Distance Between Two Most Common Vertical Intervals |
4.0 |
Prevalence of Most Common Vertical Interval |
0.1933 |
Prevalence of Second Most Common Vertical Interval |
0.188 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9724 |
Vertical Unisons |
0.02671 |
Vertical Minor Seconds |
0.0051 |
Vertical Thirds |
0.3247 |
Vertical Tritones |
0.0136 |
Vertical Perfect Fourths |
0.1178 |
Vertical Perfect Fifths |
0.1748 |
Vertical Sixths |
0.1242 |
Vertical Sevenths |
0.02295 |
Vertical Octaves |
0.1666 |
Perfect Vertical Intervals |
0.4859 |
Vertical Dissonance Ratio |
0.06975 |
Vertical Minor Third Prevalence |
0.5781 |
Vertical Major Third Prevalence |
0.6562 |
Chord Duration |
1.776 |
Partial Chords |
0.1269 |
Standard Triads |
0.6208 |
Diminished and Augmented Triads |
0.03323 |
Dominant Seventh Chords |
0.006042 |
Seventh Chords |
0.03776 |
Non-Standard Chords |
0.2145 |
Complex Chords |
0.003021 |
Minor Major Triad Ratio |
0.5509 |
Average Number of Simultaneous Pitch Classes |
2.854 |
Variability of Number of Simultaneous Pitch Classes |
0.6592 |
Average Number of Simultaneous Pitches |
3.696 |
Variability of Number of Simultaneous Pitches |
1.015 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
4.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2309 |
Stepwise Motion |
0.6568 |
Melodic Thirds |
0.1038 |
Melodic Perfect Fourths |
0.0572 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.05085 |
Melodic Sixths |
0.006356 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.004237 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.062 |
Melodic Embellishments |
0.05451 |
Direction of Melodic Motion |
0.4723 |
Average Length of Melodic Arcs |
1.948 |
Average Interval Spanned by Melodic Arcs |
4.728 |
Melodic Pitch Variety |
4.86 |
Mean Melodic Interval |
2.176 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4258 |
Relative Prevalence of Most Common Melodic Intervals |
0.5423 |
Amount of Arpeggiation |
0.2797 |
Repeated Notes |
0.1208 |
Importance of Middle Register |
0.8491 |
Importance of High Register |
0.08176 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
63.0 |
Mean Pitch Class |
5.503 |
Most Common Pitch |
67.0 |
Most Common Pitch Class |
10.0 |
Prevalence of Most Common Pitch |
0.1132 |
Prevalence of Most Common Pitch Class |
0.1803 |
Relative Prevalence of Top Pitches |
0.8519 |
Relative Prevalence of Top Pitch Classes |
0.9767 |
Interval Between Most Prevalent Pitches |
2.0 |
Interval Between Most Prevalent Pitch Classes |
3.0 |
Pitch Variability |
6.663 |
Pitch Class Variability |
3.461 |
Pitch Class Variability After Folding |
4.211 |
Pitch Skewness |
-0.4758 |
Pitch Class Skewness |
0.4361 |
Pitch Class Skewness After Folding |
1.237 |
Pitch Kurtosis |
5.753 |
Pitch Class Kurtosis |
4.732 |
Pitch Class Kurtosis After Folding |
4.495 |
Major or Minor |
0.0 |
First Pitch |
55.0 |
First Pitch Class |
7.0 |
Last Pitch |
55.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
24.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
0.0 |
Range |
31.0 |
Importance of Bass Register |
0.06918 |
Note Density per Quarter Note |
1.355 |
Note Density per Quarter Note per Voice |
1.355 |
Note Density per Quarter Note Variability |
0.5856 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.01258 |
Prevalence of Medium Rhythmic Values |
0.5451 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7778 |
Prevalence of Very Long Rhythmic Values |
0.06499 |
Prevalence of Dotted Notes |
0.1132 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.843 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3229 |
Relative Prevalence of Most Common Rhythmic Values |
0.9675 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.787 |
Rhythmic Value Skewness |
1.415 |
Rhythmic Value Kurtosis |
11.58 |
Mean Rhythmic Value Run Length |
1.617 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.25 |
Mean Rhythmic Value Offset |
0.0 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.0 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.0 |
Average Rest Fraction Across Voices |
-0.000000000002928 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
0.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
0.0 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
0.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
0.0 |
Variability Across Voices of Combined Rests |
0.0 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5666 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2149 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.637 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7815 |
Rhythmic Variability - Tempo Standardized |
0.05026 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
477.0 |
Initial Tempo |
60.0 |
Average Variability of Time Between Attacks for Each Voice |
0.8992 |
Minimum Note Duration |
0.5 |
Maximum Note Duration |
12.0 |
Average Note Duration |
2.843 |
Variability of Note Durations |
1.787 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
60.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.9351 |
Strength of Second Strongest Rhythmic Pulse |
0.04324 |
Strength Ratio of Two Strongest Rhythmic Pulses |
21.62 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9784 |
Rhythmic Variability |
0.07376 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
352.0 |
Note Density |
1.355 |
Note Density Variability |
0.7109 |
Average Time Between Attacks |
1.636 |
Average Time Between Attacks for Each Voice |
1.636 |
Variability of Time Between Attacks |
0.8992 |
Maximum Number of Independent Voices |
1.0 |
Relative Range of Loudest Voice |
1.0 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
1.0 |
Relative Note Density of Highest Line |
0.1321 |
Relative Note Durations of Lowest Line |
1.0 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.0 |
Voice Separation |
0.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.05776 |
Average Number of Independent Voices |
1.0 |
Similar Motion |
0.1264 |
Contrary Motion |
0.1588 |
Oblique Motion |
0.657 |
Parallel Fifths |
0.001805 |
Parallel Octaves |
0.00361 |
Variability of Number of Independent Voices |
0.0 |
Voice Equality - Number of Notes |
0.0 |
Voice Equality - Note Duration |
0.0 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.0 |
Importance of Loudest Voice |
0.0 |