Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.1942 |
Prevalence of Second Most Common Vertical Interval |
0.1718 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8843 |
Vertical Unisons |
0.03837 |
Vertical Minor Seconds |
0.01035 |
Vertical Thirds |
0.3022 |
Vertical Tritones |
0.01262 |
Vertical Perfect Fourths |
0.125 |
Vertical Perfect Fifths |
0.1718 |
Vertical Sixths |
0.1334 |
Vertical Sevenths |
0.02575 |
Vertical Octaves |
0.1559 |
Perfect Vertical Intervals |
0.491 |
Vertical Dissonance Ratio |
0.07928 |
Vertical Minor Third Prevalence |
0.6571 |
Vertical Major Third Prevalence |
0.6503 |
Chord Duration |
1.556 |
Partial Chords |
0.08681 |
Standard Triads |
0.6441 |
Diminished and Augmented Triads |
0.03125 |
Dominant Seventh Chords |
0.01042 |
Seventh Chords |
0.01736 |
Non-Standard Chords |
0.2517 |
Complex Chords |
0.003472 |
Minor Major Triad Ratio |
1.096 |
Average Number of Simultaneous Pitch Classes |
2.966 |
Variability of Number of Simultaneous Pitch Classes |
0.5504 |
Average Number of Simultaneous Pitches |
3.932 |
Variability of Number of Simultaneous Pitches |
0.8376 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2614 |
Stepwise Motion |
0.6776 |
Melodic Thirds |
0.1176 |
Melodic Perfect Fourths |
0.061 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.05447 |
Melodic Sixths |
0.002179 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.006536 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
3.154 |
Melodic Embellishments |
0.05603 |
Direction of Melodic Motion |
0.5142 |
Average Length of Melodic Arcs |
2.049 |
Average Interval Spanned by Melodic Arcs |
4.956 |
Melodic Pitch Variety |
5.048 |
Mean Melodic Interval |
2.257 |
Number of Common Melodic Intervals |
2.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4161 |
Relative Prevalence of Most Common Melodic Intervals |
0.6283 |
Amount of Arpeggiation |
0.2593 |
Repeated Notes |
0.08061 |
Importance of Middle Register |
0.8556 |
Importance of High Register |
0.07112 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
63.0 |
Mean Pitch Class |
5.218 |
Most Common Pitch |
62.0 |
Most Common Pitch Class |
9.0 |
Prevalence of Most Common Pitch |
0.1185 |
Prevalence of Most Common Pitch Class |
0.2026 |
Relative Prevalence of Top Pitches |
0.8727 |
Relative Prevalence of Top Pitch Classes |
0.8723 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
6.357 |
Pitch Class Variability |
3.53 |
Pitch Class Variability After Folding |
3.247 |
Pitch Skewness |
-0.3285 |
Pitch Class Skewness |
0.185 |
Pitch Class Skewness After Folding |
0.6512 |
Pitch Kurtosis |
5.411 |
Pitch Class Kurtosis |
4.762 |
Pitch Class Kurtosis After Folding |
6.558 |
Major or Minor |
0.0 |
First Pitch |
62.0 |
First Pitch Class |
2.0 |
Last Pitch |
57.0 |
Last Pitch Class |
9.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
24.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
4.0 |
Number of Common Pitch Classes |
1.0 |
Range |
29.0 |
Importance of Bass Register |
0.07328 |
Note Density per Quarter Note |
1.568 |
Note Density per Quarter Note per Voice |
1.568 |
Note Density per Quarter Note Variability |
0.4459 |
Range of Rhythmic Values |
8.0 |
Number of Different Rhythmic Values Present |
7.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.02155 |
Prevalence of Medium Rhythmic Values |
0.6099 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8125 |
Prevalence of Very Long Rhythmic Values |
0.04526 |
Prevalence of Dotted Notes |
0.07974 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
8.0 |
Mean Rhythmic Value |
2.672 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4224 |
Relative Prevalence of Most Common Rhythmic Values |
0.6531 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.534 |
Rhythmic Value Skewness |
1.315 |
Rhythmic Value Kurtosis |
8.852 |
Mean Rhythmic Value Run Length |
1.827 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.409 |
Mean Rhythmic Value Offset |
0.0 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.0 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.0 |
Average Rest Fraction Across Voices |
-0.000000000001073 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
0.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
0.0 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
0.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
0.0 |
Variability Across Voices of Combined Rests |
0.0 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6219 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1865 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.335 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8084 |
Rhythmic Variability - Tempo Standardized |
0.05281 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
464.0 |
Initial Tempo |
60.0 |
Average Variability of Time Between Attacks for Each Voice |
0.6173 |
Minimum Note Duration |
0.5 |
Maximum Note Duration |
8.0 |
Average Note Duration |
2.672 |
Variability of Note Durations |
1.534 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
60.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.908 |
Strength of Second Strongest Rhythmic Pulse |
0.06231 |
Strength Ratio of Two Strongest Rhythmic Pulses |
14.57 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9703 |
Rhythmic Variability |
0.07172 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
296.0 |
Note Density |
1.568 |
Note Density Variability |
0.6897 |
Average Time Between Attacks |
1.467 |
Average Time Between Attacks for Each Voice |
1.467 |
Variability of Time Between Attacks |
0.6173 |
Maximum Number of Independent Voices |
1.0 |
Relative Range of Loudest Voice |
1.0 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
1.0 |
Relative Note Density of Highest Line |
0.1358 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.0 |
Voice Separation |
0.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.05725 |
Average Number of Independent Voices |
1.0 |
Similar Motion |
0.1221 |
Contrary Motion |
0.1908 |
Oblique Motion |
0.6298 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.003817 |
Variability of Number of Independent Voices |
0.0 |
Voice Equality - Number of Notes |
0.0 |
Voice Equality - Note Duration |
0.0 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |