Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.207 |
Prevalence of Second Most Common Vertical Interval |
0.175 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8454 |
Vertical Unisons |
0.03347 |
Vertical Minor Seconds |
0.004461 |
Vertical Thirds |
0.3087 |
Vertical Tritones |
0.01032 |
Vertical Perfect Fourths |
0.09544 |
Vertical Perfect Fifths |
0.1731 |
Vertical Sixths |
0.1636 |
Vertical Sevenths |
0.02227 |
Vertical Octaves |
0.1735 |
Perfect Vertical Intervals |
0.4756 |
Vertical Dissonance Ratio |
0.05498 |
Vertical Minor Third Prevalence |
0.6854 |
Vertical Major Third Prevalence |
0.5646 |
Chord Duration |
1.828 |
Partial Chords |
0.2017 |
Standard Triads |
0.5989 |
Diminished and Augmented Triads |
0.03699 |
Dominant Seventh Chords |
0.005841 |
Seventh Chords |
0.04945 |
Non-Standard Chords |
0.1499 |
Complex Chords |
0.007788 |
Minor Major Triad Ratio |
1.666 |
Average Number of Simultaneous Pitch Classes |
2.849 |
Variability of Number of Simultaneous Pitch Classes |
0.6436 |
Average Number of Simultaneous Pitches |
3.853 |
Variability of Number of Simultaneous Pitches |
0.9299 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
3.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
7.79 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
141.3 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
4.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1902 |
Stepwise Motion |
0.632 |
Melodic Thirds |
0.1711 |
Melodic Perfect Fourths |
0.05089 |
Melodic Tritones |
0.0005593 |
Melodic Perfect Fifths |
0.04195 |
Melodic Sixths |
0.002237 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.006711 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.29 |
Melodic Embellishments |
0.02677 |
Direction of Melodic Motion |
0.4663 |
Average Length of Melodic Arcs |
1.999 |
Average Interval Spanned by Melodic Arcs |
5.025 |
Melodic Pitch Variety |
5.028 |
Mean Melodic Interval |
2.289 |
Number of Common Melodic Intervals |
4.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4418 |
Relative Prevalence of Most Common Melodic Intervals |
0.4304 |
Amount of Arpeggiation |
0.3143 |
Repeated Notes |
0.09452 |
Importance of Middle Register |
0.4294 |
Importance of High Register |
0.0 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
52.29 |
Mean Pitch Class |
5.322 |
Most Common Pitch |
50.0 |
Most Common Pitch Class |
9.0 |
Prevalence of Most Common Pitch |
0.08812 |
Prevalence of Most Common Pitch Class |
0.169 |
Relative Prevalence of Top Pitches |
0.9747 |
Relative Prevalence of Top Pitch Classes |
0.9835 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
7.543 |
Pitch Class Variability |
3.385 |
Pitch Class Variability After Folding |
3.514 |
Pitch Skewness |
-0.1089 |
Pitch Class Skewness |
0.2852 |
Pitch Class Skewness After Folding |
0.6851 |
Pitch Kurtosis |
5.207 |
Pitch Class Kurtosis |
4.89 |
Pitch Class Kurtosis After Folding |
6.072 |
Major or Minor |
0.0 |
First Pitch |
50.0 |
First Pitch Class |
2.0 |
Last Pitch |
45.0 |
Last Pitch Class |
9.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
28.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
0.0 |
Number of Common Pitch Classes |
0.0 |
Range |
34.0 |
Importance of Bass Register |
0.5706 |
Note Density per Quarter Note |
1.353 |
Note Density per Quarter Note per Voice |
0.2706 |
Note Density per Quarter Note Variability |
0.5199 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
9.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.01562 |
Prevalence of Medium Rhythmic Values |
0.5204 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7998 |
Prevalence of Very Long Rhythmic Values |
0.08812 |
Prevalence of Dotted Notes |
0.126 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.966 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3201 |
Relative Prevalence of Most Common Rhythmic Values |
0.9895 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.82 |
Rhythmic Value Skewness |
1.592 |
Rhythmic Value Kurtosis |
9.673 |
Mean Rhythmic Value Run Length |
1.601 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.244 |
Mean Rhythmic Value Offset |
0.04239 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.7246 |
Complete Rests Fraction |
0.0007484 |
Partial Rests Fraction |
0.594 |
Average Rest Fraction Across Voices |
0.1858 |
Longest Complete Rest |
0.9917 |
Longest Partial Rest |
100.0 |
Mean Complete Rest Duration |
0.9917 |
Mean Partial Rest Duration |
9.397 |
Median Complete Rest Duration |
0.9917 |
Median Partial Rest Duration |
4.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
16.4 |
Variability Across Voices of Combined Rests |
104.8 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
1.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5606 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2205 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.543 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.781 |
Rhythmic Variability - Tempo Standardized |
0.04995 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
1793.0 |
Initial Tempo |
252.0 |
Average Variability of Time Between Attacks for Each Voice |
1.184 |
Minimum Note Duration |
0.119 |
Maximum Note Duration |
7.619 |
Average Note Duration |
0.7163 |
Variability of Note Durations |
0.5109 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
5.0 |
Number of Relatively Strong Rhythmic Pulses |
4.0 |
Mean Tempo |
252.0 |
Strongest Rhythmic Pulse |
63.0 |
Second Strongest Rhythmic Pulse |
42.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.3038 |
Strength of Second Strongest Rhythmic Pulse |
0.2606 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.166 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.5644 |
Rhythmic Variability |
0.03769 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.5 |
Tempo Variability |
0.0000000005522 |
Duration in Seconds |
315.5 |
Note Density |
5.684 |
Note Density Variability |
1.848 |
Average Time Between Attacks |
0.4039 |
Average Time Between Attacks for Each Voice |
0.8676 |
Variability of Time Between Attacks |
0.2353 |
Maximum Number of Independent Voices |
5.0 |
Relative Range of Loudest Voice |
0.4412 |
Relative Range Isolation of Loudest Voice |
0.3524 |
Relative Range of Highest Line |
0.4412 |
Relative Note Density of Highest Line |
0.1729 |
Relative Note Durations of Lowest Line |
1.046 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.884 |
Voice Separation |
5.0 |
Variability of Voice Separation |
3.367 |
Parallel Motion |
0.04384 |
Average Number of Independent Voices |
4.074 |
Similar Motion |
0.1276 |
Contrary Motion |
0.1739 |
Oblique Motion |
0.6547 |
Parallel Fifths |
0.0009742 |
Parallel Octaves |
0.004384 |
Variability of Number of Independent Voices |
0.9403 |
Voice Equality - Number of Notes |
63.92 |
Voice Equality - Note Duration |
24.96 |
Voice Equality - Dynamics |
8.944 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
1.483 |
Importance of Loudest Voice |
13.75 |