Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.1781 |
Prevalence of Second Most Common Vertical Interval |
0.1747 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9805 |
Vertical Unisons |
0.02989 |
Vertical Minor Seconds |
0.007781 |
Vertical Thirds |
0.3333 |
Vertical Tritones |
0.01126 |
Vertical Perfect Fourths |
0.1089 |
Vertical Perfect Fifths |
0.1747 |
Vertical Sixths |
0.1282 |
Vertical Sevenths |
0.02723 |
Vertical Octaves |
0.1482 |
Perfect Vertical Intervals |
0.4617 |
Vertical Dissonance Ratio |
0.08317 |
Vertical Minor Third Prevalence |
0.5042 |
Vertical Major Third Prevalence |
0.495 |
Chord Duration |
1.615 |
Partial Chords |
0.298 |
Standard Triads |
0.4616 |
Diminished and Augmented Triads |
0.02011 |
Dominant Seventh Chords |
0.003656 |
Seventh Chords |
0.03473 |
Non-Standard Chords |
0.2057 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.4347 |
Average Number of Simultaneous Pitch Classes |
2.614 |
Variability of Number of Simultaneous Pitch Classes |
0.7339 |
Average Number of Simultaneous Pitches |
3.173 |
Variability of Number of Simultaneous Pitches |
0.8813 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2214 |
Stepwise Motion |
0.6435 |
Melodic Thirds |
0.157 |
Melodic Perfect Fourths |
0.05019 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.03604 |
Melodic Sixths |
0.001287 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01802 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.14 |
Melodic Embellishments |
0.05506 |
Direction of Melodic Motion |
0.4545 |
Average Length of Melodic Arcs |
1.972 |
Average Interval Spanned by Melodic Arcs |
5.05 |
Melodic Pitch Variety |
5.055 |
Mean Melodic Interval |
2.34 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4221 |
Relative Prevalence of Most Common Melodic Intervals |
0.5244 |
Amount of Arpeggiation |
0.305 |
Repeated Notes |
0.09395 |
Importance of Middle Register |
0.8886 |
Importance of High Register |
0.0128 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
61.0 |
Mean Pitch Class |
5.023 |
Most Common Pitch |
60.0 |
Most Common Pitch Class |
0.0 |
Prevalence of Most Common Pitch |
0.1408 |
Prevalence of Most Common Pitch Class |
0.2228 |
Relative Prevalence of Top Pitches |
0.7364 |
Relative Prevalence of Top Pitch Classes |
0.8506 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
6.06 |
Pitch Class Variability |
3.752 |
Pitch Class Variability After Folding |
3.033 |
Pitch Skewness |
-0.1312 |
Pitch Class Skewness |
0.01843 |
Pitch Class Skewness After Folding |
0.9309 |
Pitch Kurtosis |
5.556 |
Pitch Class Kurtosis |
4.789 |
Pitch Class Kurtosis After Folding |
7.663 |
Major or Minor |
0.0 |
First Pitch |
67.0 |
First Pitch Class |
7.0 |
Last Pitch |
48.0 |
Last Pitch Class |
0.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
18.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
8.0 |
Number of Common Pitches |
4.0 |
Number of Common Pitch Classes |
1.0 |
Range |
26.0 |
Importance of Bass Register |
0.09859 |
Note Density per Quarter Note |
1.302 |
Note Density per Quarter Note per Voice |
1.302 |
Note Density per Quarter Note Variability |
0.5201 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0128 |
Prevalence of Medium Rhythmic Values |
0.6556 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7721 |
Prevalence of Very Long Rhythmic Values |
0.05122 |
Prevalence of Dotted Notes |
0.1165 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.533 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4277 |
Relative Prevalence of Most Common Rhythmic Values |
0.503 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.552 |
Rhythmic Value Skewness |
1.029 |
Rhythmic Value Kurtosis |
11.55 |
Mean Rhythmic Value Run Length |
1.658 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.219 |
Mean Rhythmic Value Offset |
0.0 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.0 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.0 |
Average Rest Fraction Across Voices |
-0.000000000002979 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
0.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
0.0 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
0.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
0.0 |
Variability Across Voices of Combined Rests |
0.0 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5608 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2272 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.468 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7881 |
Rhythmic Variability - Tempo Standardized |
0.05008 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
781.0 |
Initial Tempo |
60.0 |
Average Variability of Time Between Attacks for Each Voice |
0.7751 |
Minimum Note Duration |
0.5 |
Maximum Note Duration |
12.0 |
Average Note Duration |
2.533 |
Variability of Note Durations |
1.552 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
60.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.9522 |
Strength of Second Strongest Rhythmic Pulse |
0.03413 |
Strength Ratio of Two Strongest Rhythmic Pulses |
27.9 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9863 |
Rhythmic Variability |
0.07508 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
600.0 |
Note Density |
1.302 |
Note Density Variability |
0.6044 |
Average Time Between Attacks |
1.528 |
Average Time Between Attacks for Each Voice |
1.528 |
Variability of Time Between Attacks |
0.7751 |
Maximum Number of Independent Voices |
1.0 |
Relative Range of Loudest Voice |
1.0 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
1.0 |
Relative Note Density of Highest Line |
0.0781 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.0 |
Voice Separation |
0.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.03597 |
Average Number of Independent Voices |
1.0 |
Similar Motion |
0.1559 |
Contrary Motion |
0.1667 |
Oblique Motion |
0.6415 |
Parallel Fifths |
0.002398 |
Parallel Octaves |
0.002398 |
Variability of Number of Independent Voices |
0.0 |
Voice Equality - Number of Notes |
0.0 |
Voice Equality - Note Duration |
0.0 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |