| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1867 |
| Prevalence of Second Most Common Vertical Interval |
0.171 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9157 |
| Vertical Unisons |
0.03783 |
| Vertical Minor Seconds |
0.00146 |
| Vertical Thirds |
0.3231 |
| Vertical Tritones |
0.01387 |
| Vertical Perfect Fourths |
0.1113 |
| Vertical Perfect Fifths |
0.171 |
| Vertical Sixths |
0.159 |
| Vertical Sevenths |
0.01506 |
| Vertical Octaves |
0.1489 |
| Perfect Vertical Intervals |
0.469 |
| Vertical Dissonance Ratio |
0.05143 |
| Vertical Minor Third Prevalence |
0.4224 |
| Vertical Major Third Prevalence |
0.3805 |
| Chord Duration |
2.588 |
| Partial Chords |
0.5244 |
| Standard Triads |
0.3662 |
| Diminished and Augmented Triads |
0.03424 |
| Dominant Seventh Chords |
0.002445 |
| Seventh Chords |
0.009782 |
| Non-Standard Chords |
0.09965 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.102 |
| Average Number of Simultaneous Pitch Classes |
2.368 |
| Variability of Number of Simultaneous Pitch Classes |
0.6633 |
| Average Number of Simultaneous Pitches |
2.81 |
| Variability of Number of Simultaneous Pitches |
0.8783 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.909 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
165.7 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1841 |
| Stepwise Motion |
0.6472 |
| Melodic Thirds |
0.1592 |
| Melodic Perfect Fourths |
0.07743 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04237 |
| Melodic Sixths |
0.005844 |
| Melodic Sevenths |
0.002922 |
| Melodic Octaves |
0.005844 |
| Melodic Large Intervals |
0.0007305 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.907 |
| Melodic Embellishments |
0.01966 |
| Direction of Melodic Motion |
0.4663 |
| Average Length of Melodic Arcs |
1.904 |
| Average Interval Spanned by Melodic Arcs |
4.996 |
| Melodic Pitch Variety |
5.379 |
| Mean Melodic Interval |
2.485 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4631 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3975 |
| Amount of Arpeggiation |
0.2688 |
| Repeated Notes |
0.05844 |
| Importance of Middle Register |
0.8922 |
| Importance of High Register |
0.0284 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
61.6 |
| Mean Pitch Class |
5.298 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1355 |
| Prevalence of Most Common Pitch Class |
0.1974 |
| Relative Prevalence of Top Pitches |
0.8441 |
| Relative Prevalence of Top Pitch Classes |
0.9114 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
5.875 |
| Pitch Class Variability |
3.398 |
| Pitch Class Variability After Folding |
3.355 |
| Pitch Skewness |
0.1934 |
| Pitch Class Skewness |
0.263 |
| Pitch Class Skewness After Folding |
1.347 |
| Pitch Kurtosis |
5.549 |
| Pitch Class Kurtosis |
4.889 |
| Pitch Class Kurtosis After Folding |
6.521 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
12.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.07939 |
| Note Density per Quarter Note |
0.7675 |
| Note Density per Quarter Note per Voice |
0.1919 |
| Note Density per Quarter Note Variability |
0.3757 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.00437 |
| Prevalence of Medium Rhythmic Values |
0.461 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8667 |
| Prevalence of Very Long Rhythmic Values |
0.1988 |
| Prevalence of Dotted Notes |
0.1194 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.756 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3277 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8933 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.623 |
| Rhythmic Value Skewness |
0.8652 |
| Rhythmic Value Kurtosis |
7.444 |
| Mean Rhythmic Value Run Length |
1.636 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.249 |
| Mean Rhythmic Value Offset |
0.05936 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4796 |
| Complete Rests Fraction |
0.000489 |
| Partial Rests Fraction |
0.6828 |
| Average Rest Fraction Across Voices |
0.2781 |
| Longest Complete Rest |
0.8748 |
| Longest Partial Rest |
387.1 |
| Mean Complete Rest Duration |
0.8748 |
| Mean Partial Rest Duration |
26.54 |
| Median Complete Rest Duration |
0.8748 |
| Median Partial Rest Duration |
4.369 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
66.98 |
| Variability Across Voices of Combined Rests |
363.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6152 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1932 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.184 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8084 |
| Rhythmic Variability - Tempo Standardized |
0.05255 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1373.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.22 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.8202 |
| Variability of Note Durations |
0.5749 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
278.3 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3208 |
| Strength of Second Strongest Rhythmic Pulse |
0.2422 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.325 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.563 |
| Rhythmic Variability |
0.03713 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.77 |
| Duration in Seconds |
390.0 |
| Note Density |
3.52 |
| Note Density Variability |
1.107 |
| Average Time Between Attacks |
0.4959 |
| Average Time Between Attacks for Each Voice |
1.548 |
| Variability of Time Between Attacks |
0.2987 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6452 |
| Relative Range Isolation of Loudest Voice |
0.2887 |
| Relative Range of Highest Line |
0.6452 |
| Relative Note Density of Highest Line |
0.1952 |
| Relative Note Durations of Lowest Line |
1.088 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.866 |
| Voice Separation |
4.0 |
| Variability of Voice Separation |
2.646 |
| Parallel Motion |
0.08 |
| Average Number of Independent Voices |
2.928 |
| Similar Motion |
0.142 |
| Contrary Motion |
0.1731 |
| Oblique Motion |
0.6049 |
| Parallel Fifths |
0.004082 |
| Parallel Octaves |
0.005714 |
| Variability of Number of Independent Voices |
0.8832 |
| Voice Equality - Number of Notes |
165.7 |
| Voice Equality - Note Duration |
79.14 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.646 |
| Importance of Loudest Voice |
11.67 |