File

Last modified on: April 20, 2024, 12:49 a.m.

Assumpta_est_Maria_Kyrie_II_6.mid


Source
RenComp7
Musical Work
Missa Assumpta est Maria
Section
Kyrie II
File Type
Symbolic Music
File Format
.mid
File Size
4.0 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2159
Prevalence of Second Most Common Vertical Interval 0.1834
Prevalence Ratio of Two Most Common Vertical Intervals 0.8494
Vertical Unisons 0.0369
Vertical Minor Seconds 0.006524
Vertical Thirds 0.3078
Vertical Tritones 0.004499
Vertical Perfect Fourths 0.1153
Vertical Perfect Fifths 0.1834
Vertical Sixths 0.1181
Vertical Sevenths 0.02047
Vertical Octaves 0.179
Perfect Vertical Intervals 0.5145
Vertical Dissonance Ratio 0.0634
Vertical Minor Third Prevalence 0.7396
Vertical Major Third Prevalence 0.7542
Chord Duration 1.665
Partial Chords 0.06875
Standard Triads 0.6792
Diminished and Augmented Triads 0.01667
Dominant Seventh Chords 0.004167
Seventh Chords 0.05833
Non-Standard Chords 0.1938
Complex Chords 0.008333
Minor Major Triad Ratio 0.2256
Average Number of Simultaneous Pitch Classes 3.087
Variability of Number of Simultaneous Pitch Classes 0.4837
Average Number of Simultaneous Pitches 4.508
Variability of Number of Simultaneous Pitches 0.9574
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1795
Stepwise Motion 0.6037
Melodic Thirds 0.1049
Melodic Perfect Fourths 0.04895
Melodic Tritones 0.0
Melodic Perfect Fifths 0.06061
Melodic Sixths 0.004662
Melodic Sevenths 0.0
Melodic Octaves 0.006993
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.462
Melodic Embellishments 0.08966
Direction of Melodic Motion 0.5
Average Length of Melodic Arcs 2.07
Average Interval Spanned by Melodic Arcs 5.198
Melodic Pitch Variety 4.747
Mean Melodic Interval 2.163
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4242
Relative Prevalence of Most Common Melodic Intervals 0.4231
Amount of Arpeggiation 0.3427
Repeated Notes 0.1702
Importance of Middle Register 0.7862
Importance of High Register 0.1632
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 65.0
Mean Pitch Class 5.333
Most Common Pitch 67.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1241
Prevalence of Most Common Pitch Class 0.2115
Relative Prevalence of Top Pitches 0.8148
Relative Prevalence of Top Pitch Classes 0.9348
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 7.224
Pitch Class Variability 3.668
Pitch Class Variability After Folding 2.489
Pitch Skewness -0.6463
Pitch Class Skewness 0.2726
Pitch Class Skewness After Folding 0.9253
Pitch Kurtosis 5.427
Pitch Class Kurtosis 4.793
Pitch Class Kurtosis After Folding 9.07
Major or Minor 0.0
First Pitch 48.0
First Pitch Class 0.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 20.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 8.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.05057
Note Density per Quarter Note 1.812
Note Density per Quarter Note per Voice 1.812
Note Density per Quarter Note Variability 0.6326
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.02299
Prevalence of Medium Rhythmic Values 0.6483
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7747
Prevalence of Very Long Rhythmic Values 0.07816
Prevalence of Dotted Notes 0.08506
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.676
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.423
Relative Prevalence of Most Common Rhythmic Values 0.5217
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.762
Rhythmic Value Skewness 1.151
Rhythmic Value Kurtosis 9.442
Mean Rhythmic Value Run Length 1.883
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.354
Mean Rhythmic Value Offset 0.0
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.0
Complete Rests Fraction 0.0
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices 0.0000000000007383
Longest Complete Rest 0.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 0.0
Median Partial Rest Duration 0.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.606
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.198
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.06
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.804
Rhythmic Variability - Tempo Standardized 0.05205
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 435.0
Initial Tempo 60.0
Average Variability of Time Between Attacks for Each Voice 0.7935
Minimum Note Duration 0.5
Maximum Note Duration 12.0
Average Note Duration 2.676
Variability of Note Durations 1.762
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 1.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 60.0
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 120.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.9107
Strength of Second Strongest Rhythmic Pulse 0.05459
Strength Ratio of Two Strongest Rhythmic Pulses 16.68
Combined Strength of Two Strongest Rhythmic Pulses 0.9653
Rhythmic Variability 0.07191
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 0.0
Duration in Seconds 240.0
Note Density 1.812
Note Density Variability 0.6898
Average Time Between Attacks 1.457
Average Time Between Attacks for Each Voice 1.457
Variability of Time Between Attacks 0.7935
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.1494
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.05116
Average Number of Independent Voices 1.0
Similar Motion 0.1698
Contrary Motion 0.1744
Oblique Motion 0.6047
Parallel Fifths 0.009302
Parallel Octaves 0.006977
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0