| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2075 |
| Prevalence of Second Most Common Vertical Interval |
0.1865 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8986 |
| Vertical Unisons |
0.01928 |
| Vertical Minor Seconds |
0.001245 |
| Vertical Thirds |
0.3171 |
| Vertical Tritones |
0.01274 |
| Vertical Perfect Fourths |
0.1178 |
| Vertical Perfect Fifths |
0.2075 |
| Vertical Sixths |
0.1272 |
| Vertical Sevenths |
0.01557 |
| Vertical Octaves |
0.1672 |
| Perfect Vertical Intervals |
0.5119 |
| Vertical Dissonance Ratio |
0.04588 |
| Vertical Minor Third Prevalence |
0.5893 |
| Vertical Major Third Prevalence |
0.4885 |
| Chord Duration |
3.309 |
| Partial Chords |
0.2603 |
| Standard Triads |
0.5889 |
| Diminished and Augmented Triads |
0.03351 |
| Dominant Seventh Chords |
0.005155 |
| Seventh Chords |
0.01289 |
| Non-Standard Chords |
0.1379 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.174 |
| Average Number of Simultaneous Pitch Classes |
2.744 |
| Variability of Number of Simultaneous Pitch Classes |
0.5044 |
| Average Number of Simultaneous Pitches |
3.49 |
| Variability of Number of Simultaneous Pitches |
0.5486 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.88 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
193.7 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2203 |
| Stepwise Motion |
0.6441 |
| Melodic Thirds |
0.1644 |
| Melodic Perfect Fourths |
0.06949 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02373 |
| Melodic Sixths |
0.01017 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01864 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.939 |
| Melodic Embellishments |
0.02189 |
| Direction of Melodic Motion |
0.4554 |
| Average Length of Melodic Arcs |
1.836 |
| Average Interval Spanned by Melodic Arcs |
4.779 |
| Melodic Pitch Variety |
5.055 |
| Mean Melodic Interval |
2.439 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4237 |
| Relative Prevalence of Most Common Melodic Intervals |
0.52 |
| Amount of Arpeggiation |
0.2763 |
| Repeated Notes |
0.06949 |
| Importance of Middle Register |
0.6027 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
55.8 |
| Mean Pitch Class |
5.054 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1178 |
| Prevalence of Most Common Pitch Class |
0.2155 |
| Relative Prevalence of Top Pitches |
0.9571 |
| Relative Prevalence of Top Pitch Classes |
0.8984 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.449 |
| Pitch Class Variability |
3.395 |
| Pitch Class Variability After Folding |
3.367 |
| Pitch Skewness |
-0.4448 |
| Pitch Class Skewness |
0.04761 |
| Pitch Class Skewness After Folding |
0.5701 |
| Pitch Kurtosis |
5.211 |
| Pitch Class Kurtosis |
4.743 |
| Pitch Class Kurtosis After Folding |
6.407 |
| Major or Minor |
0.0 |
| First Pitch |
45.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
27.0 |
| Importance of Bass Register |
0.3973 |
| Note Density per Quarter Note |
0.7567 |
| Note Density per Quarter Note per Voice |
0.1892 |
| Note Density per Quarter Note Variability |
0.4189 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003367 |
| Prevalence of Medium Rhythmic Values |
0.298 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9411 |
| Prevalence of Very Long Rhythmic Values |
0.3165 |
| Prevalence of Dotted Notes |
0.133 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.657 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3653 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6544 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.782 |
| Rhythmic Value Skewness |
0.708 |
| Rhythmic Value Kurtosis |
6.237 |
| Mean Rhythmic Value Run Length |
1.619 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.183 |
| Mean Rhythmic Value Offset |
0.07744 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6332 |
| Complete Rests Fraction |
0.00111 |
| Partial Rests Fraction |
0.3997 |
| Average Rest Fraction Across Voices |
0.103 |
| Longest Complete Rest |
0.8712 |
| Longest Partial Rest |
52.21 |
| Mean Complete Rest Duration |
0.8712 |
| Mean Partial Rest Duration |
8.984 |
| Median Complete Rest Duration |
0.8712 |
| Median Partial Rest Duration |
4.351 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.04 |
| Variability Across Voices of Combined Rests |
67.45 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7148 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1472 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.856 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.862 |
| Rhythmic Variability - Tempo Standardized |
0.05833 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
594.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.005 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
4.762 |
| Average Note Duration |
1.038 |
| Variability of Note Durations |
0.6646 |
| Amount of Staccato |
0.003367 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
277.1 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.4131 |
| Strength of Second Strongest Rhythmic Pulse |
0.2257 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.83 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6389 |
| Rhythmic Variability |
0.0412 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.6 |
| Duration in Seconds |
171.8 |
| Note Density |
3.457 |
| Note Density Variability |
1.083 |
| Average Time Between Attacks |
0.619 |
| Average Time Between Attacks for Each Voice |
1.149 |
| Variability of Time Between Attacks |
0.3392 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4815 |
| Relative Range Isolation of Loudest Voice |
0.2125 |
| Relative Range of Highest Line |
0.4815 |
| Relative Note Density of Highest Line |
0.4242 |
| Relative Note Durations of Lowest Line |
1.181 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.9259 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.0 |
| Parallel Motion |
0.05195 |
| Average Number of Independent Voices |
3.582 |
| Similar Motion |
0.1519 |
| Contrary Motion |
0.2519 |
| Oblique Motion |
0.5442 |
| Parallel Fifths |
0.01169 |
| Parallel Octaves |
0.001299 |
| Variability of Number of Independent Voices |
0.5136 |
| Voice Equality - Number of Notes |
19.55 |
| Voice Equality - Note Duration |
14.77 |
| Voice Equality - Dynamics |
10.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
0.9574 |
| Importance of Loudest Voice |
20.0 |