.61 |
| Vertical Major Third Prevalence |
0.3875 |
| Chord Duration |
2.409 |
| Partial Chords |
0.3073 |
| Standard Triads |
0.5339 |
| Diminished and Augmented Triads |
0.02083 |
| Dominant Seventh Chords |
0.01042 |
| Seventh Chords |
0.02604 |
| Non-Standard Chords |
0.1328 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.733 |
| Average Number of Simultaneous Pitch Classes |
2.675 |
| Variability of Number of Simultaneous Pitch Classes |
0.632 |
| Average Number of Simultaneous Pitches |
3.303 |
| Variability of Number of Simultaneous Pitches |
0.7321 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.939 |
| Variation of Dynamics In Each Voice |
1.936 |
| Average Note to Note Change in Dynamics |
2.136 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1934 |
| Stepwise Motion |
0.7888 |
| Melodic Thirds |
0.05344 |
| Melodic Perfect Fourths |
0.03817 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0229 |
| Melodic Sixths |
0.007634 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01018 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.333 |
| Melodic Embellishments |
0.01259 |
| Direction of Melodic Motion |
0.4337 |
| Average Length of Melodic Arcs |
1.866 |
| Average Interval Spanned by Melodic Arcs |
4.186 |
| Melodic Pitch Variety |
4.328 |
| Mean Melodic Interval |
2.104 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5954 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3248 |
| Amount of Arpeggiation |
0.1654 |
| Repeated Notes |
0.07888 |
| Importance of Middle Register |
0.9421 |
| Importance of High Register |
0.04282 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
64.86 |
| Mean Pitch Class |
5.577 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.131 |
| Prevalence of Most Common Pitch Class |
0.1788 |
| Relative Prevalence of Top Pitches |
0.8269 |
| Relative Prevalence of Top Pitch Classes |
0.9718 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
5.299 |
| Pitch Class Variability |
3.793 |
| Pitch Class Variability After Folding |
2.969 |
| Pitch Skewness |
0.1725 |
| Pitch Class Skewness |
0.4562 |
| Pitch Class Skewness After Folding |
0.2215 |
| Pitch Kurtosis |
5.321 |
| Pitch Class Kurtosis |
4.743 |
| Pitch Class Kurtosis After Folding |
7.695 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
60.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
15.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
6.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
24.0 |
| Importance of Bass Register |
0.01511 |
| Note Density per Quarter Note |
0.9925 |
| Note Density per Quarter Note per Voice |
0.2481 |
| Note Density per Quarter Note Variability |
0.4759 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5063 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7355 |
| Prevalence of Very Long Rhythmic Values |
0.1738 |
| Prevalence of Dotted Notes |
0.1285 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.345 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.2872 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9211 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.472 |
| Rhythmic Value Skewness |
1.632 |
| Rhythmic Value Kurtosis |
8.212 |
| Mean Rhythmic Value Run Length |
1.704 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.226 |
| Mean Rhythmic Value Offset |
0.1008 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6276 |
| Complete Rests Fraction |
0.000002604 |
| Partial Rests Fraction |
0.44 |
| Average Rest Fraction Across Voices |
0.145 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
64.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
8.286 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
14.45 |
| Variability Across Voices of Combined Rests |
52.41 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5584 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2403 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.324 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7988 |
| Rhythmic Variability - Tempo Standardized |
0.05024 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
397.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7151 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.6461 |
| Variability of Note Durations |
0.5386 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
54.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.35 |
| Strength of Strongest Rhythmic Pulse |
0.2233 |
| Strength of Second Strongest Rhythmic Pulse |
0.2056 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.086 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4289 |
| Rhythmic Variability |
0.03272 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
75.0 |
| Note Density |
5.293 |
| Note Density Variability |
1.343 |
| Average Time Between Attacks |
0.4089 |
| Average Time Between Attacks for Each Voice |
0.6991 |
| Variability of Time Between Attacks |
0.2878 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6667 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.6667 |
| Relative Note Density of Highest Line |
0.6851 |
| Relative Note Durations of Lowest Line |
1.185 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8413 |
| Voice Separation |
3.333 |
| Variability of Voice Separation |
4.041 |
| Parallel Motion |
0.1459 |
| Average Number of Independent Voices |
3.42 |
| Similar Motion |
0.1671 |
| Contrary Motion |
0.1592 |
| Oblique Motion |
0.5279 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7507 |
| Voice Equality - Number of Notes |
19.69 |
| Voice Equality - Note Duration |
9.827 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.309 |
| Importance of Loudest Voice |
0.0 |