File

Last modified on: April 20, 2024, 12:04 a.m.

De_Beata_Marie_Virginis_III_Credo_5.mid


Source
RenComp7
Musical Work
Missa De Beata Marie Virginis (III)
Section
Credo
File Type
Symbolic Music
File Format
.mid
File Size
18.1 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2074
Prevalence of Second Most Common Vertical Interval 0.1788
Prevalence Ratio of Two Most Common Vertical Intervals 0.8622
Vertical Unisons 0.04757
Vertical Minor Seconds 0.003236
Vertical Thirds 0.2948
Vertical Tritones 0.01044
Vertical Perfect Fourths 0.126
Vertical Perfect Fifths 0.1788
Vertical Sixths 0.1372
Vertical Sevenths 0.01856
Vertical Octaves 0.1598
Perfect Vertical Intervals 0.5122
Vertical Dissonance Ratio 0.05913
Vertical Minor Third Prevalence 0.5459
Vertical Major Third Prevalence 0.6313
Chord Duration 1.806
Partial Chords 0.1632
Standard Triads 0.6379
Diminished and Augmented Triads 0.02469
Dominant Seventh Chords 0.01646
Seventh Chords 0.03326
Non-Standard Chords 0.1656
Complex Chords 0.004115
Minor Major Triad Ratio 0.3676
Average Number of Simultaneous Pitch Classes 2.85
Variability of Number of Simultaneous Pitch Classes 0.5789
Average Number of Simultaneous Pitches 3.643
Variability of Number of Simultaneous Pitches 0.9114
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2218
Stepwise Motion 0.6564
Melodic Thirds 0.1014
Melodic Perfect Fourths 0.0537
Melodic Tritones 0.0
Melodic Perfect Fifths 0.06862
Melodic Sixths 0.003978
Melodic Sevenths 0.001492
Melodic Octaves 0.01492
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.344
Melodic Embellishments 0.04712
Direction of Melodic Motion 0.4594
Average Length of Melodic Arcs 1.916
Average Interval Spanned by Melodic Arcs 5.09
Melodic Pitch Variety 4.948
Mean Melodic Interval 2.401
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4346
Relative Prevalence of Most Common Melodic Intervals 0.5103
Amount of Arpeggiation 0.2859
Repeated Notes 0.09945
Importance of Middle Register 0.8403
Importance of High Register 0.0873
Dominant Spread 6.0
Strong Tonal Centres 1.0
Mean Pitch 63.0
Mean Pitch Class 5.209
Most Common Pitch 62.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1324
Prevalence of Most Common Pitch Class 0.2059
Relative Prevalence of Top Pitches 0.8502
Relative Prevalence of Top Pitch Classes 0.9277
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.526
Pitch Class Variability 3.447
Pitch Class Variability After Folding 2.85
Pitch Skewness -0.2814
Pitch Class Skewness 0.1822
Pitch Class Skewness After Folding 1.248
Pitch Kurtosis 5.56
Pitch Class Kurtosis 4.866
Pitch Class Kurtosis After Folding 7.809
Major or Minor 0.0
First Pitch 67.0
First Pitch Class 7.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 28.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.07242
Note Density per Quarter Note 1.34
Note Density per Quarter Note per Voice 1.34
Note Density per Quarter Note Variability 0.6197
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.02976
Prevalence of Medium Rhythmic Values 0.6255
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.812
Prevalence of Very Long Rhythmic Values 0.07093
Prevalence of Dotted Notes 0.122
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.811
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4375
Relative Prevalence of Most Common Rhythmic Values 0.5476
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.058
Rhythmic Value Skewness 1.181
Rhythmic Value Kurtosis 14.57
Mean Rhythmic Value Run Length 1.747
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.252
Mean Rhythmic Value Offset 0.1171
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.8325
Complete Rests Fraction 0.0
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices 0.000000000007558
Longest Complete Rest 0.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 0.0
Median Partial Rest Duration 0.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 5.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6212
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1851
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.355
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8063
Rhythmic Variability - Tempo Standardized 0.05266
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 1.0
Metrical Diversity 2.0
Total Number of Notes 2016.0
Initial Tempo 60.0
Average Variability of Time Between Attacks for Each Voice 1.699
Minimum Note Duration 0.5
Maximum Note Duration 24.0
Average Note Duration 2.928
Variability of Note Durations 2.661
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 1.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 60.0
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 120.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.8688
Strength of Second Strongest Rhythmic Pulse 0.07873
Strength Ratio of Two Strongest Rhythmic Pulses 11.04
Combined Strength of Two Strongest Rhythmic Pulses 0.9475
Rhythmic Variability 0.06881
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 0.0
Duration in Seconds 1504.0
Note Density 1.34
Note Density Variability 0.6932
Average Time Between Attacks 1.685
Average Time Between Attacks for Each Voice 1.685
Variability of Time Between Attacks 1.699
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.03125
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.06237
Average Number of Independent Voices 1.0
Similar Motion 0.1413
Contrary Motion 0.1655
Oblique Motion 0.6308
Parallel Fifths 0.004024
Parallel Octaves 0.003521
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0