Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2071 |
Prevalence of Second Most Common Vertical Interval |
0.192 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9273 |
Vertical Unisons |
0.03289 |
Vertical Minor Seconds |
0.004632 |
Vertical Thirds |
0.2861 |
Vertical Tritones |
0.006177 |
Vertical Perfect Fourths |
0.1271 |
Vertical Perfect Fifths |
0.192 |
Vertical Sixths |
0.1258 |
Vertical Sevenths |
0.02347 |
Vertical Octaves |
0.1742 |
Perfect Vertical Intervals |
0.5262 |
Vertical Dissonance Ratio |
0.06601 |
Vertical Minor Third Prevalence |
0.758 |
Vertical Major Third Prevalence |
0.7154 |
Chord Duration |
1.598 |
Partial Chords |
0.02128 |
Standard Triads |
0.6981 |
Diminished and Augmented Triads |
0.01197 |
Dominant Seventh Chords |
0.0133 |
Seventh Chords |
0.07447 |
Non-Standard Chords |
0.2061 |
Complex Chords |
0.01064 |
Minor Major Triad Ratio |
0.2651 |
Average Number of Simultaneous Pitch Classes |
3.141 |
Variability of Number of Simultaneous Pitch Classes |
0.43 |
Average Number of Simultaneous Pitches |
4.422 |
Variability of Number of Simultaneous Pitches |
0.79 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1994 |
Stepwise Motion |
0.6511 |
Melodic Thirds |
0.09325 |
Melodic Perfect Fourths |
0.06913 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04502 |
Melodic Sixths |
0.001608 |
Melodic Sevenths |
0.001608 |
Melodic Octaves |
0.01286 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.625 |
Melodic Embellishments |
0.07962 |
Direction of Melodic Motion |
0.4706 |
Average Length of Melodic Arcs |
2.061 |
Average Interval Spanned by Melodic Arcs |
5.201 |
Melodic Pitch Variety |
4.811 |
Mean Melodic Interval |
2.254 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4518 |
Relative Prevalence of Most Common Melodic Intervals |
0.4413 |
Amount of Arpeggiation |
0.2781 |
Repeated Notes |
0.1254 |
Importance of Middle Register |
0.7691 |
Importance of High Register |
0.1592 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
65.0 |
Mean Pitch Class |
4.828 |
Most Common Pitch |
67.0 |
Most Common Pitch Class |
0.0 |
Prevalence of Most Common Pitch |
0.1194 |
Prevalence of Most Common Pitch Class |
0.2054 |
Relative Prevalence of Top Pitches |
0.84 |
Relative Prevalence of Top Pitch Classes |
0.9922 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
7.424 |
Pitch Class Variability |
3.53 |
Pitch Class Variability After Folding |
3.03 |
Pitch Skewness |
0.04633 |
Pitch Class Skewness |
-0.1462 |
Pitch Class Skewness After Folding |
0.9271 |
Pitch Kurtosis |
5.353 |
Pitch Class Kurtosis |
4.94 |
Pitch Class Kurtosis After Folding |
7.796 |
Major or Minor |
0.0 |
First Pitch |
55.0 |
First Pitch Class |
7.0 |
Last Pitch |
48.0 |
Last Pitch Class |
0.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
21.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
8.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
2.0 |
Range |
31.0 |
Importance of Bass Register |
0.07166 |
Note Density per Quarter Note |
1.67 |
Note Density per Quarter Note per Voice |
1.67 |
Note Density per Quarter Note Variability |
0.4475 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.01592 |
Prevalence of Medium Rhythmic Values |
0.5573 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7771 |
Prevalence of Very Long Rhythmic Values |
0.06847 |
Prevalence of Dotted Notes |
0.1067 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.818 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3344 |
Relative Prevalence of Most Common Rhythmic Values |
0.9238 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.747 |
Rhythmic Value Skewness |
1.406 |
Rhythmic Value Kurtosis |
10.82 |
Mean Rhythmic Value Run Length |
1.524 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
0.9291 |
Mean Rhythmic Value Offset |
0.0 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.0 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.0 |
Average Rest Fraction Across Voices |
-0.000000000003554 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
0.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
0.0 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
0.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
0.0 |
Variability Across Voices of Combined Rests |
0.0 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5876 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2095 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.805 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7971 |
Rhythmic Variability - Tempo Standardized |
0.05126 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
628.0 |
Initial Tempo |
60.0 |
Average Variability of Time Between Attacks for Each Voice |
0.6023 |
Minimum Note Duration |
0.5 |
Maximum Note Duration |
12.0 |
Average Note Duration |
2.818 |
Variability of Note Durations |
1.747 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
60.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.9401 |
Strength of Second Strongest Rhythmic Pulse |
0.03745 |
Strength Ratio of Two Strongest Rhythmic Pulses |
25.1 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9775 |
Rhythmic Variability |
0.07414 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
376.0 |
Note Density |
1.67 |
Note Density Variability |
0.6532 |
Average Time Between Attacks |
1.435 |
Average Time Between Attacks for Each Voice |
1.435 |
Variability of Time Between Attacks |
0.6023 |
Maximum Number of Independent Voices |
1.0 |
Relative Range of Loudest Voice |
1.0 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
1.0 |
Relative Note Density of Highest Line |
0.1035 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.0 |
Voice Separation |
0.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.04927 |
Average Number of Independent Voices |
1.0 |
Similar Motion |
0.1691 |
Contrary Motion |
0.1252 |
Oblique Motion |
0.6565 |
Parallel Fifths |
0.006658 |
Parallel Octaves |
0.005326 |
Variability of Number of Independent Voices |
0.0 |
Voice Equality - Number of Notes |
0.0 |
Voice Equality - Note Duration |
0.0 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |