| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1971 |
| Prevalence of Second Most Common Vertical Interval |
0.1781 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9036 |
| Vertical Unisons |
0.05945 |
| Vertical Minor Seconds |
0.006771 |
| Vertical Thirds |
0.3391 |
| Vertical Tritones |
0.02315 |
| Vertical Perfect Fourths |
0.09299 |
| Vertical Perfect Fifths |
0.1514 |
| Vertical Sixths |
0.1429 |
| Vertical Sevenths |
0.02266 |
| Vertical Octaves |
0.1376 |
| Perfect Vertical Intervals |
0.4414 |
| Vertical Dissonance Ratio |
0.08292 |
| Vertical Minor Third Prevalence |
0.5532 |
| Vertical Major Third Prevalence |
0.4861 |
| Chord Duration |
2.419 |
| Partial Chords |
0.3293 |
| Standard Triads |
0.4447 |
| Diminished and Augmented Triads |
0.0601 |
| Dominant Seventh Chords |
0.004808 |
| Seventh Chords |
0.03606 |
| Non-Standard Chords |
0.1899 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7788 |
| Average Number of Simultaneous Pitch Classes |
2.69 |
| Variability of Number of Simultaneous Pitch Classes |
0.6709 |
| Average Number of Simultaneous Pitches |
3.236 |
| Variability of Number of Simultaneous Pitches |
0.8192 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.231 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
24.51 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2448 |
| Stepwise Motion |
0.7188 |
| Melodic Thirds |
0.09375 |
| Melodic Perfect Fourths |
0.07031 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02865 |
| Melodic Sixths |
0.002604 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007812 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.0 |
| Melodic Embellishments |
0.01289 |
| Direction of Melodic Motion |
0.4633 |
| Average Length of Melodic Arcs |
2.011 |
| Average Interval Spanned by Melodic Arcs |
4.67 |
| Melodic Pitch Variety |
5.0 |
| Mean Melodic Interval |
2.188 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.474 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5165 |
| Amount of Arpeggiation |
0.2083 |
| Repeated Notes |
0.07812 |
| Importance of Middle Register |
0.8351 |
| Importance of High Register |
0.1598 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
66.61 |
| Mean Pitch Class |
5.402 |
| Most Common Pitch |
69.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1314 |
| Prevalence of Most Common Pitch Class |
0.1727 |
| Relative Prevalence of Top Pitches |
0.8824 |
| Relative Prevalence of Top Pitch Classes |
0.8657 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
5.627 |
| Pitch Class Variability |
3.527 |
| Pitch Class Variability After Folding |
3.375 |
| Pitch Skewness |
0.2034 |
| Pitch Class Skewness |
0.3419 |
| Pitch Class Skewness After Folding |
0.5957 |
| Pitch Kurtosis |
5.581 |
| Pitch Class Kurtosis |
4.863 |
| Pitch Class Kurtosis After Folding |
6.407 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
57.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
27.0 |
| Importance of Bass Register |
0.005155 |
| Note Density per Quarter Note |
0.8961 |
| Note Density per Quarter Note per Voice |
0.224 |
| Note Density per Quarter Note Variability |
0.4857 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005155 |
| Prevalence of Medium Rhythmic Values |
0.3995 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7938 |
| Prevalence of Very Long Rhythmic Values |
0.2423 |
| Prevalence of Dotted Notes |
0.1495 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.851 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3247 |
| Relative Prevalence of Most Common Rhythmic Values |
0.619 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.589 |
| Rhythmic Value Skewness |
-0.1732 |
| Rhythmic Value Kurtosis |
6.857 |
| Mean Rhythmic Value Run Length |
1.709 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.082 |
| Mean Rhythmic Value Offset |
0.07216 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5331 |
| Complete Rests Fraction |
0.00229 |
| Partial Rests Fraction |
0.4041 |
| Average Rest Fraction Across Voices |
0.1212 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
56.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
12.35 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
14.95 |
| Variability Across Voices of Combined Rests |
42.15 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5442 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2413 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.255 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7856 |
| Rhythmic Variability - Tempo Standardized |
0.04938 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
388.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9379 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.7544 |
| Variability of Note Durations |
0.5496 |
| Amount of Staccato |
0.005155 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3204 |
| Strength of Second Strongest Rhythmic Pulse |
0.2246 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.427 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.545 |
| Rhythmic Variability |
0.03602 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000003946 |
| Duration in Seconds |
83.27 |
| Note Density |
4.66 |
| Note Density Variability |
1.982 |
| Average Time Between Attacks |
0.4368 |
| Average Time Between Attacks for Each Voice |
0.8621 |
| Variability of Time Between Attacks |
0.3221 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4444 |
| Relative Range Isolation of Loudest Voice |
0.1868 |
| Relative Range of Highest Line |
0.4444 |
| Relative Note Density of Highest Line |
0.7526 |
| Relative Note Durations of Lowest Line |
1.164 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.933 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
3.215 |
| Parallel Motion |
0.04831 |
| Average Number of Independent Voices |
3.523 |
| Similar Motion |
0.128 |
| Contrary Motion |
0.1957 |
| Oblique Motion |
0.628 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.002415 |
| Variability of Number of Independent Voices |
0.6306 |
| Voice Equality - Number of Notes |
24.51 |
| Voice Equality - Note Duration |
8.107 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.16 |
| Importance of Loudest Voice |
11.67 |