Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2316 |
Prevalence of Second Most Common Vertical Interval |
0.1999 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8632 |
Vertical Unisons |
0.04183 |
Vertical Minor Seconds |
0.007618 |
Vertical Thirds |
0.2635 |
Vertical Tritones |
0.006415 |
Vertical Perfect Fourths |
0.118 |
Vertical Perfect Fifths |
0.1999 |
Vertical Sixths |
0.1148 |
Vertical Sevenths |
0.02539 |
Vertical Octaves |
0.1898 |
Perfect Vertical Intervals |
0.5496 |
Vertical Dissonance Ratio |
0.07771 |
Vertical Minor Third Prevalence |
0.716 |
Vertical Major Third Prevalence |
0.731 |
Chord Duration |
1.633 |
Partial Chords |
0.04891 |
Standard Triads |
0.6467 |
Diminished and Augmented Triads |
0.01902 |
Dominant Seventh Chords |
0.005435 |
Seventh Chords |
0.02717 |
Non-Standard Chords |
0.2772 |
Complex Chords |
0.0163 |
Minor Major Triad Ratio |
0.2237 |
Average Number of Simultaneous Pitch Classes |
3.128 |
Variability of Number of Simultaneous Pitch Classes |
0.4918 |
Average Number of Simultaneous Pitches |
4.709 |
Variability of Number of Simultaneous Pitches |
0.7407 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2015 |
Stepwise Motion |
0.5804 |
Melodic Thirds |
0.1238 |
Melodic Perfect Fourths |
0.1405 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.03697 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01848 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.393 |
Melodic Embellishments |
0.09872 |
Direction of Melodic Motion |
0.4559 |
Average Length of Melodic Arcs |
1.831 |
Average Interval Spanned by Melodic Arcs |
5.147 |
Melodic Pitch Variety |
5.851 |
Mean Melodic Interval |
2.566 |
Number of Common Melodic Intervals |
4.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.3789 |
Relative Prevalence of Most Common Melodic Intervals |
0.5317 |
Amount of Arpeggiation |
0.2791 |
Repeated Notes |
0.09982 |
Importance of Middle Register |
0.7349 |
Importance of High Register |
0.1298 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
64.0 |
Mean Pitch Class |
4.611 |
Most Common Pitch |
65.0 |
Most Common Pitch Class |
0.0 |
Prevalence of Most Common Pitch |
0.09141 |
Prevalence of Most Common Pitch Class |
0.2066 |
Relative Prevalence of Top Pitches |
0.96 |
Relative Prevalence of Top Pitch Classes |
0.8761 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
7.833 |
Pitch Class Variability |
3.39 |
Pitch Class Variability After Folding |
4.106 |
Pitch Skewness |
-0.3508 |
Pitch Class Skewness |
-0.3446 |
Pitch Class Skewness After Folding |
0.8402 |
Pitch Kurtosis |
5.423 |
Pitch Class Kurtosis |
4.861 |
Pitch Class Kurtosis After Folding |
5.034 |
Major or Minor |
0.0 |
First Pitch |
48.0 |
First Pitch Class |
0.0 |
Last Pitch |
53.0 |
Last Pitch Class |
5.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
26.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
9.0 |
Number of Common Pitches |
1.0 |
Number of Common Pitch Classes |
1.0 |
Range |
34.0 |
Importance of Bass Register |
0.1353 |
Note Density per Quarter Note |
1.486 |
Note Density per Quarter Note per Voice |
1.486 |
Note Density per Quarter Note Variability |
0.5174 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.01097 |
Prevalence of Medium Rhythmic Values |
0.4936 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7532 |
Prevalence of Very Long Rhythmic Values |
0.1499 |
Prevalence of Dotted Notes |
0.1152 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.356 |
Most Common Rhythmic Value |
4.0 |
Prevalence of Most Common Rhythmic Value |
0.2834 |
Relative Prevalence of Most Common Rhythmic Values |
0.871 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.519 |
Rhythmic Value Skewness |
0.4246 |
Rhythmic Value Kurtosis |
8.117 |
Mean Rhythmic Value Run Length |
1.653 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.341 |
Mean Rhythmic Value Offset |
0.1024 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.8668 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.0 |
Average Rest Fraction Across Voices |
-0.000000000003354 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
0.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
0.0 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
0.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
0.0 |
Variability Across Voices of Combined Rests |
0.0 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5408 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2337 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.314 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7744 |
Rhythmic Variability - Tempo Standardized |
0.04927 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
547.0 |
Initial Tempo |
60.0 |
Average Variability of Time Between Attacks for Each Voice |
0.7616 |
Minimum Note Duration |
0.5 |
Maximum Note Duration |
24.0 |
Average Note Duration |
3.459 |
Variability of Note Durations |
2.978 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
60.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.9581 |
Strength of Second Strongest Rhythmic Pulse |
0.02725 |
Strength Ratio of Two Strongest Rhythmic Pulses |
35.15 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9853 |
Rhythmic Variability |
0.07553 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
368.0 |
Note Density |
1.486 |
Note Density Variability |
0.6479 |
Average Time Between Attacks |
1.467 |
Average Time Between Attacks for Each Voice |
1.467 |
Variability of Time Between Attacks |
0.7616 |
Maximum Number of Independent Voices |
1.0 |
Relative Range of Loudest Voice |
1.0 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
1.0 |
Relative Note Density of Highest Line |
0.117 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.0 |
Voice Separation |
0.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.03217 |
Average Number of Independent Voices |
1.0 |
Similar Motion |
0.09383 |
Contrary Motion |
0.1032 |
Oblique Motion |
0.7708 |
Parallel Fifths |
0.00134 |
Parallel Octaves |
0.005362 |
Variability of Number of Independent Voices |
0.0 |
Voice Equality - Number of Notes |
0.0 |
Voice Equality - Note Duration |
0.0 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |