| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2232 |
| Prevalence of Second Most Common Vertical Interval |
0.1974 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8845 |
| Vertical Unisons |
0.0338 |
| Vertical Minor Seconds |
0.005951 |
| Vertical Thirds |
0.3505 |
| Vertical Tritones |
0.02017 |
| Vertical Perfect Fourths |
0.07371 |
| Vertical Perfect Fifths |
0.1703 |
| Vertical Sixths |
0.1623 |
| Vertical Sevenths |
0.01234 |
| Vertical Octaves |
0.1636 |
| Perfect Vertical Intervals |
0.4414 |
| Vertical Dissonance Ratio |
0.04804 |
| Vertical Minor Third Prevalence |
0.4932 |
| Vertical Major Third Prevalence |
0.3341 |
| Chord Duration |
2.488 |
| Partial Chords |
0.5354 |
| Standard Triads |
0.3734 |
| Diminished and Augmented Triads |
0.03482 |
| Dominant Seventh Chords |
0.001971 |
| Seventh Chords |
0.01445 |
| Non-Standard Chords |
0.07676 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.675 |
| Average Number of Simultaneous Pitch Classes |
2.361 |
| Variability of Number of Simultaneous Pitch Classes |
0.6669 |
| Average Number of Simultaneous Pitches |
2.872 |
| Variability of Number of Simultaneous Pitches |
0.9042 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.131 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
68.67 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2007 |
| Stepwise Motion |
0.5775 |
| Melodic Thirds |
0.1621 |
| Melodic Perfect Fourths |
0.06261 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03394 |
| Melodic Sixths |
0.002341 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.002341 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.347 |
| Melodic Embellishments |
0.02509 |
| Direction of Melodic Motion |
0.4809 |
| Average Length of Melodic Arcs |
1.755 |
| Average Interval Spanned by Melodic Arcs |
4.379 |
| Melodic Pitch Variety |
4.547 |
| Mean Melodic Interval |
2.109 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3768 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5326 |
| Amount of Arpeggiation |
0.3575 |
| Repeated Notes |
0.1592 |
| Importance of Middle Register |
0.6919 |
| Importance of High Register |
0.0005834 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.3 |
| Mean Pitch Class |
5.494 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1062 |
| Prevalence of Most Common Pitch Class |
0.2083 |
| Relative Prevalence of Top Pitches |
0.9725 |
| Relative Prevalence of Top Pitch Classes |
0.8375 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.816 |
| Pitch Class Variability |
3.604 |
| Pitch Class Variability After Folding |
2.849 |
| Pitch Skewness |
-0.5131 |
| Pitch Class Skewness |
0.4108 |
| Pitch Class Skewness After Folding |
0.3035 |
| Pitch Kurtosis |
5.327 |
| Pitch Class Kurtosis |
4.851 |
| Pitch Class Kurtosis After Folding |
7.808 |
| Major or Minor |
0.0 |
| First Pitch |
64.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.3075 |
| Note Density per Quarter Note |
1.02 |
| Note Density per Quarter Note per Voice |
0.2549 |
| Note Density per Quarter Note Variability |
0.5187 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01225 |
| Prevalence of Medium Rhythmic Values |
0.528 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8652 |
| Prevalence of Very Long Rhythmic Values |
0.04901 |
| Prevalence of Dotted Notes |
0.09977 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.899 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3932 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8887 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.525 |
| Rhythmic Value Skewness |
1.768 |
| Rhythmic Value Kurtosis |
9.715 |
| Mean Rhythmic Value Run Length |
1.658 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.235 |
| Mean Rhythmic Value Offset |
0.003792 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.09844 |
| Complete Rests Fraction |
0.009504 |
| Partial Rests Fraction |
0.6295 |
| Average Rest Fraction Across Voices |
0.2612 |
| Longest Complete Rest |
3.709 |
| Longest Partial Rest |
100.2 |
| Mean Complete Rest Duration |
3.195 |
| Mean Partial Rest Duration |
15.54 |
| Median Complete Rest Duration |
3.709 |
| Median Partial Rest Duration |
3.709 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
1.15 |
| Variability of Partial Rest Durations |
20.54 |
| Variability Across Voices of Combined Rests |
161.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6039 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1984 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.044 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8023 |
| Rhythmic Variability - Tempo Standardized |
0.05153 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1714.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.419 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.6016 |
| Variability of Note Durations |
0.3143 |
| Amount of Staccato |
0.002334 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
292.3 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.2897 |
| Strength of Second Strongest Rhythmic Pulse |
0.2467 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.175 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5364 |
| Rhythmic Variability |
0.0357 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
28.19 |
| Duration in Seconds |
348.6 |
| Note Density |
4.917 |
| Note Density Variability |
1.791 |
| Average Time Between Attacks |
0.4123 |
| Average Time Between Attacks for Each Voice |
0.8191 |
| Variability of Time Between Attacks |
0.2418 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5588 |
| Relative Range Isolation of Loudest Voice |
0.4712 |
| Relative Range of Highest Line |
0.5588 |
| Relative Note Density of Highest Line |
0.1517 |
| Relative Note Durations of Lowest Line |
1.012 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8261 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.04286 |
| Average Number of Independent Voices |
2.984 |
| Similar Motion |
0.1714 |
| Contrary Motion |
0.2211 |
| Oblique Motion |
0.5646 |
| Parallel Fifths |
0.0006803 |
| Parallel Octaves |
0.001361 |
| Variability of Number of Independent Voices |
0.8912 |
| Voice Equality - Number of Notes |
68.67 |
| Voice Equality - Note Duration |
33.56 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.915 |
| Importance of Loudest Voice |
11.67 |