| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2249 |
| Prevalence of Second Most Common Vertical Interval |
0.185 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8227 |
| Vertical Unisons |
0.00704 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.274 |
| Vertical Tritones |
0.01537 |
| Vertical Perfect Fourths |
0.1622 |
| Vertical Perfect Fifths |
0.185 |
| Vertical Sixths |
0.1204 |
| Vertical Sevenths |
0.01676 |
| Vertical Octaves |
0.2178 |
| Perfect Vertical Intervals |
0.572 |
| Vertical Dissonance Ratio |
0.03468 |
| Vertical Minor Third Prevalence |
0.4688 |
| Vertical Major Third Prevalence |
0.5312 |
| Chord Duration |
3.506 |
| Partial Chords |
0.1807 |
| Standard Triads |
0.6723 |
| Diminished and Augmented Triads |
0.05042 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1471 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6327 |
| Average Number of Simultaneous Pitch Classes |
2.699 |
| Variability of Number of Simultaneous Pitch Classes |
0.6054 |
| Average Number of Simultaneous Pitches |
3.75 |
| Variability of Number of Simultaneous Pitches |
0.7806 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.919 |
| Variation of Dynamics In Each Voice |
1.926 |
| Average Note to Note Change in Dynamics |
2.472 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1027 |
| Stepwise Motion |
0.3686 |
| Melodic Thirds |
0.1118 |
| Melodic Perfect Fourths |
0.08459 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03625 |
| Melodic Sixths |
0.003021 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.003021 |
| Melodic Large Intervals |
0.003021 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
11.33 |
| Melodic Embellishments |
0.002985 |
| Direction of Melodic Motion |
0.495 |
| Average Length of Melodic Arcs |
1.365 |
| Average Interval Spanned by Melodic Arcs |
3.831 |
| Melodic Pitch Variety |
3.653 |
| Mean Melodic Interval |
1.761 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3897 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6822 |
| Amount of Arpeggiation |
0.5438 |
| Repeated Notes |
0.3897 |
| Importance of Middle Register |
0.8507 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.04 |
| Mean Pitch Class |
5.618 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1433 |
| Prevalence of Most Common Pitch Class |
0.206 |
| Relative Prevalence of Top Pitches |
0.8542 |
| Relative Prevalence of Top Pitch Classes |
0.8696 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.161 |
| Pitch Class Variability |
3.27 |
| Pitch Class Variability After Folding |
4.348 |
| Pitch Skewness |
-0.6802 |
| Pitch Class Skewness |
0.5669 |
| Pitch Class Skewness After Folding |
1.337 |
| Pitch Kurtosis |
5.752 |
| Pitch Class Kurtosis |
4.877 |
| Pitch Class Kurtosis After Folding |
4.403 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
18.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
27.0 |
| Importance of Bass Register |
0.1493 |
| Note Density per Quarter Note |
1.288 |
| Note Density per Quarter Note per Voice |
0.3221 |
| Note Density per Quarter Note Variability |
0.6543 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6687 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9851 |
| Prevalence of Very Long Rhythmic Values |
0.02985 |
| Prevalence of Dotted Notes |
0.03284 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.848 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.6537 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4566 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.728 |
| Rhythmic Value Skewness |
1.472 |
| Rhythmic Value Kurtosis |
22.41 |
| Mean Rhythmic Value Run Length |
2.248 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.808 |
| Mean Rhythmic Value Offset |
0.04776 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4351 |
| Complete Rests Fraction |
0.01539 |
| Partial Rests Fraction |
0.08462 |
| Average Rest Fraction Across Voices |
0.06731 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
18.0 |
| Mean Complete Rest Duration |
2.0 |
| Mean Partial Rest Duration |
6.364 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.474 |
| Variability Across Voices of Combined Rests |
9.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.9726 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.01699 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
57.24 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9896 |
| Rhythmic Variability - Tempo Standardized |
0.07665 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
3.0 |
| Total Number of Notes |
335.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.2798 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.5429 |
| Variability of Note Durations |
0.3774 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
54.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.481 |
| Strength of Strongest Rhythmic Pulse |
0.2552 |
| Strength of Second Strongest Rhythmic Pulse |
0.2538 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.006 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.509 |
| Rhythmic Variability |
0.03869 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
48.75 |
| Note Density |
6.872 |
| Note Density Variability |
1.926 |
| Average Time Between Attacks |
0.4528 |
| Average Time Between Attacks for Each Voice |
0.5226 |
| Variability of Time Between Attacks |
0.2491 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.2963 |
| Relative Range Isolation of Loudest Voice |
0.4588 |
| Relative Range of Highest Line |
0.2963 |
| Relative Note Density of Highest Line |
0.8 |
| Relative Note Durations of Lowest Line |
1.029 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.7343 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.0 |
| Parallel Motion |
0.06481 |
| Average Number of Independent Voices |
3.789 |
| Similar Motion |
0.2778 |
| Contrary Motion |
0.287 |
| Oblique Motion |
0.3704 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.003086 |
| Variability of Number of Independent Voices |
0.767 |
| Voice Equality - Number of Notes |
4.787 |
| Voice Equality - Note Duration |
1.687 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
3.862 |
| Importance of Loudest Voice |
0.0 |