| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2141 |
| Prevalence of Second Most Common Vertical Interval |
0.1723 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8049 |
| Vertical Unisons |
0.05231 |
| Vertical Minor Seconds |
0.002001 |
| Vertical Thirds |
0.317 |
| Vertical Tritones |
0.01149 |
| Vertical Perfect Fourths |
0.1032 |
| Vertical Perfect Fifths |
0.1723 |
| Vertical Sixths |
0.1471 |
| Vertical Sevenths |
0.02064 |
| Vertical Octaves |
0.1618 |
| Perfect Vertical Intervals |
0.4897 |
| Vertical Dissonance Ratio |
0.04843 |
| Vertical Minor Third Prevalence |
0.4904 |
| Vertical Major Third Prevalence |
0.4432 |
| Chord Duration |
2.686 |
| Partial Chords |
0.4217 |
| Standard Triads |
0.4558 |
| Diminished and Augmented Triads |
0.03411 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01085 |
| Non-Standard Chords |
0.1116 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6333 |
| Average Number of Simultaneous Pitch Classes |
2.525 |
| Variability of Number of Simultaneous Pitch Classes |
0.6276 |
| Average Number of Simultaneous Pitches |
3.097 |
| Variability of Number of Simultaneous Pitches |
0.8098 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.968 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
68.19 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1884 |
| Stepwise Motion |
0.6315 |
| Melodic Thirds |
0.2043 |
| Melodic Perfect Fourths |
0.07556 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03451 |
| Melodic Sixths |
0.002799 |
| Melodic Sevenths |
0.0009328 |
| Melodic Octaves |
0.01493 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.305 |
| Melodic Embellishments |
0.03253 |
| Direction of Melodic Motion |
0.4603 |
| Average Length of Melodic Arcs |
2.163 |
| Average Interval Spanned by Melodic Arcs |
5.799 |
| Melodic Pitch Variety |
6.093 |
| Mean Melodic Interval |
2.608 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4431 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4253 |
| Amount of Arpeggiation |
0.2901 |
| Repeated Notes |
0.03545 |
| Importance of Middle Register |
0.8123 |
| Importance of High Register |
0.01208 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
59.94 |
| Mean Pitch Class |
5.282 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1041 |
| Prevalence of Most Common Pitch Class |
0.2072 |
| Relative Prevalence of Top Pitches |
0.9911 |
| Relative Prevalence of Top Pitch Classes |
0.7803 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.692 |
| Pitch Class Variability |
3.561 |
| Pitch Class Variability After Folding |
3.109 |
| Pitch Skewness |
0.1729 |
| Pitch Class Skewness |
0.2372 |
| Pitch Class Skewness After Folding |
1.106 |
| Pitch Kurtosis |
5.465 |
| Pitch Class Kurtosis |
4.852 |
| Pitch Class Kurtosis After Folding |
7.414 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1757 |
| Note Density per Quarter Note |
0.7906 |
| Note Density per Quarter Note per Voice |
0.1976 |
| Note Density per Quarter Note Variability |
0.4897 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.009294 |
| Prevalence of Medium Rhythmic Values |
0.4089 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8885 |
| Prevalence of Very Long Rhythmic Values |
0.2165 |
| Prevalence of Dotted Notes |
0.1636 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.963 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3067 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9697 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.741 |
| Rhythmic Value Skewness |
-0.04069 |
| Rhythmic Value Kurtosis |
7.436 |
| Mean Rhythmic Value Run Length |
1.476 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9563 |
| Mean Rhythmic Value Offset |
0.2082 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.713 |
| Complete Rests Fraction |
0.003988 |
| Partial Rests Fraction |
0.4766 |
| Average Rest Fraction Across Voices |
0.1716 |
| Longest Complete Rest |
4.349 |
| Longest Partial Rest |
203.7 |
| Mean Complete Rest Duration |
2.714 |
| Mean Partial Rest Duration |
12.45 |
| Median Complete Rest Duration |
4.349 |
| Median Partial Rest Duration |
3.513 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
2.313 |
| Variability of Partial Rest Durations |
28.93 |
| Variability Across Voices of Combined Rests |
114.7 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6457 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1968 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.281 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8425 |
| Rhythmic Variability - Tempo Standardized |
0.05434 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1076.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.035 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
8.571 |
| Average Note Duration |
0.9179 |
| Variability of Note Durations |
0.797 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
277.0 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3173 |
| Strength of Second Strongest Rhythmic Pulse |
0.2586 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.227 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5759 |
| Rhythmic Variability |
0.03758 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.59 |
| Duration in Seconds |
298.0 |
| Note Density |
3.61 |
| Note Density Variability |
1.422 |
| Average Time Between Attacks |
0.5117 |
| Average Time Between Attacks for Each Voice |
1.159 |
| Variability of Time Between Attacks |
0.3054 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.2598 |
| Relative Range of Highest Line |
0.5152 |
| Relative Note Density of Highest Line |
0.2491 |
| Relative Note Durations of Lowest Line |
1.015 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8987 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.05851 |
| Average Number of Independent Voices |
3.31 |
| Similar Motion |
0.1415 |
| Contrary Motion |
0.1787 |
| Oblique Motion |
0.6213 |
| Parallel Fifths |
0.008511 |
| Parallel Octaves |
0.005319 |
| Variability of Number of Independent Voices |
0.788 |
| Voice Equality - Number of Notes |
68.19 |
| Voice Equality - Note Duration |
25.12 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.63 |
| Importance of Loudest Voice |
11.67 |