File

Last modified on: April 13, 2020, 4:41 p.m.

F164_05_Pisano_Son_io_2_OMRcorrIL.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Son io donna (2) qual mostri ogni tuo bene
File Type
Symbolic Music
File Format
xml
File Size
262.7 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.1966
Prevalence of Second Most Common Vertical Interval 0.1908
Prevalence Ratio of Two Most Common Vertical Intervals 0.9705
Vertical Unisons 0.05415
Vertical Minor Seconds 0.000967
Vertical Thirds 0.326
Vertical Tritones 0.01096
Vertical Perfect Fourths 0.08832
Vertical Perfect Fifths 0.1966
Vertical Sixths 0.1421
Vertical Sevenths 0.01837
Vertical Octaves 0.1367
Perfect Vertical Intervals 0.4757
Vertical Dissonance Ratio 0.05942
Vertical Minor Third Prevalence 0.3939
Vertical Major Third Prevalence 0.4592
Chord Duration 2.268
Partial Chords 0.4983
Standard Triads 0.3738
Diminished and Augmented Triads 0.02646
Dominant Seventh Chords 0.0
Seventh Chords 0.01323
Non-Standard Chords 0.1147
Complex Chords 0.0
Minor Major Triad Ratio 0.5
Average Number of Simultaneous Pitch Classes 2.412
Variability of Number of Simultaneous Pitch Classes 0.6604
Average Number of Simultaneous Pitches 2.812
Variability of Number of Simultaneous Pitches 0.7873
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 0.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1921
Stepwise Motion 0.626
Melodic Thirds 0.08058
Melodic Perfect Fourths 0.05992
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04752
Melodic Sixths 0.006198
Melodic Sevenths 0.0
Melodic Octaves 0.01653
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.786
Melodic Embellishments 0.02254
Direction of Melodic Motion 0.4395
Average Length of Melodic Arcs 1.792
Average Interval Spanned by Melodic Arcs 4.69
Melodic Pitch Variety 4.441
Mean Melodic Interval 2.215
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4339
Relative Prevalence of Most Common Melodic Intervals 0.4429
Amount of Arpeggiation 0.3079
Repeated Notes 0.1632
Importance of Middle Register 0.7275
Importance of High Register 0.1701
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 65.0
Mean Pitch Class 4.641
Most Common Pitch 72.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.123
Prevalence of Most Common Pitch Class 0.2234
Relative Prevalence of Top Pitches 0.9167
Relative Prevalence of Top Pitch Classes 0.789
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.793
Pitch Class Variability 3.581
Pitch Class Variability After Folding 3.31
Pitch Skewness -0.4252
Pitch Class Skewness 0.5374
Pitch Class Skewness After Folding 0.9788
Pitch Kurtosis 5.703
Pitch Class Kurtosis 4.921
Pitch Class Kurtosis After Folding 7.153
Major or Minor 0.0
First Pitch 48.0
First Pitch Class 0.0
Last Pitch 48.0
Last Pitch Class 0.0
Glissando Prevalence 0.008197
Average Range of Glissandos 0.0
Number of Pitches 20.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.008197
Number of Pitch Classes 8.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.1025
Note Density per Quarter Note 0.9819
Note Density per Quarter Note per Voice 0.9819
Note Density per Quarter Note Variability 0.5363
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.02049
Prevalence of Medium Rhythmic Values 0.6127
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8914
Prevalence of Very Long Rhythmic Values 0.08197
Prevalence of Dotted Notes 0.08607
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.914
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.5041
Relative Prevalence of Most Common Rhythmic Values 0.5
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.831
Rhythmic Value Skewness 1.498
Rhythmic Value Kurtosis 11.47
Mean Rhythmic Value Run Length 2.025
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.977
Mean Rhythmic Value Offset 0.08197
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.9556
Complete Rests Fraction 0.01408
Partial Rests Fraction 0.01408
Average Rest Fraction Across Voices 0.01408
Longest Complete Rest 4.0
Longest Partial Rest 4.0
Mean Complete Rest Duration 2.333
Mean Partial Rest Duration 2.333
Median Complete Rest Duration 2.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 1.528
Variability of Partial Rest Durations 1.528
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.7388
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1314
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 5.621
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8703
Rhythmic Variability - Tempo Standardized 0.05972
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 488.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.2189
Minimum Note Duration 0.09375
Maximum Note Duration 5.25
Average Note Duration 0.5617
Variability of Note Durations 0.4499
Amount of Staccato 0.02049
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 40.0
Second Strongest Rhythmic Pulse 80.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2316
Strength of Second Strongest Rhythmic Pulse 0.2284
Strength Ratio of Two Strongest Rhythmic Pulses 1.014
Combined Strength of Two Strongest Rhythmic Pulses 0.46
Rhythmic Variability 0.03455
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 93.19
Note Density 5.237
Note Density Variability 1.958
Average Time Between Attacks 0.3845
Average Time Between Attacks for Each Voice 0.3845
Variability of Time Between Attacks 0.2189
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.1332
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.06684
Average Number of Independent Voices 1.0
Similar Motion 0.2059
Contrary Motion 0.1872
Oblique Motion 0.5401
Parallel Fifths 0.02139
Parallel Octaves 0.002674
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0