Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.1927 |
Prevalence of Second Most Common Vertical Interval |
0.1689 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8766 |
Vertical Unisons |
0.03854 |
Vertical Minor Seconds |
0.003504 |
Vertical Thirds |
0.3301 |
Vertical Tritones |
0.01201 |
Vertical Perfect Fourths |
0.1081 |
Vertical Perfect Fifths |
0.1689 |
Vertical Sixths |
0.1369 |
Vertical Sevenths |
0.01727 |
Vertical Octaves |
0.1542 |
Perfect Vertical Intervals |
0.4697 |
Vertical Dissonance Ratio |
0.06759 |
Vertical Minor Third Prevalence |
0.5373 |
Vertical Major Third Prevalence |
0.5263 |
Chord Duration |
1.699 |
Partial Chords |
0.3087 |
Standard Triads |
0.4943 |
Diminished and Augmented Triads |
0.0205 |
Dominant Seventh Chords |
0.002278 |
Seventh Chords |
0.01139 |
Non-Standard Chords |
0.1856 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
1.047 |
Average Number of Simultaneous Pitch Classes |
2.666 |
Variability of Number of Simultaneous Pitch Classes |
0.6097 |
Average Number of Simultaneous Pitches |
3.257 |
Variability of Number of Simultaneous Pitches |
0.8647 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2325 |
Stepwise Motion |
0.6185 |
Melodic Thirds |
0.1641 |
Melodic Perfect Fourths |
0.04103 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04711 |
Melodic Sixths |
0.00304 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.004559 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.086 |
Melodic Embellishments |
0.02866 |
Direction of Melodic Motion |
0.5242 |
Average Length of Melodic Arcs |
1.812 |
Average Interval Spanned by Melodic Arcs |
4.386 |
Melodic Pitch Variety |
4.656 |
Mean Melodic Interval |
2.166 |
Number of Common Melodic Intervals |
4.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.386 |
Relative Prevalence of Most Common Melodic Intervals |
0.6024 |
Amount of Arpeggiation |
0.3374 |
Repeated Notes |
0.1216 |
Importance of Middle Register |
0.7662 |
Importance of High Register |
0.2051 |
Dominant Spread |
3.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
67.0 |
Mean Pitch Class |
5.081 |
Most Common Pitch |
69.0 |
Most Common Pitch Class |
9.0 |
Prevalence of Most Common Pitch |
0.1508 |
Prevalence of Most Common Pitch Class |
0.2036 |
Relative Prevalence of Top Pitches |
0.68 |
Relative Prevalence of Top Pitch Classes |
0.9778 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
6.306 |
Pitch Class Variability |
3.397 |
Pitch Class Variability After Folding |
3.129 |
Pitch Skewness |
-0.4499 |
Pitch Class Skewness |
0.9552 |
Pitch Class Skewness After Folding |
0.7375 |
Pitch Kurtosis |
5.756 |
Pitch Class Kurtosis |
4.832 |
Pitch Class Kurtosis After Folding |
6.724 |
Major or Minor |
0.0 |
First Pitch |
69.0 |
First Pitch Class |
9.0 |
Last Pitch |
45.0 |
Last Pitch Class |
9.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
26.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
1.0 |
Range |
34.0 |
Importance of Bass Register |
0.02866 |
Note Density per Quarter Note |
1.454 |
Note Density per Quarter Note per Voice |
1.454 |
Note Density per Quarter Note Variability |
0.5659 |
Range of Rhythmic Values |
8.0 |
Number of Different Rhythmic Values Present |
7.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.00905 |
Prevalence of Medium Rhythmic Values |
0.7511 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7934 |
Prevalence of Very Long Rhythmic Values |
0.03167 |
Prevalence of Dotted Notes |
0.04977 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
8.0 |
Mean Rhythmic Value |
2.357 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.5445 |
Relative Prevalence of Most Common Rhythmic Values |
0.3629 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.36 |
Rhythmic Value Skewness |
0.7884 |
Rhythmic Value Kurtosis |
11.61 |
Mean Rhythmic Value Run Length |
2.072 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.694 |
Mean Rhythmic Value Offset |
0.0 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.0 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.0 |
Average Rest Fraction Across Voices |
-0.000000000005164 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
0.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
0.0 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
0.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
0.0 |
Variability Across Voices of Combined Rests |
0.0 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6298 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1831 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.439 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.813 |
Rhythmic Variability - Tempo Standardized |
0.0534 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
663.0 |
Initial Tempo |
60.0 |
Average Variability of Time Between Attacks for Each Voice |
0.6711 |
Minimum Note Duration |
0.5 |
Maximum Note Duration |
8.0 |
Average Note Duration |
2.357 |
Variability of Note Durations |
1.36 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
60.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.9571 |
Strength of Second Strongest Rhythmic Pulse |
0.02245 |
Strength Ratio of Two Strongest Rhythmic Pulses |
42.64 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9796 |
Rhythmic Variability |
0.07545 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
456.0 |
Note Density |
1.454 |
Note Density Variability |
0.7131 |
Average Time Between Attacks |
1.527 |
Average Time Between Attacks for Each Voice |
1.527 |
Variability of Time Between Attacks |
0.6711 |
Maximum Number of Independent Voices |
1.0 |
Relative Range of Loudest Voice |
1.0 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
1.0 |
Relative Note Density of Highest Line |
0.1011 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.0 |
Voice Separation |
0.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.06645 |
Average Number of Independent Voices |
1.0 |
Similar Motion |
0.1426 |
Contrary Motion |
0.2285 |
Oblique Motion |
0.5624 |
Parallel Fifths |
0.001621 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.0 |
Voice Equality - Number of Notes |
0.0 |
Voice Equality - Note Duration |
0.0 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |