| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1864 |
| Prevalence of Second Most Common Vertical Interval |
0.1756 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9419 |
| Vertical Unisons |
0.02457 |
| Vertical Minor Seconds |
0.0004638 |
| Vertical Thirds |
0.3377 |
| Vertical Tritones |
0.0192 |
| Vertical Perfect Fourths |
0.08992 |
| Vertical Perfect Fifths |
0.1637 |
| Vertical Sixths |
0.1698 |
| Vertical Sevenths |
0.01915 |
| Vertical Octaves |
0.1619 |
| Perfect Vertical Intervals |
0.44 |
| Vertical Dissonance Ratio |
0.05533 |
| Vertical Minor Third Prevalence |
0.465 |
| Vertical Major Third Prevalence |
0.4953 |
| Chord Duration |
1.864 |
| Partial Chords |
0.3675 |
| Standard Triads |
0.4818 |
| Diminished and Augmented Triads |
0.05911 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0197 |
| Non-Standard Chords |
0.131 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7464 |
| Average Number of Simultaneous Pitch Classes |
2.601 |
| Variability of Number of Simultaneous Pitch Classes |
0.6179 |
| Average Number of Simultaneous Pitches |
3.201 |
| Variability of Number of Simultaneous Pitches |
0.8288 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.779 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
126.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1955 |
| Stepwise Motion |
0.643 |
| Melodic Thirds |
0.1987 |
| Melodic Perfect Fourths |
0.06139 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.042 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004847 |
| Melodic Large Intervals |
0.001616 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.86 |
| Melodic Embellishments |
0.01926 |
| Direction of Melodic Motion |
0.4686 |
| Average Length of Melodic Arcs |
1.717 |
| Average Interval Spanned by Melodic Arcs |
4.356 |
| Melodic Pitch Variety |
4.782 |
| Mean Melodic Interval |
2.441 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4475 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4368 |
| Amount of Arpeggiation |
0.2956 |
| Repeated Notes |
0.04847 |
| Importance of Middle Register |
0.7416 |
| Importance of High Register |
0.009631 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.57 |
| Mean Pitch Class |
5.055 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1124 |
| Prevalence of Most Common Pitch Class |
0.1894 |
| Relative Prevalence of Top Pitches |
0.7571 |
| Relative Prevalence of Top Pitch Classes |
0.8305 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.308 |
| Pitch Class Variability |
3.473 |
| Pitch Class Variability After Folding |
4.051 |
| Pitch Skewness |
-0.4158 |
| Pitch Class Skewness |
0.04714 |
| Pitch Class Skewness After Folding |
0.8155 |
| Pitch Kurtosis |
5.498 |
| Pitch Class Kurtosis |
4.743 |
| Pitch Class Kurtosis After Folding |
5.035 |
| Major or Minor |
0.0 |
| First Pitch |
65.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2488 |
| Note Density per Quarter Note |
1.178 |
| Note Density per Quarter Note per Voice |
0.2944 |
| Note Density per Quarter Note Variability |
0.5296 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01766 |
| Prevalence of Medium Rhythmic Values |
0.634 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.87 |
| Prevalence of Very Long Rhythmic Values |
0.0626 |
| Prevalence of Dotted Notes |
0.1204 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.801 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.504 |
| Relative Prevalence of Most Common Rhythmic Values |
0.465 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.88 |
| Rhythmic Value Skewness |
1.278 |
| Rhythmic Value Kurtosis |
16.32 |
| Mean Rhythmic Value Run Length |
1.614 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.195 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.001875 |
| Partial Rests Fraction |
0.4839 |
| Average Rest Fraction Across Voices |
0.1753 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
56.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
8.833 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
14.87 |
| Variability Across Voices of Combined Rests |
44.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6636 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1766 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.758 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8402 |
| Rhythmic Variability - Tempo Standardized |
0.05519 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
623.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.138 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
2.857 |
| Average Note Duration |
0.6669 |
| Variability of Note Durations |
0.4475 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
42.0 |
| Second Strongest Rhythmic Pulse |
63.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2897 |
| Strength of Second Strongest Rhythmic Pulse |
0.2844 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.019 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5741 |
| Rhythmic Variability |
0.03888 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000002762 |
| Duration in Seconds |
126.0 |
| Note Density |
4.946 |
| Note Density Variability |
1.96 |
| Average Time Between Attacks |
0.4297 |
| Average Time Between Attacks for Each Voice |
0.7921 |
| Variability of Time Between Attacks |
0.2729 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.5504 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.4366 |
| Relative Note Durations of Lowest Line |
1.038 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.817 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.0798 |
| Average Number of Independent Voices |
3.305 |
| Similar Motion |
0.1808 |
| Contrary Motion |
0.1824 |
| Oblique Motion |
0.557 |
| Parallel Fifths |
0.004886 |
| Parallel Octaves |
0.003257 |
| Variability of Number of Independent Voices |
0.7976 |
| Voice Equality - Number of Notes |
24.62 |
| Voice Equality - Note Duration |
10.57 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.363 |
| Importance of Loudest Voice |
15.0 |