Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.229 |
Prevalence of Second Most Common Vertical Interval |
0.2073 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9051 |
Vertical Unisons |
0.05781 |
Vertical Minor Seconds |
0.003535 |
Vertical Thirds |
0.3333 |
Vertical Tritones |
0.001758 |
Vertical Perfect Fourths |
0.08232 |
Vertical Perfect Fifths |
0.2073 |
Vertical Sixths |
0.1215 |
Vertical Sevenths |
0.01348 |
Vertical Octaves |
0.1712 |
Perfect Vertical Intervals |
0.5186 |
Vertical Dissonance Ratio |
0.02722 |
Vertical Minor Third Prevalence |
0.3914 |
Vertical Major Third Prevalence |
0.4715 |
Chord Duration |
2.561 |
Partial Chords |
0.5283 |
Standard Triads |
0.4052 |
Diminished and Augmented Triads |
0.002294 |
Dominant Seventh Chords |
0.0 |
Seventh Chords |
0.01147 |
Non-Standard Chords |
0.05505 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.6987 |
Average Number of Simultaneous Pitch Classes |
2.427 |
Variability of Number of Simultaneous Pitch Classes |
0.6098 |
Average Number of Simultaneous Pitches |
3.0 |
Variability of Number of Simultaneous Pitches |
0.7463 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
4.0 |
Variation of Dynamics |
1.825 |
Variation of Dynamics In Each Voice |
1.831 |
Average Note to Note Change in Dynamics |
2.033 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1373 |
Stepwise Motion |
0.436 |
Melodic Thirds |
0.1058 |
Melodic Perfect Fourths |
0.06122 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.03711 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.007421 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
0.0 |
Minor Major Melodic Third Ratio |
2.562 |
Melodic Embellishments |
0.003683 |
Direction of Melodic Motion |
0.467 |
Average Length of Melodic Arcs |
1.827 |
Average Interval Spanned by Melodic Arcs |
4.832 |
Melodic Pitch Variety |
3.852 |
Mean Melodic Interval |
1.737 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
2.0 |
Prevalence of Most Common Melodic Interval |
0.3525 |
Relative Prevalence of Most Common Melodic Intervals |
0.8474 |
Amount of Arpeggiation |
0.5028 |
Repeated Notes |
0.3525 |
Importance of Middle Register |
0.8324 |
Importance of High Register |
0.009208 |
Dominant Spread |
3.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
60.3 |
Mean Pitch Class |
4.792 |
Most Common Pitch |
60.0 |
Most Common Pitch Class |
0.0 |
Prevalence of Most Common Pitch |
0.1455 |
Prevalence of Most Common Pitch Class |
0.2155 |
Relative Prevalence of Top Pitches |
0.962 |
Relative Prevalence of Top Pitch Classes |
0.8205 |
Interval Between Most Prevalent Pitches |
4.0 |
Interval Between Most Prevalent Pitch Classes |
4.0 |
Pitch Variability |
6.139 |
Pitch Class Variability |
3.431 |
Pitch Class Variability After Folding |
3.485 |
Pitch Skewness |
0.441 |
Pitch Class Skewness |
-0.1819 |
Pitch Class Skewness After Folding |
0.325 |
Pitch Kurtosis |
5.474 |
Pitch Class Kurtosis |
5.016 |
Pitch Class Kurtosis After Folding |
6.54 |
Major or Minor |
0.0 |
First Pitch |
62.0 |
First Pitch Class |
2.0 |
Last Pitch |
57.0 |
Last Pitch Class |
9.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
17.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
7.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
1.0 |
Range |
28.0 |
Importance of Bass Register |
0.1584 |
Note Density per Quarter Note |
1.191 |
Note Density per Quarter Note per Voice |
0.2977 |
Note Density per Quarter Note Variability |
0.4974 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
9.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.003683 |
Prevalence of Medium Rhythmic Values |
0.6869 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8527 |
Prevalence of Very Long Rhythmic Values |
0.06446 |
Prevalence of Dotted Notes |
0.105 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.673 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.5396 |
Relative Prevalence of Most Common Rhythmic Values |
0.3276 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.734 |
Rhythmic Value Skewness |
1.164 |
Rhythmic Value Kurtosis |
13.62 |
Mean Rhythmic Value Run Length |
2.129 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
2.378 |
Mean Rhythmic Value Offset |
0.03591 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.3444 |
Complete Rests Fraction |
0.000002284 |
Partial Rests Fraction |
0.6053 |
Average Rest Fraction Across Voices |
0.1974 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
28.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
7.2 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
4.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
6.821 |
Variability Across Voices of Combined Rests |
39.26 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6534 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1622 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.029 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8156 |
Rhythmic Variability - Tempo Standardized |
0.05427 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
543.0 |
Initial Tempo |
320.0 |
Average Variability of Time Between Attacks for Each Voice |
0.6232 |
Minimum Note Duration |
0.09375 |
Maximum Note Duration |
3.0 |
Average Note Duration |
0.5055 |
Variability of Note Durations |
0.3597 |
Amount of Staccato |
0.003683 |
Number of Strong Rhythmic Pulses |
4.0 |
Number of Moderate Rhythmic Pulses |
7.0 |
Number of Relatively Strong Rhythmic Pulses |
4.0 |
Mean Tempo |
320.0 |
Strongest Rhythmic Pulse |
80.0 |
Second Strongest Rhythmic Pulse |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.2284 |
Strength of Second Strongest Rhythmic Pulse |
0.2271 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.006 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.4555 |
Rhythmic Variability |
0.03336 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.75 |
Tempo Variability |
0.0 |
Duration in Seconds |
85.5 |
Note Density |
6.351 |
Note Density Variability |
2.204 |
Average Time Between Attacks |
0.3272 |
Average Time Between Attacks for Each Voice |
0.6453 |
Variability of Time Between Attacks |
0.1279 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.5 |
Relative Range Isolation of Loudest Voice |
0.4205 |
Relative Range of Highest Line |
0.5 |
Relative Note Density of Highest Line |
0.5083 |
Relative Note Durations of Lowest Line |
0.8702 |
Relative Size of Melodic Intervals in Lowest Line |
1.333 |
Voice Overlap |
0.7735 |
Voice Separation |
5.333 |
Variability of Voice Separation |
3.786 |
Parallel Motion |
0.0625 |
Average Number of Independent Voices |
3.211 |
Similar Motion |
0.1493 |
Contrary Motion |
0.2569 |
Oblique Motion |
0.5312 |
Parallel Fifths |
0.006944 |
Parallel Octaves |
0.003472 |
Variability of Number of Independent Voices |
0.7431 |
Voice Equality - Number of Notes |
33.83 |
Voice Equality - Note Duration |
7.361 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.5774 |
Voice Equality - Range |
1.155 |
Importance of Loudest Voice |
0.0 |