File

Last modified on: April 20, 2024, 12:04 a.m.

In_duplicibus_minoribus_II_Gloria_5.mid


Source
RenComp7
Musical Work
Missa In duplicibus minoribus (II)
Section
Gloria
File Type
Symbolic Music
File Format
.mid
File Size
10.7 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2128
Prevalence of Second Most Common Vertical Interval 0.1954
Prevalence Ratio of Two Most Common Vertical Intervals 0.9184
Vertical Unisons 0.02094
Vertical Minor Seconds 0.004595
Vertical Thirds 0.2913
Vertical Tritones 0.01002
Vertical Perfect Fourths 0.1215
Vertical Perfect Fifths 0.2128
Vertical Sixths 0.1239
Vertical Sevenths 0.01868
Vertical Octaves 0.1745
Perfect Vertical Intervals 0.5297
Vertical Dissonance Ratio 0.05836
Vertical Minor Third Prevalence 0.6501
Vertical Major Third Prevalence 0.6737
Chord Duration 2.048
Partial Chords 0.09561
Standard Triads 0.686
Diminished and Augmented Triads 0.0303
Dominant Seventh Chords 0.00627
Seventh Chords 0.02194
Non-Standard Chords 0.1964
Complex Chords 0.00627
Minor Major Triad Ratio 0.4937
Average Number of Simultaneous Pitch Classes 2.936
Variability of Number of Simultaneous Pitch Classes 0.4985
Average Number of Simultaneous Pitches 4.009
Variability of Number of Simultaneous Pitches 0.9348
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 0.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2323
Stepwise Motion 0.6638
Melodic Thirds 0.09191
Melodic Perfect Fourths 0.05106
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05021
Melodic Sixths 0.001702
Melodic Sevenths 0.0008511
Melodic Octaves 0.009362
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.724
Melodic Embellishments 0.06186
Direction of Melodic Motion 0.4613
Average Length of Melodic Arcs 2.03
Average Interval Spanned by Melodic Arcs 4.956
Melodic Pitch Variety 5.208
Mean Melodic Interval 2.137
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4315
Relative Prevalence of Most Common Melodic Intervals 0.5385
Amount of Arpeggiation 0.2834
Repeated Notes 0.1311
Importance of Middle Register 0.7907
Importance of High Register 0.01017
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 60.0
Mean Pitch Class 5.665
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.09153
Prevalence of Most Common Pitch Class 0.1627
Relative Prevalence of Top Pitches 0.9815
Relative Prevalence of Top Pitch Classes 0.9323
Interval Between Most Prevalent Pitches 3.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.972
Pitch Class Variability 3.68
Pitch Class Variability After Folding 2.883
Pitch Skewness 0.03975
Pitch Class Skewness -0.2729
Pitch Class Skewness After Folding 0.4612
Pitch Kurtosis 5.445
Pitch Class Kurtosis 4.78
Pitch Class Kurtosis After Folding 7.086
Major or Minor 0.0
First Pitch 52.0
First Pitch Class 4.0
Last Pitch 52.0
Last Pitch Class 4.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 25.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 1.0
Number of Common Pitch Classes 0.0
Range 31.0
Importance of Bass Register 0.1992
Note Density per Quarter Note 1.209
Note Density per Quarter Note per Voice 1.209
Note Density per Quarter Note Variability 0.5953
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.01186
Prevalence of Medium Rhythmic Values 0.4992
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7814
Prevalence of Very Long Rhythmic Values 0.09068
Prevalence of Dotted Notes 0.1195
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.203
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.3619
Relative Prevalence of Most Common Rhythmic Values 0.7752
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.385
Rhythmic Value Skewness 0.2559
Rhythmic Value Kurtosis 11.47
Mean Rhythmic Value Run Length 1.782
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.532
Mean Rhythmic Value Offset 0.2305
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.298
Complete Rests Fraction 0.0
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices 0.000000000003775
Longest Complete Rest 0.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 0.0
Median Partial Rest Duration 0.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.567
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2115
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.681
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7784
Rhythmic Variability - Tempo Standardized 0.05022
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 1180.0
Initial Tempo 60.0
Average Variability of Time Between Attacks for Each Voice 1.874
Minimum Note Duration 0.5
Maximum Note Duration 24.0
Average Note Duration 3.434
Variability of Note Durations 3.381
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 1.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 60.0
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.9439
Strength of Second Strongest Rhythmic Pulse 0.03041
Strength Ratio of Two Strongest Rhythmic Pulses 31.04
Combined Strength of Two Strongest Rhythmic Pulses 0.9743
Rhythmic Variability 0.07442
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 0.0
Duration in Seconds 976.0
Note Density 1.209
Note Density Variability 0.6849
Average Time Between Attacks 1.826
Average Time Between Attacks for Each Voice 1.826
Variability of Time Between Attacks 1.874
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.05085
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.05207
Average Number of Independent Voices 1.0
Similar Motion 0.1248
Contrary Motion 0.1548
Oblique Motion 0.6683
Parallel Fifths 0.0007133
Parallel Octaves 0.0007133
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0