| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.229 |
| Prevalence of Second Most Common Vertical Interval |
0.2073 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9051 |
| Vertical Unisons |
0.05781 |
| Vertical Minor Seconds |
0.003535 |
| Vertical Thirds |
0.3333 |
| Vertical Tritones |
0.001758 |
| Vertical Perfect Fourths |
0.08232 |
| Vertical Perfect Fifths |
0.2073 |
| Vertical Sixths |
0.1215 |
| Vertical Sevenths |
0.01348 |
| Vertical Octaves |
0.1712 |
| Perfect Vertical Intervals |
0.5186 |
| Vertical Dissonance Ratio |
0.02722 |
| Vertical Minor Third Prevalence |
0.3914 |
| Vertical Major Third Prevalence |
0.4715 |
| Chord Duration |
2.561 |
| Partial Chords |
0.5283 |
| Standard Triads |
0.4052 |
| Diminished and Augmented Triads |
0.002294 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01147 |
| Non-Standard Chords |
0.05505 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6987 |
| Average Number of Simultaneous Pitch Classes |
2.427 |
| Variability of Number of Simultaneous Pitch Classes |
0.6098 |
| Average Number of Simultaneous Pitches |
3.0 |
| Variability of Number of Simultaneous Pitches |
0.7463 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.825 |
| Variation of Dynamics In Each Voice |
1.831 |
| Average Note to Note Change in Dynamics |
2.033 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1373 |
| Stepwise Motion |
0.436 |
| Melodic Thirds |
0.1058 |
| Melodic Perfect Fourths |
0.06122 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03711 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007421 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
2.562 |
| Melodic Embellishments |
0.003683 |
| Direction of Melodic Motion |
0.467 |
| Average Length of Melodic Arcs |
1.827 |
| Average Interval Spanned by Melodic Arcs |
4.832 |
| Melodic Pitch Variety |
3.852 |
| Mean Melodic Interval |
1.737 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3525 |
| Relative Prevalence of Most Common Melodic Intervals |
0.8474 |
| Amount of Arpeggiation |
0.5028 |
| Repeated Notes |
0.3525 |
| Importance of Middle Register |
0.8324 |
| Importance of High Register |
0.009208 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.3 |
| Mean Pitch Class |
4.792 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1455 |
| Prevalence of Most Common Pitch Class |
0.2155 |
| Relative Prevalence of Top Pitches |
0.962 |
| Relative Prevalence of Top Pitch Classes |
0.8205 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
6.139 |
| Pitch Class Variability |
3.431 |
| Pitch Class Variability After Folding |
3.485 |
| Pitch Skewness |
0.441 |
| Pitch Class Skewness |
-0.1819 |
| Pitch Class Skewness After Folding |
0.325 |
| Pitch Kurtosis |
5.474 |
| Pitch Class Kurtosis |
5.016 |
| Pitch Class Kurtosis After Folding |
6.54 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
57.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
17.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
28.0 |
| Importance of Bass Register |
0.1584 |
| Note Density per Quarter Note |
1.191 |
| Note Density per Quarter Note per Voice |
0.2977 |
| Note Density per Quarter Note Variability |
0.4974 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003683 |
| Prevalence of Medium Rhythmic Values |
0.6869 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8527 |
| Prevalence of Very Long Rhythmic Values |
0.06446 |
| Prevalence of Dotted Notes |
0.105 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.673 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5396 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3276 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.734 |
| Rhythmic Value Skewness |
1.164 |
| Rhythmic Value Kurtosis |
13.62 |
| Mean Rhythmic Value Run Length |
2.129 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.378 |
| Mean Rhythmic Value Offset |
0.03591 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3444 |
| Complete Rests Fraction |
0.000002284 |
| Partial Rests Fraction |
0.6053 |
| Average Rest Fraction Across Voices |
0.1974 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
28.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
7.2 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.821 |
| Variability Across Voices of Combined Rests |
39.26 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6534 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1622 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.029 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8156 |
| Rhythmic Variability - Tempo Standardized |
0.05427 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
543.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6232 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.5055 |
| Variability of Note Durations |
0.3597 |
| Amount of Staccato |
0.003683 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2284 |
| Strength of Second Strongest Rhythmic Pulse |
0.2271 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.006 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4555 |
| Rhythmic Variability |
0.03336 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
85.5 |
| Note Density |
6.351 |
| Note Density Variability |
2.204 |
| Average Time Between Attacks |
0.3272 |
| Average Time Between Attacks for Each Voice |
0.6453 |
| Variability of Time Between Attacks |
0.1279 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.4205 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.5083 |
| Relative Note Durations of Lowest Line |
0.8702 |
| Relative Size of Melodic Intervals in Lowest Line |
1.333 |
| Voice Overlap |
0.7735 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.786 |
| Parallel Motion |
0.0625 |
| Average Number of Independent Voices |
3.211 |
| Similar Motion |
0.1493 |
| Contrary Motion |
0.2569 |
| Oblique Motion |
0.5312 |
| Parallel Fifths |
0.006944 |
| Parallel Octaves |
0.003472 |
| Variability of Number of Independent Voices |
0.7431 |
| Voice Equality - Number of Notes |
33.83 |
| Voice Equality - Note Duration |
7.361 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
0.0 |