Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.1989 |
Prevalence of Second Most Common Vertical Interval |
0.1729 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8694 |
Vertical Unisons |
0.05147 |
Vertical Minor Seconds |
0.002405 |
Vertical Thirds |
0.2876 |
Vertical Tritones |
0.01082 |
Vertical Perfect Fourths |
0.1465 |
Vertical Perfect Fifths |
0.1729 |
Vertical Sixths |
0.127 |
Vertical Sevenths |
0.02237 |
Vertical Octaves |
0.1474 |
Perfect Vertical Intervals |
0.5183 |
Vertical Dissonance Ratio |
0.07193 |
Vertical Minor Third Prevalence |
0.5306 |
Vertical Major Third Prevalence |
0.5559 |
Chord Duration |
1.788 |
Partial Chords |
0.1739 |
Standard Triads |
0.5571 |
Diminished and Augmented Triads |
0.02174 |
Dominant Seventh Chords |
0.005435 |
Seventh Chords |
0.02174 |
Non-Standard Chords |
0.2473 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.4748 |
Average Number of Simultaneous Pitch Classes |
2.851 |
Variability of Number of Simultaneous Pitch Classes |
0.5449 |
Average Number of Simultaneous Pitches |
3.553 |
Variability of Number of Simultaneous Pitches |
0.852 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2099 |
Stepwise Motion |
0.6502 |
Melodic Thirds |
0.144 |
Melodic Perfect Fourths |
0.0679 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04527 |
Melodic Sixths |
0.002058 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01646 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
3.375 |
Melodic Embellishments |
0.05906 |
Direction of Melodic Motion |
0.4489 |
Average Length of Melodic Arcs |
2.064 |
Average Interval Spanned by Melodic Arcs |
5.307 |
Melodic Pitch Variety |
4.919 |
Mean Melodic Interval |
2.426 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4403 |
Relative Prevalence of Most Common Melodic Intervals |
0.4766 |
Amount of Arpeggiation |
0.2798 |
Repeated Notes |
0.07407 |
Importance of Middle Register |
0.8534 |
Importance of High Register |
0.0835 |
Dominant Spread |
5.0 |
Strong Tonal Centres |
1.0 |
Mean Pitch |
63.0 |
Mean Pitch Class |
5.204 |
Most Common Pitch |
62.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.1344 |
Prevalence of Most Common Pitch Class |
0.2159 |
Relative Prevalence of Top Pitches |
1.0 |
Relative Prevalence of Top Pitch Classes |
0.9245 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
6.396 |
Pitch Class Variability |
3.356 |
Pitch Class Variability After Folding |
3.034 |
Pitch Skewness |
-0.2149 |
Pitch Class Skewness |
0.182 |
Pitch Class Skewness After Folding |
1.198 |
Pitch Kurtosis |
5.665 |
Pitch Class Kurtosis |
4.917 |
Pitch Class Kurtosis After Folding |
7.48 |
Major or Minor |
0.0 |
First Pitch |
67.0 |
First Pitch Class |
7.0 |
Last Pitch |
55.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
24.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
1.0 |
Range |
31.0 |
Importance of Bass Register |
0.06314 |
Note Density per Quarter Note |
1.306 |
Note Density per Quarter Note per Voice |
1.306 |
Note Density per Quarter Note Variability |
0.4785 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.004073 |
Prevalence of Medium Rhythmic Values |
0.5784 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8819 |
Prevalence of Very Long Rhythmic Values |
0.05499 |
Prevalence of Dotted Notes |
0.07943 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.904 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4603 |
Relative Prevalence of Most Common Rhythmic Values |
0.6947 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.73 |
Rhythmic Value Skewness |
1.568 |
Rhythmic Value Kurtosis |
14.69 |
Mean Rhythmic Value Run Length |
1.747 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.255 |
Mean Rhythmic Value Offset |
0.04073 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.402 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.0 |
Average Rest Fraction Across Voices |
-0.000000000003554 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
0.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
0.0 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
0.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
0.0 |
Variability Across Voices of Combined Rests |
0.0 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7262 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1398 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.196 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.866 |
Rhythmic Variability - Tempo Standardized |
0.05904 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
491.0 |
Initial Tempo |
60.0 |
Average Variability of Time Between Attacks for Each Voice |
0.5435 |
Minimum Note Duration |
0.5 |
Maximum Note Duration |
16.0 |
Average Note Duration |
2.945 |
Variability of Note Durations |
1.974 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
60.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.9714 |
Strength of Second Strongest Rhythmic Pulse |
0.01429 |
Strength Ratio of Two Strongest Rhythmic Pulses |
68.0 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9857 |
Rhythmic Variability |
0.07656 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
376.0 |
Note Density |
1.306 |
Note Density Variability |
0.6394 |
Average Time Between Attacks |
1.665 |
Average Time Between Attacks for Each Voice |
1.665 |
Variability of Time Between Attacks |
0.5435 |
Maximum Number of Independent Voices |
1.0 |
Relative Range of Loudest Voice |
1.0 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
1.0 |
Relative Note Density of Highest Line |
0.1283 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.0 |
Voice Separation |
0.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.05578 |
Average Number of Independent Voices |
1.0 |
Similar Motion |
0.1653 |
Contrary Motion |
0.1574 |
Oblique Motion |
0.6215 |
Parallel Fifths |
0.00996 |
Parallel Octaves |
0.007968 |
Variability of Number of Independent Voices |
0.0 |
Voice Equality - Number of Notes |
0.0 |
Voice Equality - Note Duration |
0.0 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |