| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1938 |
| Prevalence of Second Most Common Vertical Interval |
0.1864 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9616 |
| Vertical Unisons |
0.01475 |
| Vertical Minor Seconds |
0.0004934 |
| Vertical Thirds |
0.305 |
| Vertical Tritones |
0.0 |
| Vertical Perfect Fourths |
0.1594 |
| Vertical Perfect Fifths |
0.1864 |
| Vertical Sixths |
0.1265 |
| Vertical Sevenths |
0.01823 |
| Vertical Octaves |
0.1791 |
| Perfect Vertical Intervals |
0.5396 |
| Vertical Dissonance Ratio |
0.02976 |
| Vertical Minor Third Prevalence |
0.6148 |
| Vertical Major Third Prevalence |
0.5082 |
| Chord Duration |
2.632 |
| Partial Chords |
0.1429 |
| Standard Triads |
0.7314 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1257 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.368 |
| Average Number of Simultaneous Pitch Classes |
2.787 |
| Variability of Number of Simultaneous Pitch Classes |
0.5263 |
| Average Number of Simultaneous Pitches |
3.691 |
| Variability of Number of Simultaneous Pitches |
0.7131 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.941 |
| Variation of Dynamics In Each Voice |
1.943 |
| Average Note to Note Change in Dynamics |
2.747 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.09216 |
| Stepwise Motion |
0.4549 |
| Melodic Thirds |
0.1059 |
| Melodic Perfect Fourths |
0.07059 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05882 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02745 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.176 |
| Melodic Embellishments |
0.0 |
| Direction of Melodic Motion |
0.4372 |
| Average Length of Melodic Arcs |
1.71 |
| Average Interval Spanned by Melodic Arcs |
5.336 |
| Melodic Pitch Variety |
3.873 |
| Mean Melodic Interval |
2.263 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3627 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7784 |
| Amount of Arpeggiation |
0.4745 |
| Repeated Notes |
0.2824 |
| Importance of Middle Register |
0.6381 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.57 |
| Mean Pitch Class |
4.593 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1459 |
| Prevalence of Most Common Pitch Class |
0.2626 |
| Relative Prevalence of Top Pitches |
0.92 |
| Relative Prevalence of Top Pitch Classes |
0.8074 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.318 |
| Pitch Class Variability |
3.211 |
| Pitch Class Variability After Folding |
3.338 |
| Pitch Skewness |
0.02494 |
| Pitch Class Skewness |
0.5545 |
| Pitch Class Skewness After Folding |
1.292 |
| Pitch Kurtosis |
5.15 |
| Pitch Class Kurtosis |
4.819 |
| Pitch Class Kurtosis After Folding |
7.021 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
17.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.3619 |
| Note Density per Quarter Note |
1.404 |
| Note Density per Quarter Note per Voice |
0.3511 |
| Note Density per Quarter Note Variability |
0.5301 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.7043 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9553 |
| Prevalence of Very Long Rhythmic Values |
0.01556 |
| Prevalence of Dotted Notes |
0.0214 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.619 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.6595 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4159 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.293 |
| Rhythmic Value Skewness |
1.436 |
| Rhythmic Value Kurtosis |
25.78 |
| Mean Rhythmic Value Run Length |
2.245 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.173 |
| Mean Rhythmic Value Offset |
0.07004 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.101 |
| Complete Rests Fraction |
0.000002846 |
| Partial Rests Fraction |
0.1148 |
| Average Rest Fraction Across Voices |
0.05601 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
18.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
10.25 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
12.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
4.713 |
| Variability Across Voices of Combined Rests |
9.574 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8763 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.06925 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
12.65 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9456 |
| Rhythmic Variability - Tempo Standardized |
0.06935 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
3.0 |
| Total Number of Notes |
514.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.2786 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
6.75 |
| Average Note Duration |
0.5041 |
| Variability of Note Durations |
0.3842 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
54.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.481 |
| Strength of Strongest Rhythmic Pulse |
0.2491 |
| Strength of Second Strongest Rhythmic Pulse |
0.2441 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.021 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4932 |
| Rhythmic Variability |
0.03745 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
68.63 |
| Note Density |
7.49 |
| Note Density Variability |
2.445 |
| Average Time Between Attacks |
0.4178 |
| Average Time Between Attacks for Each Voice |
0.4952 |
| Variability of Time Between Attacks |
0.167 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3462 |
| Relative Range Isolation of Loudest Voice |
0.3217 |
| Relative Range of Highest Line |
0.3462 |
| Relative Note Density of Highest Line |
0.4981 |
| Relative Note Durations of Lowest Line |
1.016 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8385 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
4.359 |
| Parallel Motion |
0.0819 |
| Average Number of Independent Voices |
3.776 |
| Similar Motion |
0.2686 |
| Contrary Motion |
0.2286 |
| Oblique Motion |
0.421 |
| Parallel Fifths |
0.005714 |
| Parallel Octaves |
0.00381 |
| Variability of Number of Independent Voices |
0.6521 |
| Voice Equality - Number of Notes |
10.34 |
| Voice Equality - Note Duration |
1.795 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.9574 |
| Voice Equality - Range |
2.872 |
| Importance of Loudest Voice |
0.0 |