| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1954 |
| Prevalence of Second Most Common Vertical Interval |
0.1918 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9816 |
| Vertical Unisons |
0.03672 |
| Vertical Minor Seconds |
0.003507 |
| Vertical Thirds |
0.3296 |
| Vertical Tritones |
0.007641 |
| Vertical Perfect Fourths |
0.09005 |
| Vertical Perfect Fifths |
0.1954 |
| Vertical Sixths |
0.1446 |
| Vertical Sevenths |
0.01971 |
| Vertical Octaves |
0.1551 |
| Perfect Vertical Intervals |
0.4772 |
| Vertical Dissonance Ratio |
0.05095 |
| Vertical Minor Third Prevalence |
0.6449 |
| Vertical Major Third Prevalence |
0.5142 |
| Chord Duration |
2.046 |
| Partial Chords |
0.2319 |
| Standard Triads |
0.615 |
| Diminished and Augmented Triads |
0.01331 |
| Dominant Seventh Chords |
0.001901 |
| Seventh Chords |
0.02471 |
| Non-Standard Chords |
0.1283 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.186 |
| Average Number of Simultaneous Pitch Classes |
2.808 |
| Variability of Number of Simultaneous Pitch Classes |
0.5056 |
| Average Number of Simultaneous Pitches |
3.519 |
| Variability of Number of Simultaneous Pitches |
0.5836 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.475 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
14.59 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1974 |
| Stepwise Motion |
0.6003 |
| Melodic Thirds |
0.1711 |
| Melodic Perfect Fourths |
0.08388 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04112 |
| Melodic Sixths |
0.004934 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01974 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.059 |
| Melodic Embellishments |
0.01958 |
| Direction of Melodic Motion |
0.4661 |
| Average Length of Melodic Arcs |
1.836 |
| Average Interval Spanned by Melodic Arcs |
5.043 |
| Melodic Pitch Variety |
4.88 |
| Mean Melodic Interval |
2.556 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.403 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4898 |
| Amount of Arpeggiation |
0.3109 |
| Repeated Notes |
0.07895 |
| Importance of Middle Register |
0.6493 |
| Importance of High Register |
0.006525 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.19 |
| Mean Pitch Class |
5.248 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1142 |
| Prevalence of Most Common Pitch Class |
0.1876 |
| Relative Prevalence of Top Pitches |
0.8 |
| Relative Prevalence of Top Pitch Classes |
0.8696 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.12 |
| Pitch Class Variability |
3.427 |
| Pitch Class Variability After Folding |
3.673 |
| Pitch Skewness |
0.1512 |
| Pitch Class Skewness |
0.2171 |
| Pitch Class Skewness After Folding |
0.7249 |
| Pitch Kurtosis |
5.482 |
| Pitch Class Kurtosis |
4.788 |
| Pitch Class Kurtosis After Folding |
5.692 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
12.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3442 |
| Note Density per Quarter Note |
1.159 |
| Note Density per Quarter Note per Voice |
0.2897 |
| Note Density per Quarter Note Variability |
0.4973 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006525 |
| Prevalence of Medium Rhythmic Values |
0.5253 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8581 |
| Prevalence of Very Long Rhythmic Values |
0.1175 |
| Prevalence of Dotted Notes |
0.1109 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.191 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3834 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.067 |
| Rhythmic Value Skewness |
1.729 |
| Rhythmic Value Kurtosis |
10.01 |
| Mean Rhythmic Value Run Length |
1.601 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.176 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.001875 |
| Partial Rests Fraction |
0.293 |
| Average Rest Fraction Across Voices |
0.08127 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
12.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
3.821 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
2.742 |
| Variability Across Voices of Combined Rests |
14.88 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6435 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.182 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.536 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8255 |
| Rhythmic Variability - Tempo Standardized |
0.05415 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
613.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6026 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
2.857 |
| Average Note Duration |
0.7597 |
| Variability of Note Durations |
0.492 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3113 |
| Strength of Second Strongest Rhythmic Pulse |
0.2849 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.093 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5962 |
| Rhythmic Variability |
0.03937 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000002762 |
| Duration in Seconds |
126.0 |
| Note Density |
4.867 |
| Note Density Variability |
1.802 |
| Average Time Between Attacks |
0.4547 |
| Average Time Between Attacks for Each Voice |
0.8116 |
| Variability of Time Between Attacks |
0.2532 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5758 |
| Relative Range Isolation of Loudest Voice |
0.4368 |
| Relative Range of Highest Line |
0.5758 |
| Relative Note Density of Highest Line |
0.4241 |
| Relative Note Durations of Lowest Line |
1.092 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7993 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.04866 |
| Average Number of Independent Voices |
3.682 |
| Similar Motion |
0.1795 |
| Contrary Motion |
0.1678 |
| Oblique Motion |
0.604 |
| Parallel Fifths |
0.003356 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5196 |
| Voice Equality - Number of Notes |
14.59 |
| Voice Equality - Note Duration |
3.542 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.915 |
| Importance of Loudest Voice |
11.67 |