Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2025 |
Prevalence of Second Most Common Vertical Interval |
0.1877 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9269 |
Vertical Unisons |
0.03524 |
Vertical Minor Seconds |
0.004405 |
Vertical Thirds |
0.3336 |
Vertical Tritones |
0.008758 |
Vertical Perfect Fourths |
0.1086 |
Vertical Perfect Fifths |
0.1877 |
Vertical Sixths |
0.1214 |
Vertical Sevenths |
0.01388 |
Vertical Octaves |
0.1673 |
Perfect Vertical Intervals |
0.4988 |
Vertical Dissonance Ratio |
0.04843 |
Vertical Minor Third Prevalence |
0.681 |
Vertical Major Third Prevalence |
0.7415 |
Chord Duration |
1.927 |
Partial Chords |
0.145 |
Standard Triads |
0.6869 |
Diminished and Augmented Triads |
0.02559 |
Dominant Seventh Chords |
0.00462 |
Seventh Chords |
0.0231 |
Non-Standard Chords |
0.145 |
Complex Chords |
0.002843 |
Minor Major Triad Ratio |
0.334 |
Average Number of Simultaneous Pitch Classes |
2.913 |
Variability of Number of Simultaneous Pitch Classes |
0.5033 |
Average Number of Simultaneous Pitches |
3.926 |
Variability of Number of Simultaneous Pitches |
1.025 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2 |
Stepwise Motion |
0.5727 |
Melodic Thirds |
0.1097 |
Melodic Perfect Fourths |
0.07004 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04626 |
Melodic Sixths |
0.001322 |
Melodic Sevenths |
0.001322 |
Melodic Octaves |
0.01013 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.895 |
Melodic Embellishments |
0.03076 |
Direction of Melodic Motion |
0.4935 |
Average Length of Melodic Arcs |
1.855 |
Average Interval Spanned by Melodic Arcs |
4.848 |
Melodic Pitch Variety |
4.342 |
Mean Melodic Interval |
2.132 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.3727 |
Relative Prevalence of Most Common Melodic Intervals |
0.5366 |
Amount of Arpeggiation |
0.3559 |
Repeated Notes |
0.1885 |
Importance of Middle Register |
0.833 |
Importance of High Register |
0.1068 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
1.0 |
Mean Pitch |
64.0 |
Mean Pitch Class |
5.158 |
Most Common Pitch |
67.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.1235 |
Prevalence of Most Common Pitch Class |
0.1859 |
Relative Prevalence of Top Pitches |
0.79 |
Relative Prevalence of Top Pitch Classes |
0.8652 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
6.685 |
Pitch Class Variability |
3.512 |
Pitch Class Variability After Folding |
3.048 |
Pitch Skewness |
-0.1776 |
Pitch Class Skewness |
0.1347 |
Pitch Class Skewness After Folding |
1.201 |
Pitch Kurtosis |
5.592 |
Pitch Class Kurtosis |
4.849 |
Pitch Class Kurtosis After Folding |
7.316 |
Major or Minor |
0.0 |
First Pitch |
62.0 |
First Pitch Class |
2.0 |
Last Pitch |
55.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
29.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
0.0 |
Range |
34.0 |
Importance of Bass Register |
0.06019 |
Note Density per Quarter Note |
1.598 |
Note Density per Quarter Note per Voice |
1.598 |
Note Density per Quarter Note Variability |
0.6064 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.01582 |
Prevalence of Medium Rhythmic Values |
0.6485 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7922 |
Prevalence of Very Long Rhythmic Values |
0.05272 |
Prevalence of Dotted Notes |
0.0848 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.602 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4407 |
Relative Prevalence of Most Common Rhythmic Values |
0.5174 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.582 |
Rhythmic Value Skewness |
1.141 |
Rhythmic Value Kurtosis |
9.501 |
Mean Rhythmic Value Run Length |
1.764 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.374 |
Mean Rhythmic Value Offset |
0.0 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.0 |
Complete Rests Fraction |
0.002809 |
Partial Rests Fraction |
0.002809 |
Average Rest Fraction Across Voices |
0.002809 |
Longest Complete Rest |
4.0 |
Longest Partial Rest |
4.0 |
Mean Complete Rest Duration |
4.0 |
Mean Partial Rest Duration |
4.0 |
Median Complete Rest Duration |
4.0 |
Median Partial Rest Duration |
4.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
0.0 |
Variability Across Voices of Combined Rests |
0.0 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5944 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.214 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.778 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8084 |
Rhythmic Variability - Tempo Standardized |
0.05157 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
2276.0 |
Initial Tempo |
60.0 |
Average Variability of Time Between Attacks for Each Voice |
0.9586 |
Minimum Note Duration |
0.5 |
Maximum Note Duration |
12.0 |
Average Note Duration |
2.602 |
Variability of Note Durations |
1.582 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
60.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.9295 |
Strength of Second Strongest Rhythmic Pulse |
0.04289 |
Strength Ratio of Two Strongest Rhythmic Pulses |
21.67 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9723 |
Rhythmic Variability |
0.07333 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
1424.0 |
Note Density |
1.598 |
Note Density Variability |
0.7569 |
Average Time Between Attacks |
1.702 |
Average Time Between Attacks for Each Voice |
1.702 |
Variability of Time Between Attacks |
0.9586 |
Maximum Number of Independent Voices |
1.0 |
Relative Range of Loudest Voice |
1.0 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
1.0 |
Relative Note Density of Highest Line |
0.02812 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.0 |
Voice Separation |
0.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.05248 |
Average Number of Independent Voices |
1.0 |
Similar Motion |
0.1967 |
Contrary Motion |
0.2006 |
Oblique Motion |
0.5503 |
Parallel Fifths |
0.001471 |
Parallel Octaves |
0.002943 |
Variability of Number of Independent Voices |
0.0 |
Voice Equality - Number of Notes |
0.0 |
Voice Equality - Note Duration |
0.0 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |