| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2196 |
| Prevalence of Second Most Common Vertical Interval |
0.1957 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8909 |
| Vertical Unisons |
0.04254 |
| Vertical Minor Seconds |
0.001579 |
| Vertical Thirds |
0.2998 |
| Vertical Tritones |
0.01161 |
| Vertical Perfect Fourths |
0.0871 |
| Vertical Perfect Fifths |
0.2196 |
| Vertical Sixths |
0.1472 |
| Vertical Sevenths |
0.02371 |
| Vertical Octaves |
0.1531 |
| Perfect Vertical Intervals |
0.5024 |
| Vertical Dissonance Ratio |
0.05318 |
| Vertical Minor Third Prevalence |
0.426 |
| Vertical Major Third Prevalence |
0.4309 |
| Chord Duration |
1.928 |
| Partial Chords |
0.4231 |
| Standard Triads |
0.4336 |
| Diminished and Augmented Triads |
0.02098 |
| Dominant Seventh Chords |
0.01049 |
| Seventh Chords |
0.04545 |
| Non-Standard Chords |
0.0979 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.067 |
| Average Number of Simultaneous Pitch Classes |
2.546 |
| Variability of Number of Simultaneous Pitch Classes |
0.7009 |
| Average Number of Simultaneous Pitches |
3.102 |
| Variability of Number of Simultaneous Pitches |
0.9066 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.164 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
55.47 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1712 |
| Stepwise Motion |
0.5916 |
| Melodic Thirds |
0.2252 |
| Melodic Perfect Fourths |
0.06006 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04204 |
| Melodic Sixths |
0.003003 |
| Melodic Sevenths |
0.003003 |
| Melodic Octaves |
0.01201 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.778 |
| Melodic Embellishments |
0.02959 |
| Direction of Melodic Motion |
0.4712 |
| Average Length of Melodic Arcs |
1.891 |
| Average Interval Spanned by Melodic Arcs |
5.085 |
| Melodic Pitch Variety |
5.545 |
| Mean Melodic Interval |
2.562 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4204 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4071 |
| Amount of Arpeggiation |
0.3453 |
| Repeated Notes |
0.06306 |
| Importance of Middle Register |
0.6538 |
| Importance of High Register |
0.005917 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.24 |
| Mean Pitch Class |
5.204 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.09467 |
| Prevalence of Most Common Pitch Class |
0.2041 |
| Relative Prevalence of Top Pitches |
0.9062 |
| Relative Prevalence of Top Pitch Classes |
0.8551 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.431 |
| Pitch Class Variability |
3.46 |
| Pitch Class Variability After Folding |
3.328 |
| Pitch Skewness |
-0.08719 |
| Pitch Class Skewness |
0.177 |
| Pitch Class Skewness After Folding |
0.5627 |
| Pitch Kurtosis |
5.177 |
| Pitch Class Kurtosis |
4.815 |
| Pitch Class Kurtosis After Folding |
6.614 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3402 |
| Note Density per Quarter Note |
1.108 |
| Note Density per Quarter Note per Voice |
0.2771 |
| Note Density per Quarter Note Variability |
0.6427 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005917 |
| Prevalence of Medium Rhythmic Values |
0.5473 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.855 |
| Prevalence of Very Long Rhythmic Values |
0.06509 |
| Prevalence of Dotted Notes |
0.09467 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.947 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4024 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8015 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.766 |
| Rhythmic Value Skewness |
1.609 |
| Rhythmic Value Kurtosis |
12.22 |
| Mean Rhythmic Value Run Length |
1.572 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9968 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.003251 |
| Partial Rests Fraction |
0.4623 |
| Average Rest Fraction Across Voices |
0.1869 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
48.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
8.443 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.23 |
| Variability Across Voices of Combined Rests |
31.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5686 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2327 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.444 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8012 |
| Rhythmic Variability - Tempo Standardized |
0.05045 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
338.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9102 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
2.857 |
| Average Note Duration |
0.7016 |
| Variability of Note Durations |
0.4204 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2792 |
| Strength of Second Strongest Rhythmic Pulse |
0.2656 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.051 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5448 |
| Rhythmic Variability |
0.03748 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
0.00000000006122 |
| Duration in Seconds |
72.62 |
| Note Density |
4.655 |
| Note Density Variability |
2.184 |
| Average Time Between Attacks |
0.4389 |
| Average Time Between Attacks for Each Voice |
0.8024 |
| Variability of Time Between Attacks |
0.2627 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5758 |
| Relative Range Isolation of Loudest Voice |
0.102 |
| Relative Range of Highest Line |
0.5758 |
| Relative Note Density of Highest Line |
0.7692 |
| Relative Note Durations of Lowest Line |
1.044 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.9704 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
4.0 |
| Parallel Motion |
0.06176 |
| Average Number of Independent Voices |
3.263 |
| Similar Motion |
0.1382 |
| Contrary Motion |
0.1853 |
| Oblique Motion |
0.6147 |
| Parallel Fifths |
0.008824 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9086 |
| Voice Equality - Number of Notes |
13.77 |
| Voice Equality - Note Duration |
7.428 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.5 |
| Importance of Loudest Voice |
15.0 |