Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2159 |
Prevalence of Second Most Common Vertical Interval |
0.1834 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8494 |
Vertical Unisons |
0.0369 |
Vertical Minor Seconds |
0.006524 |
Vertical Thirds |
0.3078 |
Vertical Tritones |
0.004499 |
Vertical Perfect Fourths |
0.1153 |
Vertical Perfect Fifths |
0.1834 |
Vertical Sixths |
0.1181 |
Vertical Sevenths |
0.02047 |
Vertical Octaves |
0.179 |
Perfect Vertical Intervals |
0.5145 |
Vertical Dissonance Ratio |
0.0634 |
Vertical Minor Third Prevalence |
0.7396 |
Vertical Major Third Prevalence |
0.7542 |
Chord Duration |
1.665 |
Partial Chords |
0.06875 |
Standard Triads |
0.6792 |
Diminished and Augmented Triads |
0.01667 |
Dominant Seventh Chords |
0.004167 |
Seventh Chords |
0.05833 |
Non-Standard Chords |
0.1938 |
Complex Chords |
0.008333 |
Minor Major Triad Ratio |
0.2256 |
Average Number of Simultaneous Pitch Classes |
3.087 |
Variability of Number of Simultaneous Pitch Classes |
0.4837 |
Average Number of Simultaneous Pitches |
4.508 |
Variability of Number of Simultaneous Pitches |
0.9574 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1795 |
Stepwise Motion |
0.6037 |
Melodic Thirds |
0.1049 |
Melodic Perfect Fourths |
0.04895 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.06061 |
Melodic Sixths |
0.004662 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.006993 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.462 |
Melodic Embellishments |
0.08966 |
Direction of Melodic Motion |
0.5 |
Average Length of Melodic Arcs |
2.07 |
Average Interval Spanned by Melodic Arcs |
5.198 |
Melodic Pitch Variety |
4.747 |
Mean Melodic Interval |
2.163 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4242 |
Relative Prevalence of Most Common Melodic Intervals |
0.4231 |
Amount of Arpeggiation |
0.3427 |
Repeated Notes |
0.1702 |
Importance of Middle Register |
0.7862 |
Importance of High Register |
0.1632 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
65.0 |
Mean Pitch Class |
5.333 |
Most Common Pitch |
67.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.1241 |
Prevalence of Most Common Pitch Class |
0.2115 |
Relative Prevalence of Top Pitches |
0.8148 |
Relative Prevalence of Top Pitch Classes |
0.9348 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
7.224 |
Pitch Class Variability |
3.668 |
Pitch Class Variability After Folding |
2.489 |
Pitch Skewness |
-0.6463 |
Pitch Class Skewness |
0.2726 |
Pitch Class Skewness After Folding |
0.9253 |
Pitch Kurtosis |
5.427 |
Pitch Class Kurtosis |
4.793 |
Pitch Class Kurtosis After Folding |
9.07 |
Major or Minor |
0.0 |
First Pitch |
48.0 |
First Pitch Class |
0.0 |
Last Pitch |
55.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
20.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
8.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
1.0 |
Range |
31.0 |
Importance of Bass Register |
0.05057 |
Note Density per Quarter Note |
1.812 |
Note Density per Quarter Note per Voice |
1.812 |
Note Density per Quarter Note Variability |
0.6326 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.02299 |
Prevalence of Medium Rhythmic Values |
0.6483 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7747 |
Prevalence of Very Long Rhythmic Values |
0.07816 |
Prevalence of Dotted Notes |
0.08506 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.676 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.423 |
Relative Prevalence of Most Common Rhythmic Values |
0.5217 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.762 |
Rhythmic Value Skewness |
1.151 |
Rhythmic Value Kurtosis |
9.442 |
Mean Rhythmic Value Run Length |
1.883 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.354 |
Mean Rhythmic Value Offset |
0.0 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.0 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.0 |
Average Rest Fraction Across Voices |
0.0000000000007383 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
0.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
0.0 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
0.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
0.0 |
Variability Across Voices of Combined Rests |
0.0 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.606 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.198 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.06 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.804 |
Rhythmic Variability - Tempo Standardized |
0.05205 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
435.0 |
Initial Tempo |
60.0 |
Average Variability of Time Between Attacks for Each Voice |
0.7935 |
Minimum Note Duration |
0.5 |
Maximum Note Duration |
12.0 |
Average Note Duration |
2.676 |
Variability of Note Durations |
1.762 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
60.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.9107 |
Strength of Second Strongest Rhythmic Pulse |
0.05459 |
Strength Ratio of Two Strongest Rhythmic Pulses |
16.68 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9653 |
Rhythmic Variability |
0.07191 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
240.0 |
Note Density |
1.812 |
Note Density Variability |
0.6898 |
Average Time Between Attacks |
1.457 |
Average Time Between Attacks for Each Voice |
1.457 |
Variability of Time Between Attacks |
0.7935 |
Maximum Number of Independent Voices |
1.0 |
Relative Range of Loudest Voice |
1.0 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
1.0 |
Relative Note Density of Highest Line |
0.1494 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.0 |
Voice Separation |
0.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.05116 |
Average Number of Independent Voices |
1.0 |
Similar Motion |
0.1698 |
Contrary Motion |
0.1744 |
Oblique Motion |
0.6047 |
Parallel Fifths |
0.009302 |
Parallel Octaves |
0.006977 |
Variability of Number of Independent Voices |
0.0 |
Voice Equality - Number of Notes |
0.0 |
Voice Equality - Note Duration |
0.0 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |